Periodici Archives - Page 2 of 7 - Fondazione Giorgio Cini

ARCHiPub 01/002

Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.

Full Professor of Physics at Ca’ Foscari, and a LIMS Fellow, Guido Caldarelli illustrates how science and beauty are often thought of as being distinct and separate fields, with science concerned with understanding the underlying mathematical mechanisms of the natural world and beauty typically considered a subjective experience.

ARCHiPub 01/001

Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.

In the first contribution to this new publishing series, Chiara Casarin pays homage to the illustrious research precedents, conditions, needs and urgencies that led to the birth of ARCHiPub. On Cultural and Digital Matters as part of ARCHiVe at the Fondazione Giorgio Cini.

ARCHiPub. On Cultural and Digital Matters

Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.

ARCHiPub explores topics related to archival studies, digitisation, and the enhancement of cultural heritage, with a particular focus on digital preservation practices and projects. The series gathers contributions from authors across various academic fields, both national and international, fostering dialogue between disciplines and the in-depth exploration of innovative case studies.
[accordion][/accordion]
[accordion_entry title=”Vol. 01 Venice Material”]
ARCHiPub. Venice: The Issue of Sustainability 01/001
ARCHiPub. On Science and Beauty 01/002
ARCHiPub. And If Venice is Sinking 01/003
ARCHiPub. Venice Long Data 01/004
[/accordion_entry]
[accordion][/accordion]

«Saggi e Memorie di storia dell’arte» 44 (2020

• Francesca Girelli, Il Maestro delle Virtù di sant’Ansovino: sei nuove statue in Romania e alcune riflessioni su uno scultore del Trecento adriatico

 

• Lorenzo Principi, Una predella per il Sant’Andrea di Andrea Ferrucci nella cattedrale di Firenze

 

• Francesco Saracino, Isabella d’Este e il “presepio con santo Zoanne Baptista”

 

• Antonella Chiodo, Il testamento artistico di Orsola Maddalena Caccia e il ruolo delle sorelle Bottero pittrici nel monastero di Moncalvo

 

• Simone Guerriero, “Sa temprar col scalpel anco la penna”: per il profilo di Bernardo Falconi

 

• Gianpasquale Greco, “Assai più credeva egli di sapere di quello che effettivamente sapesse”: Oronzo Malinconico (1661-1709), pittore napoletano
nella scia di Luca Giordano

 

• Enrico Noè, Gli altari della demolita chiesa di Santa Lucia

 

• Antonella Bellin, Elena Catra, Anticipando Ruskin. Considerazioni sulla rivalutazione della Presentazione di Gesù al Tempio di Carpaccio nelle prime decadi dell’Ottocento

 

• Stefania Portinari, “Oh Venezia!”. Le intermittenze del cuore di Filippo de Pisis e i cieli alati di nuvole

 

• Ambra Cascone, Un poeta alla Biennale: Attilio Bertolucci a Venezia nel 1948 e le cronache per la “Gazzetta di Parma”

Lettera da San Giorgio 47

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The 1979 Monselice Castle Burglary. The Stolen Fondazione Cini Works Recovered by the Carabinieri Cultural Heritage Protection Unit
  • Tiziano Terzani: the Great Journalist and Writer’s Archive Uploaded
  • The Intercultural Institute of Comparative Music Studies Archive YouTube Playlist
  • The Digitisation of The Entry into Palestine of the Army of Vespasian
  • Lady Hamlyn and the Fondazione Giorgio Cini

Lettera da San Giorgio 46

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The Donation of the Gino Cortelazzo Graphic Art Collection
  • The National Committee for the Celebrations of the Centenary of the Birth of Luigi Squarzina
  • Aesop: a Rediscovered Fable
  • Franco Cologni and Homo Faber at the Fondazione Giorgio Cini

«Saggi e Memorie di storia dell’arte» 44 (2020)

Edited by the Istituto di Storia dell’Arte

 

  • Francesca Girelli, Il Maestro delle Virtù di sant’Ansovino: sei nuove statue in Romania e alcune riflessioni su uno scultore del Trecento adriatico
  • Lorenzo Principi, Una predella per il Sant’Andrea di Andrea Ferrucci nella cattedrale di Firenze
  • Francesco Saracino, Isabella d’Este e il “presepio con santo Zoanne Baptista”
  • Antonella Chiodo, Il testamento artistico di Orsola Maddalena Caccia e il ruolo delle sorelle Bottero pittrici nel monastero di Moncalvo
  • Simone Guerriero, “Sa temprar col scalpel anco la penna”: per il profilo di Bernardo Falconi
  • Gianpasquale Greco, “Assai più credeva egli di sapere di quello che effettivamente sapesse”: Oronzo Malinconico (1661-1709), pittore napoletano nella scia di Luca Giordano
  • Enrico Noè, Gli altari della demolita chiesa di Santa Lucia
  • Antonella Bellin, Elena Catra, Anticipando Ruskin. Considerazioni sullarivalutazione della Presentazione di Gesù al Tempio di Carpaccio nelleprime decadi dell’Ottocento
  • Stefania Portinari, “Oh Venezia!”. Le intermittenze del cuore di Filippode Pisis e i cieli alati di nuvole
  • Ambra Cascone, Un poeta alla Biennale: Attilio Bertolucci a Venezianel 1948 e le cronache per la “Gazzetta di Parma”

Lettera da San Giorgio 45

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  The Franca Fenga Malabotta Bequest at the Fondazione Giorgio Cini. The Arturo Martini Works, Graphic Art Collections and Manlio Malabotta’s Artists’ Books
  • Mischa Scandella’s Wondrous Stage Designs
  • Pierre Rosenberg at the Fondazione Giorgio Cini

Religiographies

Open-access and peer-reviewed journal, curated by the Centre for Comparative Studies of Civilisations and Spiritualities at the Fondazione Giorgio Cini.

