Conferences and Seminars Archives - Page 11 of 13 - Fondazione Giorgio Cini

International Workshop on Institutions for Climate Governance

20th- 21st May 2010 – International Center for Climate Governance, Island of San Giorgio Maggiore, Venice, Italy

Agenda :: Location :: Secretariat

The International Workshop on "Institutions for Climate Governance" is organised by the International Center for Climate Governance (ICCG), the Fondazione Eni Enrico Mattei (FEEM), the Centro Euro-Mediterraneo per i Cambiamenti Climatici (CMCC) and the Harvard Project on International Climate Agreements, and it will be held in Venice, on May 20th-21st, 2010.

The research workshop will provide leaders from the academic world an opportunity to engage in discussion of the institutional context of international climate change policy. Among the questions we will address are: what are the appropriate and most effective roles for existing or new organizations in negotiating and implementing a new climate agreement or set of agreements; what can research on the institutional context of public policy from the disciplines of economics, political science, international relations, and legal scholarship tell us about how to shape institutions for climate policy; and how does one overcome – or, perhaps, leverage – institutional path-dependence.
The workshop is upon invitation only.

The Social Dimension of Adaptation to Climate Change

The objective of this workshop is to consider theories, pilot studies and cases to increase our understanding of factors, barriers or drivers conditioning the social and behavioural dimension of adaptation to climate change.

Three main topics will be considered:

  • The social and behavioural dimension as key factors to adapt to climate change;
  • The flexibility of social systems in adapting to climate (institutional and social capability, multistakeholder engagement, including governments, Ngos, the private sector, communities, and individuals.)
  • The learning capacity as a means to overcome behavioural and social constraints to changing technologies (development and adoption of new technologies).

The workshop is structured around three main sessions, each composed by at most four papers in order to provide enough time for a in depth presentation of each participant’s research.

Workshop Secretariat

Ms. Angela Marigo
Fondazione Eni Enrico Mattei
Castello 5252
I-30122 Venice
Italy
Tel: +39 041 2711457
Fax: +39 041 2711461
E-mail: angela.marigo@feem.it

CIAC – XXV CORSO INTERNAZIONALE DI ALTA CULTURA

Il Corso dedicato al tema generale «Venezia e l’Oriente» e llustra ‘apporto che le civiltà dell’Asia hanno dato lungo i secoli, e particolarmente per il tramite di Venezia, allo sviluppo della civiltà occidentale, dal Medio Evo all’età contemporanea.
La grande Mostra «7000 anni di Cina a Venezia», promossa dal Comune di Venezia, e le celebrazioni dell’anno marcopoliano offrono utili occasioni di verifica e di riflessione.

Venezia e l’Oriente

a cura di Lionello Lanciotti – Olschki Editore, 1987

Fairness and the Commons. Socio-economic Strategies and Resource Dynamics

Background and Objectives of the Workshop

Sustainably managing the local and the global commons requires not only
an understanding of the environmental factors that affect them, but
also a knowledge of the interactions and feedback cycles that operate
between such resource dynamics and the socio-economic dynamics
attributable to human intervention. This, in turn, calls for an
investigation of the behavioural drivers behind human action.

The workshop aims to bring a multidisciplinary approach to the
environmental challenges inherent in the provision and utilization of
the services originating from common-pool resources. By establishing
bridges between the socio-economic, the ecological and the behavioural
traditions, the goal is to find new insights into the mechanisms that
can promote and sustain cooperation among the end-users of the commons.

The workshop will bring together a broad audience of selected
international researchers from fields ranging from theoretical biology
and economics, to behavioural and computational social science. Such
diversity of backgrounds will promote the exchange of the latest
research and policy proposals among the participants, as well as
provide an opportunity to embark in subsequent common efforts.

More info

I mondi di Galileo – La fisica spaziale nel 100° anniversario del premio Nobel a Guglielmo Marconi

Tutto è cominciato dall’intuito e dalla formidabile tenacia di un uomo deciso a comunicare senza fili attraverso lo spazio, provando e riprovando nella migliore tradizione galileiana: Guglielmo Marconi. Nel dicembre del 1901 il segnale radio lanciato dalla Cornovaglia attraversò l’Oceano Atlantico e fu captato a Terranova, provando per la prima volta l’esistenza della ionosfera terrestre. Oggi comunichiamo con satelliti e sonde spaziali, ricevendo un’enorme massa di dati dai limiti estremi del nostro sistema solare. Un racconto che ripercorre le tappe fondamentali di questa storia, dagli esperimenti che valsero a Marconi il Nobel per la fisica nel 1909 alle affascinanti scoperte di sonde interplanetarie come Voyager e del telescopio spaziale Hubble.

