{"id":115312,"date":"2025-04-29T10:39:28","date_gmt":"2025-04-29T08:39:28","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=115312"},"modified":"2025-04-30T17:41:22","modified_gmt":"2025-04-30T15:41:22","slug":"the-museum-as-site-of-architectural-experimentation","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/the-museum-as-site-of-architectural-experimentation\/","title":{"rendered":"The Museum as Site of Architectural Experimentation"},"content":{"rendered":"<p>On the occasion of the forthcoming opening of the exhibition <a href=\"https:\/\/www.cini.it\/en\/eventi\/the-fondation-cartier-pour-lart-contemporain-by-jean-nouvel\/\">The Fondation Cartier pour l\u2019art contemporain by Jean Nouvel<\/a>, to be held on the Island of San Giorgio Maggiore, a public event will precede and explore its principal themes in greater depth.<\/p>\n<p>Organised during the opening days of the Biennale, the initiative forms part of the <a href=\"https:\/\/www.labiennale.org\/it\/architettura\/2025\" target=\"_blank\" rel=\"noopener\">Biennale Architettura 2025 \u2013 19. Mostra Internazionale di Architettura,<\/a>\u00a0it broadens the Biennale\u2019s discourse, placing particular emphasis on the role of the museum in shaping the future of architecture. The morning of discussions brings together architects and museum professionals for a series of conversations dedicated to one of the key sites of contemporary architectural experimentation: the museum.<\/p>\n<p>The initiative aims to foster a dynamic dialogue on the contribution of architecture and architects to the development of museum cultural policies and to the shaping of our relationship with art, in both urban and non-urban contexts.<\/p>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">Programme<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\" data-start=\"138\" data-end=\"191\">10:00 | Introduction by B\u00e9atrice Grenier<\/h5>\n<\/p>\n<p><h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\" data-start=\"193\" data-end=\"403\">10:15 \u2013 10:45 | Cultural Infrastructure for urban transformation<\/h5>\n<\/p>\n<p><p class=\"\" data-start=\"193\" data-end=\"403\">Joshua Ramus, REX<br data-start=\"289\" data-end=\"292\" \/>Andr\u00e9s Jaque, Office for Political Innovation<br data-start=\"338\" data-end=\"341\" \/>Antoine Picon, Harvard University Graduate School of Design<\/p>\n<\/p>\n<p><h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\" data-start=\"193\" data-end=\"403\">11:00 \u2013 11:30 | The Architectural Layers of the Museum<\/h5>\n<\/p>\n<p><p class=\"\" data-start=\"193\" data-end=\"403\">Cecilia Puga, Museo Cileno di Arte Precolombiana<br data-start=\"523\" data-end=\"526\" \/>Giovanna Borasi, Canadian Centre for Architecture (CCA)<br data-start=\"582\" data-end=\"585\" \/>Manuel Segade, Museo Reina Sof\u00eda<\/p>\n<\/p>\n<p><h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\" data-start=\"193\" data-end=\"403\">11:45 \u2013 12:15 | Rethinking Pavilions As Potential Museums<\/h5>\n<\/p>\n<p><p class=\"\" data-start=\"193\" data-end=\"403\">Lina Ghotmeh, Lina Ghotmeh Architecture<br data-start=\"731\" data-end=\"734\" \/>Nicolas Fayad, EAST Architecture<br data-start=\"767\" data-end=\"770\" \/>Chris Dercon, Fondation Cartier pour l\u2019art contemporain<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":13,"featured_media":115338,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1891,1470],"cini_tax_institutes":[],"cini_tax_event_locations":[1464,1802],"class_list":["post-115312","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-eventi-en","cini_tax_event_categories-events","cini_tax_event_locations-island-of-san-giorgio-maggiore","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Museum as Site of Architectural Experimentation - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/the-museum-as-site-of-architectural-experimentation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Museum as Site of Architectural Experimentation - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"On the occasion of the forthcoming opening of the exhibition The Fondation Cartier pour l\u2019art contemporain by Jean Nouvel, to be held on the Island of San Giorgio Maggiore, a public event will precede and explore its principal themes in greater depth. 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