{"id":120995,"date":"2026-03-23T12:10:51","date_gmt":"2026-03-23T11:10:51","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&p=120995"},"modified":"2026-04-24T11:08:17","modified_gmt":"2026-04-24T09:08:17","slug":"opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/","title":{"rendered":"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi"},"content":{"rendered":"

The conference is split into four sections. The first section aims to explore the intertextual dynamics that arise between the written source and the musical text, examining how the process of transposition and rewriting influences the dramatic and musically construction. The concept of intertextuality is interpreted here in a broad sense, as a critical tool capable of highlighting strategies of assimilation, rewriting and semantic amplification.<\/p>\n

The second session is focused on the role of references and stylistic cues, elements that constitute a key semantic repertory in the construction of dramatic arcs and the connotations evoked by the music.<\/p>\n

The third session explores the visual aspect, understood as a constitutive dimension of the opera, and stage direction as a practice of interpretation and actualisation of meanings. These two acts of mediation between musical dramaturgy and stage performance are analysed here in relation to the operatic texts, considered as generative matrices of the stage design. The focus is on the ways in which the score and the libretto guide, inspire or are reinterpreted in the visual dimensions, forming a dynamic nexus between musical composition and performance.<\/p>\n

Finally, the fourth session explores the relationship between different media in the processes of opera\u2019s creation, dissemination and transformation. The focus is on the ways in which opera interacts with other media \u2013 radio, cinema, television and the internet \u2013 generating new performance spaces and hybrid forms of representation. From this perspective, remediation becomes not only a technical process, but also an aesthetic and dramaturgical one, capable of redefining the experience of the opera event.<\/p>\n

Scientific Committee: Maria Ida Biggi, Gianmario Borio, Giordano Ferrari, Vincenzina C. Ottomano, Emilio Sala, Luca Zoppelli.<\/p>\n

PROGRAM<\/span><\/h5>\n
\n
\n
\n
28 April | Intertestualit\u00e0<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
\n

9:30 AM<\/span><\/p>\n

Maria Ida Biggi, Gianmario Borio<\/b><\/p>\n

<\/b>Introduction<\/span><\/p>\n

–<\/span><\/p>\n

<\/span><\/p>\n

10.00 AM \u2014 1.00 PM<\/p>\n

<\/span><\/p>\n

1. Sessione, Dalla letteratura all\u2019opera in musica: estensione o trasformazione?<\/strong><\/p>\n

–<\/p>\n

<\/span>Introduction e moderator: Luca Zoppelli<\/strong> (Universit\u00e0 di Friburgo)<\/span><\/p>\n

–<\/span><\/p>\n

Gabriella Olivero<\/strong><\/p>\n

<\/span>(Universit\u00e0 di Torino)<\/span><\/p>\n

<\/span>Figure da paravento: da Iris a Cio-cio-san<\/span><\/p>\n

–<\/span><\/p>\n

<\/span>Emanuele D\u2019Angelo<\/strong><\/p>\n

<\/span>(Accademia di Belle Arti di Bari)<\/span><\/p>\n

<\/span>Costruire libretti tra macro e micro intertestualit\u00e0. Casi ottocenteschi<\/span><\/p>\n

–<\/span><\/p>\n

Francesco Fontanelli<\/strong><\/p>\n

<\/span>(Universit\u00e0 eCampus (Novedrate)<\/span><\/p>\n

<\/span>\u201cUna tragedia parigina\u201d: riscritture del fatalismo nel Tabarro di Puccini<\/span><\/p>\n

–<\/span><\/p>\n

Discussant: Fabrizio Della Seta<\/strong><\/span><\/p>\n

<\/span>(Universit\u00e0 di Pavia)<\/span><\/p>\n

\u00a0–<\/span><\/p>\n

LUNCH BREAK<\/span><\/p>\n

\u00a0–<\/span><\/p>\n

3.00 PM \u2014 6.00 PM <\/span><\/p>\n

2. Sessione, Citazioni, evocazioni e allusioni musicali come fattori della drammaturgia<\/strong><\/p>\n

–<\/p>\n

<\/span>Introduction e moderator: Giordano Ferrari<\/strong> (Universit\u00e9 Paris 8)<\/span><\/p>\n