Francesco Paresce Marconi è il Responsabile Scientifico del Very Lage Telescope Interferometer dell’European Southern Observatory

26 September
4.30pm
Free entrance while seats last
Conference in Italian

More info on
www.imondidigalileo.it
info@imondidigalileo.it

I mondi di Galileo – Galileo e l’abisso

Se siamo i legittimi eredi di Galilei, in cosa consiste questa eredità? Per comprenderne la natura, è necessario capire quale forma Galileo ha dato all’abisso che da sempre separa la scienza dal senso comune e dalla metafisica. Si tratta di quanto di meglio la nostra specie ha costruito: la cultura, che amplia i nostri orizzonti e riduce gli antichi spazi che per millenni furono occupati dai misteri, dagli spiriti e dagli dei. L’abisso, insomma, ci salva, se riusciamo ad essere liberi di esercitare la nostra curiosità sulla natura e di fabbricare ponti e sentieri che sempre meglio colleghino ciò che percepiamo grazie ai sensi a ciò che evolve nelle nostre teorie sul mondo.

Enrico Bellone, storico della scienza, è stato titolare della Cattedra Galileiana dell’Università di Padova. È autore di numerosi libri di storia della scienza e della fisica, molti dei quali dedicati alla figura di Galilei.

28 September
7pm
Free entrance while seats last
Conference in Italian

More info on
www.imondidigalileo.it
info@imondidigalileo.it

Polifonie “in viva voce” 13

Polifonie “in viva voce” is a yearly event organised by the Giorgio Cini Foundation’s Intercultural Institute of Comparative Music Studies in collaboration with the G. Mazzariol Department of History of the Arts and Conservation of Artistic Heritage at Ca’ Foscari University, Venice. After having brought together music groups and scholars from many European regions in previous years, the programme for the 13th edition features traditional group singing from Piedmont. The spotlight will be on the Coro Bajolese, a choir from Bajo Dora, a tiny village of 350 inhabitants situated in the Canavese (an area in the north of the Province of Turin). Founded in 1966, the choir produced a very long and radical ethnographic enquiry into the collective memory and musical traditions of the village. The hundreds of documents collected were then housed in the Centro Etnologico Canavesano in 1975. The choir has performed in a large number of concerts in Italy and Europe highlighting on stage the modes and processes used by rural and mountain societies in the practise of group singing, as mean of binding local communities and giving form to local identity. The collection of songs brings together and reflects very diverse social practices: from work in farm fields, mountain pastures and woods to games and religious practices. Another important aspect in this polyphonic singing is the preservation of the memory of broader historical developments involving events with much wider-ranging repercussions than the direct effects on small communities: the memory of the Great War, the Resistance during the Second World War, the experience of emigration and workers’ protest movements. The programme is divided into two parts: a seminar, involving Amerigo Vigliermo, Maurizio Agamennone and singers from the Coro Bajolese, will examine the musical, anthropological and social aspects of polyphonic singing practices in the Canavese area; and a concert in which the Coro Bajolese will perform the most representative songs from their polyphonic repertoire.

Seminar ore 4pm
curated by Maurizio Agamennone and Amerigo Vigliermo

Concert 6.30pm
Coro Bajolese

Free entrance

For further info:
Istituto Interculturale di Studi Musicali Comparati
tel. +39 041 2710357
musica.comparata@cini.it

Fifth International Conference on the Future of Science

Organised yearly by the Umberto Veronesi Foundation, the Silvio Tronchetti Provera Foundation and the Giorgio Cini Foundation, the International Conference on the Future of Science explores the importance of scientific progress as a way of improving the quality of individuals’ lives, thus placing science at the centre of social debate. The topic for this fifth edition is The DNA Revolution. For three days on the Island of San Giorgio Maggiore, leading world experts will focus on the impact of the DNA revolution in various fi elds: biotechnology; our understanding of the evolution of living beings; the protection of health and the struggle to cure major diseases, the contribution made by the latest research on genetics to our understanding of themes such as evolution and natural selection; agriculture and the management of biological resources; and, lastly, the new bioethical issues raised by the latest discoveries in genetics. Anyone wishing to attend the Conference is required to enrol at www.thefutureofscience.org.

