Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.
Full Professor of Physics at Ca’ Foscari, and a LIMS Fellow, Guido Caldarelli illustrates how science and beauty are often thought of as being distinct and separate fields, with science concerned with understanding the underlying mathematical mechanisms of the natural world and beauty typically considered a subjective experience.
Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.
In the first contribution to this new publishing series, Chiara Casarin pays homage to the illustrious research precedents, conditions, needs and urgencies that led to the birth of ARCHiPub. On Cultural and Digital Matters as part of ARCHiVe at the Fondazione Giorgio Cini.
Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.
ARCHiPub explores topics related to archival studies, digitisation, and the enhancement of cultural heritage, with a particular focus on digital preservation practices and projects. The series gathers contributions from authors across various academic fields, both national and international, fostering dialogue between disciplines and the in-depth exploration of innovative case studies.
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ARCHiPub. Venice: The Issue of Sustainability 01/001
ARCHiPub. On Science and Beauty 01/002
ARCHiPub. And If Venice is Sinking 01/003
ARCHiPub. Venice Long Data 01/004
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• Francesca Girelli, Il Maestro delle Virtù di sant’Ansovino: sei nuove statue in Romania e alcune riflessioni su uno scultore del Trecento adriatico
• Lorenzo Principi, Una predella per il Sant’Andrea di Andrea Ferrucci nella cattedrale di Firenze
• Francesco Saracino, Isabella d’Este e il “presepio con santo Zoanne Baptista”
• Antonella Chiodo, Il testamento artistico di Orsola Maddalena Caccia e il ruolo delle sorelle Bottero pittrici nel monastero di Moncalvo
• Simone Guerriero, “Sa temprar col scalpel anco la penna”: per il profilo di Bernardo Falconi
• Gianpasquale Greco, “Assai più credeva egli di sapere di quello che effettivamente sapesse”: Oronzo Malinconico (1661-1709), pittore napoletano
nella scia di Luca Giordano
• Enrico Noè, Gli altari della demolita chiesa di Santa Lucia
• Antonella Bellin, Elena Catra, Anticipando Ruskin. Considerazioni sulla rivalutazione della Presentazione di Gesù al Tempio di Carpaccio nelle prime decadi dell’Ottocento
• Stefania Portinari, “Oh Venezia!”. Le intermittenze del cuore di Filippo de Pisis e i cieli alati di nuvole
• Ambra Cascone, Un poeta alla Biennale: Attilio Bertolucci a Venezia nel 1948 e le cronache per la “Gazzetta di Parma”
Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.
The articles featured in this issue:
Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.
The articles featured in this issue:
Edited by the Istituto di Storia dell’Arte
Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.
The articles featured in this issue:
Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.
The articles featured in this issue:
Articles
Focus
A Performer’s Eye
Documents and Reports
