{"id":101158,"date":"2024-11-20T16:27:26","date_gmt":"2024-11-20T15:27:26","guid":{"rendered":"https:\/\/www.cini.it\/eventi\/lucio-fontana-origins-and-imagination\/"},"modified":"2026-05-27T11:53:03","modified_gmt":"2026-05-27T09:53:03","slug":"lucio-fontana-origini-e-immaginario","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/events\/lucio-fontana-origins-and-imagination\/","title":{"rendered":"Lucio Fontana: Origins and Imagination"},"content":{"rendered":"<p>The symposium, a collaboration between the Fondazione Giorgio Cini <a href=\"https:\/\/www.cini.it\/en\/institutes-and-centres\/art-history\/\">Institute of Art History<\/a> and the <a href=\"https:\/\/www.fondazioneluciofontana.it\/en\/\">Fondazione Lucio Fontana<\/a>, with the support of Intesa Sanpaolo, will be held on December 5th and 6th on the Island of San Giorgio Maggiore in Venice.<\/p>\n<p>Lucio Fontana\u2019s vital and inventive work extends and develops over a wide span of time from the 1920s to the end of the 1960s. A career studded with constant experimentation that placed him, from the very beginning, among the pioneers of contemporary art.<\/p>\n<p>In the History of Art of recent decades, the centrality of his figure and work has increasingly emerged, and the new studies, multiple exhibitions and publications dedicated to him have thus been able to restore, especially to new generations of scholars, but also to a wider public, the variety and coherent continuity of his entire creative career.\u00a0The international conference\u00a0<i>Lucio Fontana: Origins and Imagination,<\/i>\u00a0promoted by the Giorgio Cini Foundation Institute of Art History and the Lucio Fontana Foundation, intends for the first time to take stock of recent and ongoing studies, as well as to promote, at this significant and rich moment, a discussion between scholars who have dealt directly with the artist or whose in-depth studies have touched on Fontana themes that are useful for offering new readings and avenues of investigation: from those more strictly historical-artistic to research concerning the material and conservation aspects of the works.<\/p>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">International Conference: Lucio Fontana: Origins and Imagination<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p>Over the course of the two days of study, scheduled for 5 and 6 December 2024, there will be the opportunity to explore the imagery and context within which Lucio Fontana\u2019s activity developed, as well as aspects, moments and themes pertinent to his research and critical reception in Italy and abroad.<\/p>\n<p>&nbsp;<\/p>\n<p>The futurist roots of his work, the relationship with the sculpture of his contemporaries, the very early creative phase strained between Italy and Argentina, are some of the investigative paths that will be tackled and that will probe the reasons for the author\u2019s current position. A section of the symposium will also be devoted to an in-depth examination of case studies: exhibitions, selected from among the many, that have contributed to building Fontana\u2019s fortune or to promoting particular aspects of his creative parabola, reaffirming his role as a pioneer and the vitality of his research.<\/p>\n<p>&nbsp;<\/p>\n<p>The symposium also highlights the interest shown by the Giorgio Cini Foundation in the Italian-Argentine master, the protagonist of several in-depth events hosted and promoted by the Venetian institution: the\u00a0<em>Exhibition of<\/em>\u00a0<i>Drawings and Graphic Works by Lucio Fontana\u00a0<\/i>\u00a0in 1972; the 2014 conference<a href=\"https:\/\/www.cini.it\/en\/events\/the-art-history-seminars\">\u00a0<i>Figurative Art and Abstract Art.<\/i>\u00a0<i>1954 \u2013 2014<\/i><\/a>\u00a0and the scholarship<a href=\"https:\/\/www.cini.it\/en\/news\/grant-for-research-on-lucio-fontana-the-argentine-period-monuments-projects-and-works\"><i>\u00a0Lucio Fontana, Argentinean period: monuments projects and works<\/i><\/a>\u00a0announced in 2022 once again in close synergy with the Fondazione Lucio Fontana, which confirms its increasing commitment to supporting and encouraging scientific projects on the artist.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\"><span style=\"font-weight: 400;\">PROGRAMMe<\/span><\/h5>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">Thursday, 5 December 2024<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=0eghS8y_OIY\">Join the live streaming on the Giorgio Cini Foundation YouTube channel<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>9:45 | Saluti istituzionali<\/p>\n<p><strong>Luca Massimo Barbero<\/strong><\/p>\n<p>Direttore dell\u2019Istituto di Storia dell\u2019Arte Fondazione Giorgio Cini<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Silvia Ardemagni<\/strong><\/p>\n<p>Presidente della Fondazione Lucio Fontana<\/p>\n<p>&nbsp;<\/p>\n<p><strong>10:00 | Sessione I<\/strong><\/p>\n<p><strong>Immaginario e contesto dell\u2019avanguardia fontaniana<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>PRESIEDE:<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Luca Massimo Barbero <\/strong><\/p>\n<p>Fondazione Giorgio Cini<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ester Coen <\/strong><\/p>\n<p>Universit\u00e0 degli Studi dell\u2019Aquila<\/p>\n<p>Radici futuriste nel pensiero fontaniano<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nico Stringa<\/strong><\/p>\n<p>Universit\u00e0 Ca\u2019 Foscari Venezia<\/p>\n<p>Arturo Martini e Lucio Fontana: dentro e oltre la scultura<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Francesco Tedeschi<\/strong><\/p>\n<p>Universit\u00e0 Cattolica del Sacro Cuore, Milano<\/p>\n<p>L\u2019\u201castrazione creativa\u201d di Lucio Fontana nei progetti e nelle sculture di met\u00e0 anni Trenta<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Valerio Terraroli<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Verona<\/p>\n<p>La