–<\/p>\n

<\/span>Anselm Gerhard<\/strong><\/p>\n

<\/span>(Universit\u00e0 di Berna)<\/span><\/p>\n

<\/span>Metro musicale e gradiente drammatico. Convergenze e divergenze tra Verdi e Puccini<\/span><\/p>\n

<\/span>–<\/span><\/p>\n

<\/span>Federico Fornoni<\/strong><\/p>\n

<\/span>(Conservatorio di Novara \/ Universit\u00e0 di Bergamo)<\/span><\/p>\n

<\/span>Nedda: una Carmen in miniatura<\/span><\/p>\n

<\/span>–<\/span><\/p>\n

<\/span>Federica Marsico<\/strong><\/p>\n

<\/span>(Universit\u00e0 degli studi di Teramo)<\/span><\/p>\n

<\/span>Declinazioni dell\u2019intertestualit\u00e0 nel teatro di Bussotti<\/span><\/p>\n

<\/span>–<\/span><\/p>\n

<\/span>Discussant: Paolo Fabbri<\/strong><\/span><\/p>\n

<\/span>(Universit\u00e0 di Ferrara)<\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
29 April | Intermedialit\u00e0<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
\n

10:00 AM \u2014 1.00 PM<\/span><\/p>\n

3.Sessione, Mise en sc\u00e8ne, regia e scenografia come dimensioni implicite o esplicite della partitura<\/strong><\/p>\n

–<\/p>\n

<\/span>Introduction e moderator: Emilio Sala<\/strong> (Universit\u00e0 di Milano)<\/span><\/p>\n

–<\/span><\/p>\n

Gerardo Guccini<\/strong><\/p>\n

<\/span>(Universit\u00e0 di Bologna)<\/span><\/p>\n

<\/span>Con l\u2019occhio di Puccini e l\u2019orecchio di Carr\u00e9: Girardi legge la mise en sc\u00e8ne della Madama Butterfly<\/span><\/p>\n

–<\/span><\/p>\n

<\/span>Clemens Risi<\/strong><\/p>\n

<\/span>(Friedrich-Alexander-Universit\u00e4t Erlangen-N\u00fcrnberg)<\/span><\/p>\n

<\/span>\u201cLa Tosca in teatro\u201d: Puccini e l\u2019arte del performativo<\/span><\/p>\n

–<\/span><\/p>\n

<\/span>Ruben Vernazza<\/strong><\/p>\n

<\/span>(Universit\u00e0 di Palermo)<\/span><\/p>\n

<\/span>Ridere di Verdi: L\u2019enfant trouv\u00e8re di Offenbach (1857)<\/span><\/p>\n

–<\/span><\/p>\n

<\/span>Discussant: Alessandro Roccatagliati<\/strong><\/span><\/p>\n

<\/span>(Universit\u00e0 di Ferrara)<\/span><\/p>\n

–<\/span><\/p>\n

LUNCH BREAK<\/span><\/p>\n

–<\/span><\/p>\n

3.00 PM \u2014 6.00 PM<\/span><\/p>\n

4. Sessione, Dialogo tra media: dall\u2019atto compositivo alla rimediazione<\/strong><\/p>\n

–<\/p>\n

<\/span>Introduction e moderator: Vincenzina Ottomano<\/strong> (Universit\u00e0 Ca\u2019 Foscari)<\/span><\/p>\n

–<\/p>\n

Chiara Casarin<\/strong><\/p>\n

<\/span>(Universit\u00e0 Ca\u2019 Foscari)<\/span><\/p>\n

<\/span>La rimediazione di un\u2019opera \u201cfantasma\u201d: la scena del teatro nel Marchese del Grillo di Mario Monicelli<\/span><\/p>\n

–<\/span><\/p>\n

Matteo Giuggioli<\/strong><\/p>\n

<\/span>(Universit\u00e0 Roma Tre)<\/span><\/p>\n

<\/span>L\u2019opera \u2018in film\u2019 tra ipermediazione e trasparenza<\/span><\/p>\n

