{"id":124387,"date":"2026-04-24T12:44:53","date_gmt":"2026-04-24T10:44:53","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&p=124387"},"modified":"2026-05-08T09:13:50","modified_gmt":"2026-05-08T07:13:50","slug":"paolo-poli-sixty-and-more-years-of-theatrical-ingenuity","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/paolo-poli-sixty-and-more-years-of-theatrical-ingenuity\/","title":{"rendered":"Paolo Poli. Sixty and More Years of Theatrical Ingenuity"},"content":{"rendered":"

The Institute for Theatre and Opera of the Fondazione Giorgio Cini, in collaboration with Ca\u2019 Foscari University of Venice and the University of Florence, is dedicating a scholarly conference to Paolo Poli (Florence, 1929 \u2013 Rome, 2016) on the tenth anniversary of his passing.<\/p>\n

Florentine by birth, he quickly gained public attention as a prolific and original artist, building a long and brilliant career that lasted until his death in 2016 at the age of eighty-seven. The creator of a theatre that was imaginative, light yet erudite, Poli\u2014thanks to his inexhaustible creativity\u2014was an undisputed protagonist of the Italian stage from the second half of the twentieth century.<\/p>\n

As the institution that preserves Paolo Poli\u2019s personal archive, the Institute for Theatre has made available to speakers the many valuable documents it holds, in order to explore previously unexamined aspects of this remarkable chapter in Italian theatre.<\/p>\n

The event is part of the initiatives promoted by the Fondazione Giorgio Cini to further explore the theme of Humankind and Longevity<\/em>. From this perspective, Paolo Poli emerges as an extraordinary example of enduring creativity, capable of overcoming and redefining the stereotype of old age as decline.<\/p>\n

\u2014<\/p>\n

Remembering Paolo<\/p>\n

On May 14 at 6:00 PM, actress Lucia Poli and the actor-director Arturo Brachetti, in conversation with journalist Anna Bandettini, will meet the public to evoke the multifaceted figure of Paolo Poli. Memories, testimonies, and images from an artistic past will come alive again through the presence of the two guest artists and their stories from the stage.<\/p>\n

PROGRAMMe<\/span><\/h5>\n
\n
\n
\n
Thursday, 14 May 2026<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
\n

9:30<\/span><\/p>\n

Daniele Franco, Maria Ida Biggi<\/strong><\/p>\n

Fondazione Giorgio Cini<\/span><\/p>\n

 <\/p>\n

Fulvio Cervini, Marco Mangani<\/strong><\/p>\n

Universit\u00e0 di Firenze<\/span><\/p>\n

 <\/p>\n

Saluti istituzionali e introduzione<\/span><\/p>\n

 <\/p>\n

Marianna Zannoni<\/strong><\/p>\n

Fondazione Giorgio Cini \/ Universit\u00e0 Ca\u2019 Foscari di Venezia<\/span><\/p>\n

Presentazione archivio Paolo Poli<\/span><\/p>\n

 <\/p>\n

–<\/p>\n

 <\/p>\n

10:00 \u2014 13:00<\/span><\/p>\n

I Sessione<\/strong><\/p>\n

Declinazioni dell\u2019attore-autore-regista<\/span><\/p>\n

 <\/p>\n

CHAIR<\/span><\/p>\n

Maria Ida Biggi<\/strong><\/p>\n

Fondazione Giorgio Cini \/ Universit\u00e0 Ca\u2019 Foscari di Venezia<\/span><\/p>\n

 <\/p>\n

Giulia Bravi<\/strong><\/p>\n

Universit\u00e0 di Firenze<\/span><\/p>\n

Albori teatrali: Paolo Poli\u00a0<\/span><\/p>\n

nella Firenze del dopoguerra\u00a0<\/span><\/p>\n

 <\/p>\n

Livia Cavaglieri, Donatella Orecchia<\/strong><\/p>\n

Univers<\/span>it\u00e0 di Genova, Universit\u00e0 Tor Vergata di Roma<\/p>\n

Paolo Poli alla Borsa d\u2019Arlecchino\u00a0<\/span><\/p>\n

 <\/p>\n

Edoardo Camilletti<\/strong><\/p>\n

Universit\u00e0 Roma Tre<\/span><\/p>\n

\u201cCaro Lele\u201d. Il <\/span>Faust<\/span><\/i> mai realizzato da un carteggio fra Paolo Poli ed Emanuele Luzzati (1964-1965)<\/span><\/p>\n

 <\/p>\n

Armando Petrini<\/strong><\/p>\n

Universit\u00e0 di Torino<\/span><\/p>\n

Paolo Poli e la \u2018linea bis\u2019 del teatro italiano<\/span><\/p>\n

 <\/p>\n

Paologiovanni Maione<\/strong><\/p>\n

Universit\u00e0 della Campania<\/span><\/p>\n

Le \u2018stranezze\u2019 di Satie per \u2018l\u2019inquieto\u2019 viaggio di Poli<\/span><\/p>\n

