Saggi e Memorie di Storia dell’Arte

edited by the Institute of Art History

Edited by: Fondazione Giorgio Cini, Venice

Founded in 1957 under the direction of Giuseppe Fiocco, Saggi e Memorie di Storia dell’Arte stands as one of the most important scholarly publications in the field of Art History with a historical-critical approach. The journal is distinguished by an interdisciplinary framework that extends beyond the confines of Venetian art, allowing for an in-depth exploration of topics related to Italian and European art.

The journal is directed by Luca Massimo Barbero and coordinated by the Institute of Art History. It is recognised by ANVUR as a Class A scientific journal for Ancient Sciences, Philological-Literary Studies, and Historical-Artistic Research.

Editorial Board

EDITOR-IN-CHIEF

Luca Massimo Barbero

EDITORIAL COMMITTEE

Simone Guerriero

Sileno Salvagnini

Marzia Scalon

Sabina Tutone

Loredana Pavanello, segreteria

Camilla Fattore, segreteria

EDITORIAL COORDINATION

Caterina Vettore

SCIENTIFIC COMMITTEE

Rosa Barovier

Ester Coen

Francesca Flores d’Arcais

Caterina Furlan

Lauro Magnani

Jean-Luc Olivié

Nico Stringa

Francesco Tedeschi

Giovanna Valenzano

Code of Ethics

CODE OF ETHICS OF THE JOURNAL “SAGGI E MEMORIE DI STORIA DELL’ARTE”

“Saggi e Memorie di storia dell’arte” is a peer-reviewed scholarly journal that is informed by the guidelines of the Committee on Publication Ethics (COPE), Best Practice Guidelines for Journal Editors. The Editor-in-Chief and the Editorial Board are committed to adopting all possible measures to ensure ethical standards throughout the publication process. All parties involved—Editor-in-Chief, Editorial Board, External Reviewers, and Authors—are aware of and share the following principles.

EDITOR-IN-CHIEF AND EDITORIAL BOARD

The Editor-in-Chief and the Editorial Board are responsible for deciding whether submitted manuscripts should be published. Their decision is based on an initial internal assessment followed by an anonymous double-blind peer review conducted by expert referees affiliated with universities, research institutions, cultural organizations, or recognized independent scholars with proven international expertise and experience.

The Editor-in-Chief and the Editorial Board evaluate submissions solely on the basis of their scholarly merit, relevance, and originality, without discrimination regarding gender, sexual orientation, religion, ethnicity, nationality, or political beliefs of the Authors. They also take into account the recommendations provided by the Reviewers when making their decisions.

In the event of conflicting reviews, the Editor-in-Chief and the Editorial Board may submit the manuscript for anonymous evaluation by a third expert reviewer. The final decision, however, always rests with the Editor-in-Chief and the Editorial Board.

The Editor-in-Chief and the Editorial Board may request that Authors make corrections or additions deemed necessary, including those arising from the anonymous peer-review process. Authors may submit comments and/or objections regarding such requests, which will then be considered by the Editor-in-Chief and the Editorial Board. The Editor-in-Chief also reserves the right to make editorial modifications to ensure consistency throughout the journal.

The Editor-in-Chief and the Editorial Board undertake not to disclose any information regarding submitted manuscripts to individuals other than those directly involved in the publication process, such as Authors, Reviewers, and the Publisher. They are also prohibited from using or disseminating unpublished materials contained in submitted manuscripts without the Authors’ prior and explicit consent.

REVIEWERS

The anonymous double-blind peer-review process must be conducted fairly and objectively. Reviewers receive manuscripts in anonymous form and are required to decline the assignment if the subject matter overlaps with their own research interests or if any conflict of interest may arise.

Reviewers undertake to support their evaluations with appropriate and well-documented comments and observations, avoiding judgments based on personal or ideological considerations.

Reviewers are encouraged to identify any errors, omissions, or overlaps found in the manuscripts and to specify the relevant sources.

Reviewers undertake not to disclose any information regarding submitted manuscripts to individuals other than those directly involved in the publication process, such as the Editor-in-Chief, Editorial Board, Authors, and Publisher. They are also prohibited from using or disseminating unpublished materials contained in the manuscripts without the Authors’ prior and explicit consent.

AUTHORS

Authors guarantee the originality of the submitted manuscript and its exclusive submission to the journal, unless otherwise expressly agreed upon by the Editor-in-Chief and the Editorial Board.

Authors are required to acknowledge and cite correctly all sources used, in accordance with the journal’s editorial guidelines, clearly identifying both direct and indirect quotations from other authors.

Authorship of the manuscript must be clearly stated, and all individuals who have made a significant contribution to the research or writing of the article must be listed as co-authors. In the case of jointly authored submissions, the corresponding author must specify the names of all Authors and/or the sections contributed by each, while also guaranteeing the unanimous consent of all co-authors to publication in the journal.

Authors must disclose any funding sources that supported the research or project from which the article derives.

Authors undertake to provide images that are free of copyright restrictions or, alternatively, accompanied by all necessary permissions for publication. They guarantee that such materials do not infringe the rights of third parties, including copyright and related rights. The journal declines any responsibility for possible infringements.

Guidelines for authors

Critical contributions—whether submitted spontaneously by authors or commissioned by invitation—are subject to evaluation by the Scientific Committee, the Editorial Board, and the journal’s anonymous peer reviewers.

Essential requirements for acceptance are the originality of the manuscript and its exclusive submission to Saggi e Memorie di storia dell’arte.

Manuscripts, prepared in accordance with the journal’s Editorial Guidelines, must be submitted in Word format (1 folder = 2,000 characters). Accompanying images should be provided in a separate file, together with their captions, in digital format (minimum resolution: 300 dpi for 15 × 15 cm). Texts in English, French, German, and Spanish should be submitted in the author’s native language.

Authors are responsible for obtaining and paying any copyright fees required for the images illustrating their text.

The author’s name and contact details (postal address, telephone number, and e-mail address) must be provided in a separate file.

Submission materials must be received by 31 March of each year in order to be considered for inclusion in the volume scheduled for publication at the end of the same year. All materials must be addressed and sent exclusively to the Editorial Office of the journal ([email protected]).

Complete List

Saggi e Memorie di Storia dell’Arte 1 (1957)

Saggi e Memorie di Storia dell’Arte 2 (1959)

Saggi e Memorie di Storia dell’Arte 3 (1960)

Saggi e Memorie di Storia dell’Arte 4 (1965)

Saggi e Memorie di Storia dell’Arte 5 (1966)

Saggi e Memorie di Storia dell’Arte 6 (1968)

Saggi e Memorie di Storia dell’Arte 7 (1970)

Saggi e Memorie di Storia dell’Arte 8 (1972)

Saggi e Memorie di Storia dell’Arte 9 (1974)

Saggi e Memorie di Storia dell’Arte 10 (1976)

Saggi e Memorie di Storia dell’Arte 11 (1978)