–<\/span><\/p>\n

Daniele Palma<\/strong><\/p>\n

<\/span>(Universit\u00e0 di Firenze)<\/span><\/p>\n

–<\/span><\/p>\n

Discussant: Serena Facci<\/strong> (Universit\u00e0 di Roma Tor Vergata)<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
29 April 06:30 PM | Concert at Auditorium \u201cLo Squero\u201d <\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
\n

Program<\/h5>\n<\/p>\n

Concerto In collaborazione con il Conservatorio \u201cCesare Pollini\u201d, Padova<\/p>\n

–<\/p>\n

Ottorino Respighi (1879 – 1936)<\/p>\n

Sonata in si minore P 110 (1917) per violino e pianoforte<\/p>\n

I. Moderato<\/p>\n

II. Andante espressivo<\/p>\n

III. Allegro moderato ma energico (Passacaglia)<\/p>\n

Giacomo Puccini (1858 \u2013 1924)<\/p>\n

Crisantemi, Elegia SC65 (1890) per quartetto d\u2019archi<\/p>\n

Andante mesto<\/p>\n

Sergej Prokofiev (1891 – 1953)<\/p>\n

Sonata op. 119 (1949) per violoncello e pianoforte<\/p>\n

I. Andante grave<\/p>\n

II. Moderato<\/p>\n

III. Allegro, ma non troppo<\/p>\n

Sergej Prokofiev<\/p>\n

Ouverture su temi ebraici op. 34 (1919) per clarinetto, pianoforte e quartetto d\u2019archi<\/p>\n

–<\/p>\n

Miriam Dal Don, violino<\/p>\n

Pietro Bosna, violoncello<\/p>\n

Luca Lucchetta, clarinetto<\/p>\n

Aldo Orvieto, pianoforte<\/p>\n

Quartetto d\u2019archi degli studenti del Conservatorio \u201cCesare Pollini\u201d di Padova<\/p>\n

