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Religiographies

Open-access and peer-reviewed journal, curated by the Centre for Comparative Studies of Civilisations and Spiritualities at the Fondazione Giorgio Cini.

Religiographies is dedicated to the study of religious phenomena, fostering an interdisciplinary dialogue among historians, sociologists, anthropologists, philosophers, and psychologists. Mysticism, esotericism, and spirituality are the three main themes of the journal, which are explored within their historical and cultural contexts, challenging traditional categories of religion. The heterographie section, dedicated to artistic and visual works, expands the understanding of the phenomena discussed.

Aims and Scope
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Religiographies is an open-access, peer-reviewed, scholarly journal dedicated to the field of religious studies and published under the auspices of the Centre for Comparative Studies of Civilisations and Spiritualities of the Giorgio Cini Foundation. Since 2025, it has been recognised by ANVUR (the agency of the Ministry of Education) as a scientific journal for Area 11 (Historical, Philosophical, Pedagogical and Psychological Studies); Religiographies wishes to foster an interdisciplinary approach to religious phenomena, promoting dialogue between historians, sociologists, anthropologists, literary scholars, philosophers, and psychologists.

We aim at promoting an anthropological history and at the same time a socio-anthropology with a strong historical emphasis, intending to avoid both socio-anthropological presentism and history only focused on ideas and institutions, while ignoring materiality, emotions, everyday lives.

We encourage at deconstructing and challenging categories (including the very word “religion”) not as a theoretical exercise, a proof of concept, but as a practice, showing with fieldwork data, the porosity and frailty of our categories.

We aim at discussing those topics that are often neglected by social and human sciences – such as mysticism, esotericism, spirituality – which, in the words of Michel de Certeau, “haunt scientific epistemology”. Our aim is not to create another journal on alternative spiritualities, but to bring these themes back into mainstream discussions of religious and cultural phenomena.

Finally, with the concept of heterographies– we intend to give space to other forms of representations, such as photography, comics, video, and artwork. These other languages will allow contributors – scholars and artists – to explore dimensions beyond the social sciences frame of objectiveness and coherence. This section, called heterographies, is not strictly scientific: it will not be peer-reviewed, but will receive feedback from the editors and invited commentators.

 

We invite submission on all religious phenomena, with a special focus on:

  • comparative approaches;
  • cultural transfers: acculturation, appropriation, imagination;
  • continuities and discontinuities between religious discourses and everyday life practices;
  • transhistorical perspective, stressing the connections between old and new trends;
  • liminal phenomena between the secular and the religious;
  • the relationship with alterity, understood not only as religious, but also in terms of gender, sexual orientation, and ethnicity;
  • phenomenology of the religious body: perceptions, emotions, sensations and construction of the body;
  • epistemological and methodological debates about the transferability and translatability of religious studies categories.
Editorial board
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Editor-in-chief

Francesco Piraino, Fondazione Giorgio Cini / Harvard Divinity School

 

Editors

Mark Sedgwick , University of Aarhus

Dionigi Albera, CNRS-IDEMEC

 

Assistant editors

Elena Bernardinello, Fondazione Giorgio Cini

Eva Salviato, Fondazione Giorgio Cini

 

Copy editor and proofreader

Anna Fitzgerald

 

Book Reviews

Valentina Gaddi, Université de Montréal

 

Editorial board

Stefano Allievi, University of Padua

Egil Asprem, University of Stockholm

Katell Berthelot, CNRS–Aix-Marseille University

Francesco Cerchiaro, Radboud University

Andrea De Antoni, University of Kyoto

John Eade, University of Roehampton

Diana Espírito Santo, Universidad Catholica de Chile

Fabrizio Ferrari, University of Padua

Mattia Fumanti , University of St. Andrews

Giuseppe Giordan, University of Padua

Alberta Giorgi, University of Bergamo

Boaz Huss, Ben Gurion University

Salvatore La Mendola, University of Padua

Marco Pasi, University of Amsterdam

Enzo Pace, University of Padua

Stefania Palmisano, University of Turin

Vadim Putzu, Missouri State University

Khalid Razzhali, University of Padua

Antonio Rigopoulos, University of Ca’ Foscari

Armando Salvatore, University of McGill

Chiara Tommasi, University of Pisa

Fabio Vicini, University of Verona

Religiographies vol.5
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Religiographies vol.4
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Religiographies vol.3
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Religiographies vol.2
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Religiographies vol.1
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Lettera da San Giorgio 44

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  Save Venice and the Fondazione Giorgio Cini. The Restoration of Three Sienese Paintings in the Palazzo Cini Gallery
  • “More fitting in a king’s palace than in a monastery”. Baldassarre Longhena and the Monumental Staircase of San Giorgio Maggiore
  • Remembering Giovanni Morelli

Archival Notes No. 5

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

 

Articles

  • Norberto Cordisco Respighi, Financial Aspects in the Correspondence between Respighi and his Publishers
  • Anna Giust, The Ways to Russia of Alfredo Casella
  • Pietro Milli, Dialectics and Matter in the Aesthetics of Giacomo Manzoni
  • Nicholas Moroz, Hacking the Hallucinatory: Investigating Fausto Romitelli’s Compositional Process through Sketch Studies of «Professor Bad Trip: Lesson I»

