Institute of Music
The Institute of Music promotes methodical studies and the spread of knowledge in various fields of Western musical culture. Its activities are mainly focused on three areas: compositional processes, theory and practice of musical interpretation and audiovisual experiences. These activities involve conserving and developing major archives and collections of private individuals, publishing musicological literature, and organising conferences, seminars and musical events to encourage synergies between public and private Italian and international organisations.
At the centre of this area of study are the sources of musical creation in the 20th century that are approached from various points of view. The reconstruction of the genesis of music works or events; the biography of people or the history of musical organisations are just some of the aspects analyzed in this area.
The organic set of studies, workshops and masterclasses, characterised by the combination of historical research, theoretical elaboration and music performing practice , as well as activities that focus on themes and repertoires of eras, different areas and cultures, are part of the theory and practice of musical interpretation.
The link between sound and image, as it is configured in the electronic age, is at the center of the third area of activity. Audiovisual productions (a vast field that ranges from cinema to art installations) are explored in terms of structural relations and communicational methods. The study of the acoustic dimension as built into the complexity of the audiovisual product means bringing together different methodological approaches: enquiries into production systems and professional figures, the study of production processes, the analysis of repertoires and compositional strategies, and the historically-informed surveying of individual audiovisual documents in their specific compositional and dramaturgical dimension.
In 2015 the Institute of Music celebrate thirty years of activity, read the article from the Lettera da San Giorgio: Thirty Years of the Institute of Music by Gianmario Borio.
The Institute for Music is committed to acquiring, conserving, safeguarding and developing 20th and 21st-century archives, especially those built up by leading figures in the world of music, dance and audiovisual productions.
27 June 2018 – 30 June 2018
Workshop Research-led Performance: Flute and Guitar in Twentieth Century Music
16 March 2018 – 18 March 2018
International Conference The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions
07 December 2017
Book Launch Music-Dance: Sound and Motion in Contemporary Discourse
30 October 2017 – 31 October 2017
Seminar Franz Schubert’s Late Piano Sonatas: Analysis and Performance
19 June 2017 – 22 June 2017
Workshop The Creation of Timbre: Amplified String Instruments in the Music of George Crumb, Franco Oppo, Fausto Romitelli and Giacinto Scelsi
16 June 2017 – 17 June 2017
International Conference. Monteverdi’s Venetian Operas: New Ideas for Interpretation and Mise en Scène
05 May 2017 – 06 May 2017
Conference For Francesco Degrada: Music Criticism and Italian Musicology in the Militant Years
09 December 2016 – 11 December 2016
“Alternating Tones”: Musical Elements in the Poetry of Friedrich Hölderlin and its Reception with Composers. A Dialogue between German Studies and Musicology
26 November 2016 – 27 November 2016
International Conference New Music Theatre in Europe: Transformations between 1955-1975
18 July 2016 – 23 July 2016
Seminar on 16th- and 17th- Century Music Sources Venice, a City without a Court: church, theatre and ridotto
08 July 2016 – 10 July 2016
Investigating Musical Performance: Towards a Conjuction of Ethnographic and Historiographic Perspectives
27 June 2016 – 29 June 2016
Research-Led Performance Workshop. The Guitar in the Work of Mauricio Kagel, Giacomo Manzoni and Fausto Romitelli
September, 22 -23
February, 28 – March, 02
September, 28 – 29
Roman Vlad donated his personal archive to the Fondazione Cini
June, 18 – 19
March, 22 – June, 30
March, 22 – 24
Giovanni Gabrieli Between Past and Future: Contexts, Models and Italian DisciplesInternational Study Sessions for the quadricentennial of Giovanni Gabrieli (1554/56-1612).
Publication: Rodolfo Baroncini, Giovanni Gabrieli, Palermo, l’Epos.
Improvised Music in Europe (1966-1976). International workshop.
Publication: Alla ricerca di luce e chiarezza. L’epistolario HelmutLachenmann – Luigi Nono (Fondazione Giorgio Cini – Studi di musica veneta; ArchivioLuigi Nono – Studi IV).
Luciano Berio’s MusicalTheater: Un re in ascolto.
1985 - 2011
The creation of an independent Institute for Music was decided in April 1985 by the Cini Foundation General Council in order to complete a project (“The Scuola di San Giorgio for the Study of Venetian Culture”), originally conceived, set up and developed by Vittorio Cini; the centenary of his birth was being celebrated that year.
From the outset, under the direction of Giovanni Morelli, (who died on 12 July 2011), and in agreement with the Vivaldi Institute, a number of promising prospects opened up, as demonstrated by the intense activity in 1985 for the European Year of Music: the international advanced culture course, Music in Education and the Development of European Culture, three study conferences – Baldassarre Galluppi, Andrea Gabrieli and his Age and Back to Stiffelio (dealing with Verdian themes) – and a large overall set of related publications.
The Critical Edition of the Works of Andrea Gabrieli was later acknowledged as the National Edition (i.e. the first national edition of the complete works of a composer on a par with the literary or scientific works of Dante, Foscolo, Tasso, Galileo, etc.). The critical edition required the indispensable promotion of a complete collection of sources, while there was also a need to acquire a large photo library (around 8,000 items) consisting of musical scores published in the Veneto area and elsewhere, before and after Gabrieli.
As well as completing the photo library, the project involved the re-ordering of score transcriptions of polyphonic music made during the Foundation’s first twenty years by Don Siro Cisilino. In 1986 an ambitious project on “Goldonian music” was launched. This involved collecting all the scores, librettos and documentation related to musical settings for Goldoni’s texts or texts derived from Goldoni or “after Goldoni”. The Goldoni Music project also had spinoffs in the form of unexpectedly detailed supplementary information and texts, leading to the launch in 1987 of a second project on Venetian farce in the transition period of the late 18th and early 19th century, which soon also yielded fruit (books, conferences and practical and critical editions).
The Institute has also collaborated in synergic initiatives with the Luigi Nono Archives by promoting five study conferences, the publication of thematic dossiers, a documentary exhibition at the Palazzo Cini, concerts, master classes and sessions on the historically-informed reconstruction and publication of works left unfinished by Nono. With the Teatro La Fenice, from 1985 to December 2000, the Institute for Music cooperated intensively on various projects linked to musical studies in the sector of early and Baroque music as well as contemporary music. In the wake, on the other hand , of an officially “agreed” synergy with the degree course in the Conservation of the Cultural Heritage, created at Ca’ Foscari University in 1992, and the degree course in the Performing Arts, Musicology and the Musical Heritage, also created at Ca’ Foscari, in 2001, the Institute set up and completed four research projects on training people for the sector of conserving the musical heritage.