{"id":122961,"date":"2026-02-23T11:35:51","date_gmt":"2026-02-23T10:35:51","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&p=122961"},"modified":"2026-04-28T12:31:55","modified_gmt":"2026-04-28T10:31:55","slug":"trionfi-music-poetry-and-longevity-between-guillaume-de-machaut-and-francesco-petrarca-2","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/trionfi-music-poetry-and-longevity-between-guillaume-de-machaut-and-francesco-petrarca-2\/","title":{"rendered":"Trionfi. Music, poetry and longevity between Guillaume de Machaut and Francesco Petrarca"},"content":{"rendered":"

At the end of the Early Music Seminars<\/a>, Sala dei Cipressi will guest a concert by young singers and musicians specialized in medieval repertoires, selected through an international call.
\nThe main materials of study, and program of the concert, will be the poetic-musical lyrics included in Machaut’s (perhaps autobiographical) Rem\u00e8de de Fortune \u2013 written shortly before the great plague of the 14th century \u2013 and other settings, either his own or perhaps inspired by him, circulating in Central Europe or Italy in the late 14th and early 15th centuries. These will be flanked by some extracts from Petrarch\u2019s Trionfi and De remediis, or Canzoniere \u2013 quoted in settings of the same period.<\/p>\n

The main teacher of this edition is Marc Mauillon, a celebrated tenor-interpreter of Machautian repertoires.<\/p>\n

According to tradition, the event will alternate musical performances with introductory sessions to this repertoire.<\/p>\n

Performers:
\nLaia Blasco Lop\u00e9z,\u00a0soprano
\nCl\u00e9mence Niclas, soprano
\nCyril Escoffier, tenor
\nN\u00f3ra Szab\u00f3, organ<\/p>\n

Assistant:
\nPau Marcos Vicens, viella<\/p>\n

Concert directed by: Marc Mauillon and Pedro Memelsdorff<\/p>\n

The seminar and concert are part of the important series of events dedicated to longevity.<\/p>\n

Among the many texts in Petrarch’s ocean that allude to or problematize longevity, the Trionfi are emblematic not only for their poetic intensity, but also for the implementation of new historical-philological, poetological and moral interests. Written in 1351 in the wake of his Italian journey for the Jubilee of 1350 and his encounter with Boccaccio and Greek culture in contemporary Florence, the Trionfi encapsulate historical and cultural issues that were to mark the arts, literature and music of Europe in the centuries to come.
\nContemporary, but active only in France, the poet and composer Guillaume de Machaut (c.1300\u20131377) was also, like Petrarch, a model emulated in Europe at the time, but his influence beyond France&#39;s borders is still a subject of debate among scholars and musicologists. This edition of the Early Music Seminars aims to examine a selection of texts by Petrarch and Machaut in search of possible mutual influences, but above all the types of influence that both authors had, explicitly but more often implicitly, on the music of their own time or shortly thereafter.<\/p>\n","protected":false},"author":3,"featured_media":122771,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1483],"cini_tax_institutes":[29],"cini_tax_event_locations":[1464,1802],"class_list":["post-122961","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-concerts-and-shows","cini_tax_institutes-early-music","cini_tax_event_locations-island-of-san-giorgio-maggiore","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"\nTrionfi. 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