Focus

  • Giorgio Biancorosso, The Appraisal of Film Music Sources: the Case of «Rear Window» (Paramount, 1954)
  • David George Cooper, The Trevor Jones Archive: Issues in the Establishment and Management of a Film and Television Music Archive

A Performer’s Eye

  • Jonathan Brandani, A Last Version of «Napoli milionaria»: Nino Rota’s Revision Process after the Spoleto World Première
  • Elena Casoli, ‘Vibrante, luminoso!’ Signs, Language, Sound Research and Musical Invention in Fausto Romitelli’s «Solare» for Classical Guitar

Documents and Reports

  • Angela Carone, Publications and Activities

The fifth issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.

Lettera da San Giorgio 43

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • Ugo Zovetti and Book Decoration. A New Acquisition for the Fondazione Giorgio Cini Drawings and Prints Cabinet
  • The Census of Italian Renaissance Woodcuts 2020
  • “Tutti li campi di marmore”. The Buora, a story written in stone

«Studi vivaldiani» 19 – 2019

Fondazione Giorgio Cini, Venezia, 2019

 

Aurelia Ambrosiano, La vera identità del «Mar[quis] du Toureil», dedicatario della Serenata a 3 di Antonio Vivaldi

 

Irmgard Scheitler, Partiturfunde in München. Neues zum Kontext des Violinkonzertes RV 562a

 

Michael Talbot, Vivaldi, Orlandini and a Manuscript in Skara

 

Rudolph Rasch, Lost and Found: “Apri le luci e mira”, an Aria from Vivald’s Opera Ginevra, Principessa di Scozia

 

Miscellanea (M. Talbot)

 

Discographie Vivaldi 2018-2019 (R.-C. Travers)

Lettera da San Giorgio 42

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  The Master of the Fondazione Giorgio Cini Crucifix: a Conference, Restoration and Exhibition
  • Training on Site at the Fondazione Cini: the Messina Room
  • A Question of “Style”: Gabriele Basilico

Archival Notes No. 4

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

 

Articles

  • Joanna E Helms, Telecoms, spaceship doors and singing animals: La Fantarca and Roman Vlad’s electronic music
  • Laura Mazzagufo, Tre poesie di Montale by Roman Vlad: compositional techniques and text correspondences
  • Jesse Rosenberg, Jan Meyerowitz and Musical Italy
  • Antonio Marongiu, Electro-acoustic sound quality in instrumental music: Amply 1 by Franco Oppo

Documents and Reports

  • Paola Cossu, Gian Francesco Malipiero, Esalazioni epurative
  • Angela Carone, Publications and Activities

The fourth issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.

 Lettera da San Giorgio 41 

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The Mario and Fortunata Manzelli Donations: Photographs, Books and Paintings
  • Friends of the Fondazione Giorgio Cini
  • Tammaro De Marinis (1878-1969), “Prince of Bibliophiles”

Lettera da San Giorgio 40

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The Ettore Sottsass Jr. Archive at the Fondazione Giorgio Cini
  • The Complete “Drammaturgia Musicale Veneta”
  • From Berlin to Venice at the Fondazione Giorgio Cini: the Intercultural Institute of Comparative Music Studies, a Bridge between East and West

«Studi vivaldiani» 18 – 2018

Fondazione Giorgio Cini, Venezia, 2018

 

Aurelia Ambrosiano, I Mauro e Antonio Vivaldi: nuove informazioni e spunti di riflessione

The Mauro family and Antonio Vivaldi: New Information and Starting Points for Reflection (Summary)

Margherita Gianola, Riflessioni attorno alla presunta casa natale di Antonio Vivaldi in Campo Grando alla Bragora e sull’attività di barbiere di Giovanni Battista

Reflections Concerning the House in Campo Grando alla Bragora where Vivaldi is Believed to have been Born and Giovanni Battista’s Activity as a Barber (Summary)

Fabrizio Ammetto, The (lost) Violin Concerto RV 316 by Vivaldi: its Reconstruction and Dating

Il Concerto per violino (perduto) RV 316 di Vivaldi: ricostruzione e datazione (Sommario)

Kees VlaardingerbroekMichael Talbot, Vivaldi, Bariolage and a Borrowing from Johann Paul von Westhoff

Vivaldi, il bariolage e un imprestito da Johann Paul von Westhoff (Sommario)

Federico Maria Sardelli, Quasi Vivaldi. La nuova sonata a tre di Pisa

Almost Vivaldi. The new trio sonata from Pisa (Summary)

Cesare Fertonani, Giocare con Vivaldi: i Quattro anacoluti per A V di Ennio Morricone

Playing with Vivaldi: the Quattro anacoluti per A V by Ennio Morricone (Summary)

Miscellany, compiled by Michael Talbot

Miscellanea, a cura di Michael Talbot

Discographie Vivaldi 2017-2018, aux soins de Roger-Claude Travers