Religiographies is dedicated to the study of religious phenomena, fostering an interdisciplinary dialogue among historians, sociologists, anthropologists, philosophers, and psychologists. Mysticism, esotericism, and spirituality are the three main themes of the journal, which are explored within their historical and cultural contexts, challenging traditional categories of religion. The heterographie section, dedicated to artistic and visual works, expands the understanding of the phenomena discussed.
[accordion][/accordion]
[accordion_entry title=”Aims and Scope”]
Religiographies is an open-access, peer-reviewed, scholarly journal dedicated to the field of religious studies and published under the auspices of the Centre for Comparative Studies of Civilisations and Spiritualities of the Giorgio Cini Foundation. Since 2025, it has been recognised by ANVUR (the agency of the Ministry of Education) as a scientific journal for Area 11 (Historical, Philosophical, Pedagogical and Psychological Studies); Religiographies wishes to foster an interdisciplinary approach to religious phenomena, promoting dialogue between historians, sociologists, anthropologists, literary scholars, philosophers, and psychologists.
We aim at promoting an anthropological history and at the same time a socio-anthropology with a strong historical emphasis, intending to avoid both socio-anthropological presentism and history only focused on ideas and institutions, while ignoring materiality, emotions, everyday lives.
We encourage at deconstructing and challenging categories (including the very word “religion”) not as a theoretical exercise, a proof of concept, but as a practice, showing with fieldwork data, the porosity and frailty of our categories.
We aim at discussing those topics that are often neglected by social and human sciences – such as mysticism, esotericism, spirituality – which, in the words of Michel de Certeau, “haunt scientific epistemology”. Our aim is not to create another journal on alternative spiritualities, but to bring these themes back into mainstream discussions of religious and cultural phenomena.
Finally, with the concept of heterographies– we intend to give space to other forms of representations, such as photography, comics, video, and artwork. These other languages will allow contributors – scholars and artists – to explore dimensions beyond the social sciences frame of objectiveness and coherence. This section, called heterographies, is not strictly scientific: it will not be peer-reviewed, but will receive feedback from the editors and invited commentators.

 

We invite submission on all religious phenomena, with a special focus on:

  • comparative approaches;
  • cultural transfers: acculturation, appropriation, imagination;
  • continuities and discontinuities between religious discourses and everyday life practices;
  • transhistorical perspective, stressing the connections between old and new trends;
  • liminal phenomena between the secular and the religious;
  • the relationship with alterity, understood not only as religious, but also in terms of gender, sexual orientation, and ethnicity;
  • phenomenology of the religious body: perceptions, emotions, sensations and construction of the body;
  • epistemological and methodological debates about the transferability and translatability of religious studies categories.

[/accordion_entry]
[accordion][/accordion]
[accordion][/accordion]
[accordion_entry title=”Editorial board”]
Editor-in-chief
Francesco Piraino, Fondazione Giorgio Cini / Harvard Divinity School

 

Editors
Mark Sedgwick , University of Aarhus
Dionigi Albera, CNRS-IDEMEC

 

Assistant editors
Elena Bernardinello, Fondazione Giorgio Cini
Eva Salviato, Fondazione Giorgio Cini

 

Copy editor and proofreader
Anna Fitzgerald

 

Book Reviews
Valentina Gaddi, Université de Montréal

 

Editorial board
Stefano Allievi, University of Padua
Egil Asprem, University of Stockholm
Katell Berthelot, CNRS–Aix-Marseille University
Francesco Cerchiaro, Radboud University
Andrea De Antoni, University of Kyoto
John Eade, University of Roehampton
Diana Espírito Santo, Universidad Catholica de Chile
Fabrizio Ferrari, University of Padua
Mattia Fumanti , University of St. Andrews
Giuseppe Giordan, University of Padua
Alberta Giorgi, University of Bergamo
Boaz Huss, Ben Gurion University
Salvatore La Mendola, University of Padua
Marco Pasi, University of Amsterdam
Enzo Pace, University of Padua
Stefania Palmisano, University of Turin
Vadim Putzu, Missouri State University
Khalid Razzhali, University of Padua
Antonio Rigopoulos, University of Ca’ Foscari
Armando Salvatore, University of McGill
Chiara Tommasi, University of Pisa
Fabio Vicini, University of Verona
[/accordion_entry]
[accordion][/accordion]
[accordion][/accordion]
[accordion_entry title=”Religiographies vol.3″]
Religiographies vol.3 n.2 (2024)
Religiographies vol.3 n.1 (2024)
[/accordion_entry]
[accordion][/accordion]
[accordion][/accordion]
[accordion_entry title=”Religiographies vol.2″]
Religiographies vol.2 n.2 (2023)
Religiographies vol.2 n.1 (2023)
[/accordion_entry]
[accordion][/accordion]
[accordion][/accordion]
[accordion_entry title=”Religiographies vol.1″]
Religiographies vol.1 n.1 (2022)
[/accordion_entry]
[accordion][/accordion]

Lettera da San Giorgio 44

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  Save Venice and the Fondazione Giorgio Cini. The Restoration of Three Sienese Paintings in the Palazzo Cini Gallery
  • “More fitting in a king’s palace than in a monastery”. Baldassarre Longhena and the Monumental Staircase of San Giorgio Maggiore
  • Remembering Giovanni Morelli