In conjunction with the Early Music seminar, the Tapestry Room will host a special concert featuring young professional and semi-professional violinists specialising in Baroque repertoire.<\/p>\n
The seminar is part of an important thematic exhibition dedicated to Giacomo Casanova, through the research and study of scores and other musical material that evokes the possible common Parisian acquaintances of Giacomo Casanova and Joseph Boulogne. Twenty years younger, Boulogne shared several biographical traits with the famous Venetian: a regular in other aristocratic circles, a legendary seducer, a violinist, and later also a political agent and Freemason. Boulogne’s work will in fact be put into perspective with his political activities.<\/p>\n
The main teacher will be Th\u00e9otime Langlois de Swarte, a young star of European and world Baroque violin playing; he will be assisted in the symphony repertoire by the Director of Seminars, Pedro Memelsdorff.<\/p>\n
Le Concert des Amateurs<\/em> Scholarship performers: Accompanists: Conductors: Th\u00e9otime Langlois de Swarte and Pedro Memelsdorff<\/p>\n Event organised with the support of: —<\/span><\/p>\n Joseph Bologne, Chevalier de St. Georges, born in Guadeloupe in 1745 to settler Georges Bologne and enslaved African descendant Nanon, lived in France from 1753, where he developed a dual career as a martial arts expert \u2013 especially in fencing \u2013 and as a composer and violinist. Possibly a pupil of Fran\u00e7ois-Joseph Gossec and Antonio Lolli, he first became a member and then conductor of Gossec’s Concert des Amateurs orchestra \u2013 later one of the most renowned in Europe \u2013 making his debut in 1772 with his own violin concertos. From then on, he composed an important body of instrumental music, including two collections of string quartets (among the first composed in Paris), a dozen extraordinary violin concertos and as many symphonies concertantes, as well as at least six operas and scattered arias. In fact, in 1776 he was proposed as director of the Paris Opera, but his appointment was blocked by some of the ladies of the management, who asked Marie Antoinette not to \u201cdegrade their honour by placing them under the orders of a mulatto\u201d \u2013 a scandal that convinced Louis XVI to nationalise the Opera. This edition of the seminars focuses on Bologne’s instrumental music, in particular his violin concertos and some of his symphonies.<\/p>\n This will also be the repertoire for the final concert by the scholarship holders selected through an international competition.<\/p>\n <\/p>\n <\/p>\n","protected":false},"author":3,"featured_media":118630,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1890],"cini_tax_institutes":[25],"cini_tax_event_locations":[1802],"class_list":["post-118682","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-concerti-e-spettacoli-2-en","cini_tax_institutes-antonio-vivaldi-institute-en","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"\n
\nJoseph Bologne Chevalier de St. George, Concertos and Symphonies, 1770-1780<\/em><\/p>\n
\nAkdzha Dzhanykova, violin
\nLaur\u00e8ne Patard-Moreau, violin
\nSimone Pirri, violin<\/p>\n
\nHyngun Cho Choi, cello
\nNicola Lamon, organ and harpsichord
\nG\u00e9raldine Roux, viola<\/p>\n
\nRegione del Veneto; Concordance Foundations; Irma Merk and L.+ Th. La Roche<\/p>\n