‘Sverre Fehn: a Homage’. A Discussion and Celebration of Sverre Fehn

This event is a discussion and celebration of Sverre Fehn (1924–2009), the Norwegian architect who won the prestigious Pritzker Architecture Prize in 1997 and who is known for his Nordic Pavilion at the Giardini in Venice. The pavilion, which contains three trees that shoot up through the roof, illustrates Fehn’s view that ‘building is a brutal confrontation of culture on nature, and in that confrontation you can find balance and beauty’. As he also said, ‘When I build on a site in nature that is totally unspoiled, it is a fight, an attack by our culture on nature. In this confrontation, I strive to make a building that will make people more aware of the beauty of the setting, and when looking at the building in the setting, a hope for a new consciousness to see the beauty there, as well.’

Born in Oslo in 1924, Fehn studied in Paris with Jean Prouvé and Le Corbusier in the early 1950s. Upon his return to Norway, he studied with Arne Korsmo and in 1958 co-founded the Progressive Architects’ Group, Oslo, Norway (PAGON) in an attempt to promote modern architecture in the country. He was the author of the Norwegian Pavilion at the 1958 Brussels World Exhibition, Belgium, the Nordic Pavilion in Venice, and the Hedmark Cathedral Museum in Hamar, Norway, buildings that combine modern architectural language with Scandinavian forms and materials. Fehn taught at the School of Architecture in Oslo from 1971 to 1995, and in 1997 he was awarded the Pritzker Prize and the Heinrich Tessenow Gold Medal. In his final years he designed the Oslo headquarters of the Gyldendal publishing house, which was completed in 2007, and the Norwegian Museum of Architecture, which opened in March 2008 with a retrospective exhibition of Fehn’s work.

This event will start with an introduction to Fehn’s work by Per Olaf Fjeld, the author of an upcoming monograph on the architect’s work, followed by a discussion with the artist Dan Graham, the architect Momoyo Kaijima (Atelier Bow-Wow, Tokyo), the curator Hans Ulrich Obrist, the architect Gro Bonesmo (Space Group, Oslo) and the architecture theorist Marco De Michelis.


About the Participants



Per Olaf Fjeld
is a professor at the School of Architecture and Design in Oslo, Norway. He has lectured internationally, and in 2004 he was elected vice president of the European Association of Architectural Education (EAAE). Since 1975 Fjeld has run a small architectural studio with his wife, Emily Randall Fjeld, and has written a number of books and articles on architecture. Fjeld collaborated with Sverre Fehn for over thirty years, and his new monograph on Fehn’s work, titled Sverre Fehn: The Pattern of Thoughts, will be released by The Monacelli Press in June 2009.


Dan Graham
is an artist based in New York, USA. Since the mid-1960s, Graham has produced artworks and critical writing of enormous influence within artistic and cultural contexts. His interests range from suburbia and public architecture to punk music and popular culture, which he addresses in performances, installations, essays, videos, films and architectural and sculptural designs. A major retrospective show of his work titled ‘Dan Graham: Beyond’ recently opened at Los Angeles MOCA and will travel to the Walker Art Center, Minneapolis and the Whitney Museum, New York.


Momoyo Kaijima
is one of the two founding members of Aterlier Bow-Wow, an architectural office established in 1992 and focused on urban research, architectural design and the creation of public artworks. As part of Atelier Bow-Wow, Kaijima has designed both private housing and large-scale public and commercial projects, and published books such as Pet Architecture (World Photo Press, 2001) and Made in Tokyo (Kajima Institute, 2001). Atelier Bow-Wow’s work has been shown at international exhibitions such as the 10th Istanbul Biennial (2007) and the 27th Bienal de São Paulo (2006), and has been dedicated the monograph Graphic Anatomy: Atelier Bow-Wow (Toto, 2007). Kaijima teaches at the Univerisity of Tsukuba, Japan.


Hans Ulrich Obrist
is Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London, UK. Prior to this he was Curator of the Musée d’Art Moderne de la Ville de Paris, France since 2000, as well as curator of museum in progress, Vienna, Austria from 1993 to 2000. He has curated or co-curated over two hundred solo and group exhibitions internationally since 1991, including Manifesta 1, ‘Cities on the Move’, ‘Live/Life’ and ‘Utopia Station’. He is the author of, among others, A Brief History of Curating (JRP|Ringier, 2008).


About the Moderators


Gro Bonesmo
is an architect based in Oslo. She is founder of Oslo-based architectural firm Space Group, and a professor at the Oslo School of Architecture and Design. Previously, she was Project Director at Rem Koolhaas’s OMA, and has taught architecture at Harvard and Columbia Universities. She was awarded a Masters of Advanced Architectural Design from the School of Architecture, Columbia University, and is a graduate of the Norwegian University of Technology in Trondheim, Norway. She also studied at the Oslo School of Architecture and Design, where she was taught by Sverre Fehn. Bonesmo is the Chair of the Board for the Office for Contemporary Art Norway.