Federica Cassia e Chiara Bosna, violini<\/p>\n

–<\/p>\n

Giulia Pasquali, viola<\/p>\n

Davide Zuin, violoncello<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":316,"featured_media":123643,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[20],"cini_tax_event_locations":[1464,1802],"class_list":["post-120995","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-theatre-and-opera","cini_tax_event_locations-island-of-san-giorgio-maggiore","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"\nOpera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"The conference is split into four sections. The first section aims to explore the intertextual dynamics that arise between the written source and the musical text, examining how the process of transposition and rewriting influences the dramatic and musically construction. The concept of intertextuality is interpreted here in a broad sense, as a critical tool […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondazione Giorgio Cini\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FondazioneGiorgioCini\/?locale=it_IT\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-24T09:08:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cini.it\/wp-content\/uploads\/2026\/03\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/\",\"url\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/\",\"name\":\"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.cini.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png\",\"datePublished\":\"2026-03-23T11:10:51+00:00\",\"dateModified\":\"2026-04-24T09:08:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.cini.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png\",\"contentUrl\":\"https:\\\/\\\/www.cini.it\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png\",\"width\":1500,\"height\":1000,\"caption\":\"Pietro Bertoja, bozzetto per Manon Lescaut, Teatro Regio di Torino, 1893. Dettaglio del disegno conservato presso il Museo Civico d'Arte di Pordenone\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.cini.it\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.cini.it\\\/en\\\/\",\"name\":\"Fondazione Giorgio Cini\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.cini.it\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#organization\",\"name\":\"Fondazione Giorgio Cini\",\"url\":\"https:\\\/\\\/www.cini.it\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.cini.it\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/cropped-Cini_favicon002.png\",\"contentUrl\":\"https:\\\/\\\/www.cini.it\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/cropped-Cini_favicon002.png\",\"width\":512,\"height\":512,\"caption\":\"Fondazione Giorgio Cini\"},\"image\":{\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/FondazioneGiorgioCini\\\/?locale=it_IT\",\"https:\\\/\\\/www.instagram.com\\\/fondazionecini\\\/\",\"https:\\\/\\\/it.linkedin.com\\\/company\\\/giorgio-cini-foundation\",\"https:\\\/\\\/www.youtube.com\\\/@FondazioneGCini\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/","og_locale":"en_US","og_type":"article","og_title":"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini","og_description":"The conference is split into four sections. The first section aims to explore the intertextual dynamics that arise between the written source and the musical text, examining how the process of transposition and rewriting influences the dramatic and musically construction. The concept of intertextuality is interpreted here in a broad sense, as a critical tool […]","og_url":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/","og_site_name":"Fondazione Giorgio Cini","article_publisher":"https:\/\/www.facebook.com\/FondazioneGiorgioCini\/?locale=it_IT","article_modified_time":"2026-04-24T09:08:17+00:00","og_image":[{"width":1500,"height":1000,"url":"https:\/\/www.cini.it\/wp-content\/uploads\/2026\/03\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/","url":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/","name":"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi - Fondazione Giorgio Cini","isPartOf":{"@id":"https:\/\/www.cini.it\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/#primaryimage"},"image":{"@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cini.it\/wp-content\/uploads\/2026\/03\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png","datePublished":"2026-03-23T11:10:51+00:00","dateModified":"2026-04-24T09:08:17+00:00","breadcrumb":{"@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/#primaryimage","url":"https:\/\/www.cini.it\/wp-content\/uploads\/2026\/03\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png","contentUrl":"https:\/\/www.cini.it\/wp-content\/uploads\/2026\/03\/Opera-in-musica-tra-intertestualita-e-intermedialita-Fondazione-Giorgio-Cini-2026.png","width":1500,"height":1000,"caption":"Pietro Bertoja, bozzetto per Manon Lescaut, Teatro Regio di Torino, 1893. Dettaglio del disegno conservato presso il Museo Civico d'Arte di Pordenone"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cini.it\/en\/eventi\/opera-in-musica-tra-intertestualita-e-intermedialita-in-ricordo-di-michele-girardi\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cini.it\/en\/"},{"@type":"ListItem","position":2,"name":"Opera in musica tra intertestualit\u00e0 e intermedialit\u00e0. In ricordo di Michele Girardi"}]},{"@type":"WebSite","@id":"https:\/\/www.cini.it\/en\/#website","url":"https:\/\/www.cini.it\/en\/","name":"Fondazione Giorgio Cini","description":"","publisher":{"@id":"https:\/\/www.cini.it\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cini.it\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.cini.it\/en\/#organization","name":"Fondazione Giorgio Cini","url":"https:\/\/www.cini.it\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.cini.it\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.cini.it\/wp-content\/uploads\/2025\/03\/cropped-Cini_favicon002.png","contentUrl":"https:\/\/www.cini.it\/wp-content\/uploads\/2025\/03\/cropped-Cini_favicon002.png","width":512,"height":512,"caption":"Fondazione Giorgio Cini"},"image":{"@id":"https:\/\/www.cini.it\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/FondazioneGiorgioCini\/?locale=it_IT","https:\/\/www.instagram.com\/fondazionecini\/","https:\/\/it.linkedin.com\/company\/giorgio-cini-foundation","https:\/\/www.youtube.com\/@FondazioneGCini"]}]}},"_links":{"self":[{"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_events\/120995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_events"}],"about":[{"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/types\/cini_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/users\/316"}],"version-history":[{"count":13,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_events\/120995\/revisions"}],"predecessor-version":[{"id":124327,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_events\/120995\/revisions\/124327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/media\/123643"}],"wp:attachment":[{"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/media?parent=120995"}],"wp:term":[{"taxonomy":"cini_tax_event_categories","embeddable":true,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_tax_event_categories?post=120995"},{"taxonomy":"cini_tax_institutes","embeddable":true,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_tax_institutes?post=120995"},{"taxonomy":"cini_tax_event_locations","embeddable":true,"href":"https:\/\/www.cini.it\/en\/wp-json\/wp\/v2\/cini_tax_event_locations?post=120995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}