ceramica italiana degli anni Trenta e Quaranta tra arte e decorazione<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Giovanni Bianchi<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Padova<\/p>\n<p>Intorno allo Spazialismo veneziano: il richiamo dell\u2019ombra in Mario Deluigi e in Lucio Fontana<\/p>\n<p>&nbsp;<\/p>\n<p>&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>14:30 | Sessione II<\/strong><\/p>\n<p><strong>\u201cLuoghi fontaniani\u201d tra Argentina e Italia<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>PRESIEDE:<\/p>\n<p><strong>Maria Villa<\/strong><\/p>\n<p>Fondazione Lucio Fontana<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Daniela Alejandra Sbaraglia<\/strong><\/p>\n<p>Storica dell\u2019arte<\/p>\n<p>Anni Venti: opere d\u2019esordioe formazione tra Argentina e Italia<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Lorena Mouguelar<\/strong><\/p>\n<p>Universidad Nacional de Rosario<\/p>\n<p>Lucio Fontana e la \u201cnuova sensibilit\u00e0\u201d nell\u2019arte argentina<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Luca Bochicchio<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Verona \u201cLa ruota nell\u2019antro\u201d: la fornace di Albisola come fucina creativa e motivo poetico<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sileno Salvagnini<\/strong><\/p>\n<p>Accademia di Belle Arti di Venezia<\/p>\n<p>Lucio Fontana alle Biennali<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Giorgina Bertolino<\/strong><\/p>\n<p>Storica dell\u2019arte<\/p>\n<p>Il \u201cDevenir de Fontana\u201d a Torino negli anni Sessanta<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">Friday, 6 December 2024<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=DDT6yHEDits\">Join the live streaming on the Giorgio Cini Foundation YouTube channel<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>10:00 | Sessione III<\/strong><\/p>\n<p><strong>Fortuna internazionale: anni Cinquanta e Sessanta<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>PRESIEDE:<\/p>\n<p><strong>Francesco Tedeschi<\/strong><\/p>\n<p>Universit\u00e0 Cattolica del Sacro Cuore, Milano<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Paolo Campiglio<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Pavia<\/p>\n<p>Il rapporto con Charles Damiano e il suo ruolo nella promozione internazionale di Fontana tra Inghilterra e Stati Uniti<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Silvia Bignami<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Milano<\/p>\n<p>\u201cDouche froide\u201d a Parigi. Lucio Fontana tra mostre e critica<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Stefano Turina<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Torino<\/p>\n<p>Un rivoluzionario quieto e fervente. Lucio Fontana e il Giappone (1953\u20131968)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Francesca Pola<\/strong><\/p>\n<p>Universit\u00e0 Vita-Salute San Raffaele, Milano<\/p>\n<p>Lucio Fontana e ZERO: attorno alla retrospettiva di Leverkusen (1962)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Barbara Ferriani<\/strong><\/p>\n<p>Restauratrice<\/p>\n<p>Fontana e la materia<\/p>\n<p>&nbsp;<\/p>\n<p>&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>14:30 | Sessione IV<\/strong><\/p>\n<p><strong>Esporre Lucio Fontana: criteri espositivi come letture critiche<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>PRESIEDE:<\/p>\n<p><strong>Francesca Pola<\/strong><\/p>\n<p>Universit\u00e0 Vita-Salute San Raffaele, Milano<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Luca Pietro Nicoletti<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Udine<\/p>\n<p>\u201cOmaggio a Fontana\u201d 1963-1972. Enrico Crispolti interprete di Fontana, prima e dopo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Francesco Guzzetti<\/strong><\/p>\n<p>Universit\u00e0 degli Studi di Firenze<\/p>\n<p>Intorno al 1966: Lucio Fontana negli Stati Uniti<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chogakate Kazarian<\/strong><\/p>\n<p>Curatrice e storica dell\u2019arte<\/p>\n<p>Curare la mostra \u201cLucio Fontana, r\u00e9trospective\u201d, al MAM di Parigi, 2014<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Marina Pugliese<\/strong><\/p>\n<p>Mudec, Milano<\/p>\n<p>\u201cLucio Fontana. Ambienti\/Environments\u201d, Pirelli HangarBicocca 2017\/2018. Ragioni di una mostra<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cristina Beltrami<\/strong><\/p>\n<p>Storica dell\u2019arte<\/p>\n<p>\u201cLucio Fontana: Sculpture\u201d alla galleria Hauser &amp; Wirth di New York: la prima mostra di sculture dell\u2019artista negli Stati Uniti<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gianni Caravaggio<\/strong><\/p>\n<p>Artista<\/p>\n<p>Concetto spaziale \u2013 un dispositivo per performare immagini prime<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">Opening hours and admission<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><\/span><\/p>\n<p>Admission free subject to availability<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":307,"featured_media":100393,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[1882],"cini_tax_event_locations":[1802],"class_list":["post-101158","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-istituto-di-storia-dellarte-en","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lucio Fontana: Origins and Imagination - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/events\/lucio-fontana-origins-and-imagination\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lucio Fontana: Origins and Imagination - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"The symposium, a collaboration between the Fondazione Giorgio Cini Institute of Art History and the Fondazione Lucio Fontana, with the support of Intesa Sanpaolo, will be held on December 5th and 6th on the Island of San Giorgio Maggiore in Venice. 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