{"id":120925,"date":"2026-01-28T11:30:34","date_gmt":"2026-01-28T10:30:34","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=120925"},"modified":"2026-02-17T11:36:46","modified_gmt":"2026-02-17T10:36:46","slug":"hindsight-and-repositioning-composers-and-the-challenges-of-the-third-age","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/hindsight-and-repositioning-composers-and-the-challenges-of-the-third-age\/","title":{"rendered":"Hindsight and repositioning: composers and the challenges of the third age"},"content":{"rendered":"<p>A study day devoted to the behaviour, reactions, choices and rethinking that characterised the final phase of the life and creativity of some of the most influential composers of the twentieth century: Arnold Sch\u00f6nberg, Igor Stravinsky, Gian Francesco Malipiero, Olivier Messiaen and Dmitri Shostakovich.<\/p>\n<p>The theoretical reference is the concept of \u2018late style\u2019, which was coined by Theodor W. Adorno for Beethoven\u2019s last works and later taken up and expanded by Edward Said in his book of the same name. The speakers aim to broaden the conceptual field traced by the two philosophers in the directions of intellectual biography and aesthetic evolution; longevity is related to the alienating perception of the new age and the response to the challenges coming from it.<\/p>\n<p>The event concludes with a concert performed by the lecturers and students of the \u2018Cesare Pollini\u2019 Conservatory in Padua as part of the agreements concerning the Doctorate Course of National Interest (DIN) Artistic Research on Musical Heritage (ARMH)<\/p>\n<h5 class=\"cini_font_small_sans_uppercase_titoletto\" style=\"font-family: DMSansBold, sans-serif; font-size: 0.75rem; font-weight: 400; line-height: 1.125rem; text-align: left; text-transform: uppercase; margin-bottom: 30px;\">programmE<\/h5>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">9:30 &#8211; 12:30<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><em>Introduzione e moderazione<\/em>: Gianmario Borio<\/p>\n<p>&#8211;<\/p>\n<p>Michela Garda<\/p>\n<p>(Universit\u00e0 di Pavia)<\/p>\n<p><em>Le stagioni della vita e la creativit\u00e0 musicale: ripensare il \u201ctardo stile\u201d<\/em><\/p>\n<p>&#8211;<\/p>\n<p>Massimiliano Locanto<\/p>\n<p>(Universit\u00e0 di Salerno)<\/p>\n<p><em>\u201cPensieri di ottuagenario\u201d: Stravinskij e le sfide della terza et\u00e0<\/em><\/p>\n<p>&#8211;<\/p>\n<p>Raffaele Pozzi<\/p>\n<p>(Universit\u00e0 Roma Tre)<\/p>\n<p><em>Stile tardo come inattualit\u00e0: visione e poetica dell\u2019ultimo Messiaen<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">15:00 &#8211; 18:00 <\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<p><em>Moderazione<\/em>: Michela Garda<\/p>\n<p>&#8211;<\/p>\n<p>Gianmario Borio<\/p>\n<p>(Universit\u00e0 di Pavia \u2013 Fondazione Giorgio Cini)<\/p>\n<p><em>\u201cWer bin ich\u2026.?\u201d &#8211; Autoanalisi, inquietudine, cambiamento: gli ultimi anni di Arnold Sch\u00f6nberg<\/em><\/p>\n<p>&#8211;<\/p>\n<p>Vincenzina Ottomano<\/p>\n<p>(Universit\u00e0 Ca\u2019 Foscari)<\/p>\n<p><em>\u201cI due \u0160ostakovi\u010d\u201d: critica e ambiguit\u00e0 nelle opere vocali tarde<\/em><\/p>\n<p>&#8211;<\/p>\n<p>Francisco Rocca<\/p>\n<p>(Fondazione Giorgio Cini)<\/p>\n<p><em>\u201cOttuagenario intransigente\u201d: motivi del tardo Malipiero<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":316,"featured_media":121672,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[21],"cini_tax_event_locations":[1464,1802],"class_list":["post-120925","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-music-en","cini_tax_event_locations-island-of-san-giorgio-maggiore","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hindsight and repositioning: composers and the challenges of the third age - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/hindsight-and-repositioning-composers-and-the-challenges-of-the-third-age\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hindsight and repositioning: composers and the challenges of the third age - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"A study day devoted to the behaviour, reactions, choices and rethinking that characterised the final phase of the life and creativity of some of the most influential composers of the twentieth century: Arnold Sch\u00f6nberg, Igor Stravinsky, Gian Francesco Malipiero, Olivier Messiaen and Dmitri Shostakovich. 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