Marco De Michelis
is a visiting professor at the department of Art History at Columbia University, New York, and professor of the History of Architecture at the IUAV University in Venice, Italy. From 1999 to 2008, De Michelis was dean of the Faculty of Arts and Design at IUAV. From 1999 to 2003 he was the Walter Gropius Professor of history and theory of architecture at the Bauhaus-Universitat in Weimar, Germany and from 1993 to 1996 he directed the Galleria della Triennale in Milan, Italy. He contributes to numerous Italian and international magazines.

For more information on the event or to book a place, please contact Suzana Martins at suzana@oca.no or visit www.oca.no.

Friday, 5 June 2009, 11:00am

Sala Barbantini
Giorgio Cini Foundation
Isola di San Giorgio Maggiore, Venice

Seminar with Gottfried Michael Koenig

Four seminar-workshops on electroacoustic music in a space – the Salone
degli Arazzi – adapted for live music thanks to the installation of an
eight-channel broadcasting system. A group of students or former
students of Alvise Vidolin, who has taught electronic music at the
Venice Conservatory for thirty-five years.
A homage in the workshop spirit of the maestro with performers of acoustic instruments, sound directors, historic
excerpts and new productions. A living space resounding with a “laptop
orchestra”, voices and pieces by established composers, acoustic
instruments and electronic sounds.
On Saturday 11 July the concert for Alvise Vidolin will close the four all-day events serie.


Programma dell’incontro

2.30 p.m. Seminar on the work of Koenig and analysis of the 8-tracks Polychromie.
The softwares developed by Koenig (Project 1 and 2, SSP Sound Synthesis Program,
actual release).

4.00 p.m. Coffee break

4.30 p.m. The space in Koenig multitrack works
The theoretical writings by Koenig.
Interview with Koenig.

6.00 p.m. Listening to music by Gottfried Michael Koenig in multitrack versions:
Klanfiguren II, 1955-56
Terminus 1 and 2, 1962-67
Selection from Funktionen, 1967-69
Polychromie, 2001

7.00 p.m. End of seminar

Biographical note

Gottfried Michael Koenig, born in 1926 in Magdeburg, Germany,
studied church music in Braunschweig, composition, piano, analysis and
acoustics in Detmold, music representation techniques in Cologne and
computer technique in Bonn. He attended the Darmstadt music summer
schools for several years, later as a lecturer. From 1954 to 1964
Koenig worked in the electronic music studio of West German Radio at
Cologne, assisting other composers (including Stockhausen, Kagel,
Evangelisti, Ligeti, Brün), and producing his own electronic
compositions (Klangfiguren, Essay, Terminus 1). During this period he
also wrote orchestral and chamber music (for piano,
string quartet, woodwind quintet).

From 1958 he was an assistant in the radio drama department at the
Cologne academy of music, where he taught electronic music, composition
and analysis from 1962. In 1964 Koenig moved to the Netherlands. Until
1986 he was director and later chairman of the Institute of Sonology at
the University of Utrecht. During this period the Institute acquired a
worldwide reputation, particularly for its annual Sonology course.
Koenig also lectured extensively in the Netherlands and other countries
and developed his computer programs "Project 1", "Project 2" and "SSP",
designed to formalise the composition of musical structure-variants. He
continued to produce electronic works (Terminus 2, the Funktionen
series). These were followed by the application of his computer
programs, resulting in chamber music (Übung for piano, the Segmente
series, 3 ASKO Pieces, String Quartet 1987, String Trio) and works for
orchestra (Beitrag, Concerti e Corali).

Since 1986, when the Institute moved from Utrecht University to the
Royal Conservatory at The Hague, Koenig has continued to compose,
produce computer graphics and develop musical expert systems. The first
three volumes of his theoretical writings were published between 1991
and 1993 under the title "Ästhetische Praxis" by Pfau Verlag; an
Italian selection appeared under the title "Genesi e forma" (Semar,
Rome 1995) . A fourth volume followed in 1999, a fifth in 2002; the
sixth will be a complete thematic index.

In 1961 Koenig received an incentive award from the Federal State of
North Rhine-Westphalia, in 1987 the Matthijs Vermeulen Prize from the
City of Amsterdam, in 1991 the Christoph and Stephan Kaske Prize. In
2002 the Philosophical Faculty of the University of Saarbrücken,
Germany, awarded Koenig an honorary doctorate. In the winter semester
of 2002/2003 he was Visiting Professor for Computer Music at the
Technical University, Berlin.