1.0Fondazione Giorgio Cinihttps://www.cini.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="crEKV9AiSq"><a href="https://www.cini.it/en/publications/unum-panem-2/">Unum panem</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cini.it/en/publications/unum-panem-2/embed/#?secret=crEKV9AiSq" width="600" height="338" title="“Unum panem” — Fondazione Giorgio Cini" data-secret="crEKV9AiSq" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cini.it/wp-includes/js/wp-embed.min.js </script> https://www.cini.it/wp-content/uploads/2016/05/unum.jpg180254Mysterium, sacred cantata in parts VII for four solo voices chorus and orchestra, was composed by Nino Rota in 1962. It is one of the most impressive pieces of the entire catalog, both for artistic mass necessary to implement that for the duration of almost 70 ‘. Despite the excellent reception had by critics and […]