 <\/p>\n

–<\/p>\n

 <\/p>\n

14:30 \u2014 17:00<\/span><\/p>\n

II Sessione<\/strong><\/p>\n

Paolo Poli, la censura e la critica sociale<\/span><\/p>\n

 <\/p>\n

CHAIR<\/span><\/p>\n

Armando Petrini<\/strong><\/p>\n

Universit\u00e0 di Torino<\/span><\/p>\n

 <\/p>\n

Franco Perrelli<\/strong><\/p>\n

Universit\u00e0 di Bari<\/span><\/p>\n

Paolo Poli: la censura della farfalla<\/span><\/p>\n

 <\/p>\n

Antonio Audino<\/strong><\/p>\n

Rai Radio Tre<\/span><\/p>\n

Un <\/span>Babau<\/span><\/i> per la televisione italiana<\/span><\/p>\n

 <\/p>\n

Marianna Zannoni<\/strong><\/p>\n

Fondazione Giorgio Cini \/ Universit\u00e0 Ca\u2019 Foscari di Venezia<\/span><\/p>\n

\u201cC\u2019era una volta il fascismo\u2026\u201d. <\/span>L\u2019uomo nero<\/span><\/i> di Paolo Poli<\/span><\/p>\n

 <\/p>\n

Mariagabriella Cambiaghi<\/strong><\/p>\n

Universit\u00e0 di Milano<\/span><\/p>\n

Rosmunda<\/span><\/i> di Alfieri: una \u2018rivisitazione\u2019 tra tragico e melodramma<\/span><\/p>\n

 <\/p>\n

–<\/p>\n

 <\/p>\n

18:00 \u2014 19:00<\/span><\/p>\n

Lucia Poli e Arturo Brachetti in dialogo con Anna Bandettini<\/strong><\/p>\n

Ricordando Paolo<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

 <\/p>\n

\n
\n
\n
Friday, 15 May\u00a02026<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
\n

9:30 \u2014 13:00<\/span><\/p>\n

III Sessione<\/strong><\/p>\n

Fonti della drammaturgia poliana<\/span><\/p>\n

 <\/p>\n

CHAIR<\/span><\/p>\n

Franco Perrelli<\/strong><\/p>\n

Universit\u00e0 di Bari<\/span><\/p>\n

 <\/p>\n

Teresa Megale<\/strong><\/p>\n

Universit\u00e0 di Firenze<\/span><\/p>\n

Scritti da Paolo, recitati, cantati e danzati da Poli: invenzioni, affabulazioni, trasformismi del geniale fiorentino\u00a0<\/span><\/p>\n

 <\/p>\n

Giuseppe Crimi<\/strong><\/p>\n

Universit\u00e0 Roma Tre<\/span><\/p>\n

Le voci della letteratura dietro la voce di Paolo Poli<\/span><\/p>\n

 <\/p>\n

Gabriele Frasca<\/strong><\/p>\n

Scuola Superiore Meridionale di Napoli<\/span><\/p>\n

L\u2019arte di sorridere versi (e d\u2019irridere in prosa)<\/span><\/p>\n

 <\/p>\n

Eva Marinai<\/strong><\/p>\n

Universit\u00e0 di Pisa<\/span><\/p>\n

Paolo Poli cantastorie. Il <\/span>Pinocchio<\/span><\/i> delle <\/span>Fiabe sonore<\/span><\/i> (1966)<\/span><\/p>\n

 <\/p>\n

Matteo Tamborrino<\/strong><\/p>\n

Universit\u00e0 di Torino<\/span><\/p>\n

Racconti di fate chiamate Paolo Poli<\/span><\/p>\n

 <\/p>\n

–<\/p>\n

 <\/p>\n

14:30 \u2014 17:30<\/span><\/p>\n

IV Sessione<\/strong><\/p>\n

Tempo della vita, tempo del teatro<\/span><\/p>\n

 <\/p>\n

CHAIR<\/span><\/p>\n

Teresa Megale<\/strong><\/p>\n

Universit\u00e0 di Firenze<\/span><\/p>\n

 <\/p>\n

Serena Facci<\/strong><\/p>\n

Universit\u00e0 Tor Vergata di Roma<\/span><\/p>\n

\u201cLa letteratura delle canzonette\u201d: il flusso narrativo di Paolo Poli dal parlato al cantato<\/span><\/p>\n

 <\/p>\n

Antonia Liberto<\/strong><\/p>\n

Universit\u00e0 di Firenze<\/span><\/p>\n

Paolo Poli o la misura dell\u2019irriverenza. <\/span>Sei brillanti. Giornaliste Novecento<\/span><\/i> (2006)<\/span><\/p>\n

 <\/p>\n

Francesco Cotticelli<\/strong><\/p>\n

Universit\u00e0 Federico II di Napoli<\/span><\/p>\n

Nei primi anni Duemila: Paolo Poli e la solitudine del genio<\/span><\/p>\n

 <\/p>\n

Maria Ida Biggi<\/strong><\/p>\n

Fondazione Giorgio Cini \/ Universit\u00e0 Ca\u2019 Foscari di Venezia<\/span><\/p>\n

Quant\u2019\u00e8 bella la vecchiezza, Il mare<\/span><\/i> e <\/span>Aquiloni<\/span><\/i><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"author":317,"featured_media":124156,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[20],"cini_tax_event_locations":[1464,1802],"class_list":["post-124387","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-theatre-and-opera","cini_tax_event_locations-island-of-san-giorgio-maggiore","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia"],"acf":[],"yoast_head":"\nPaolo Poli. Sixty and More Years of Theatrical Ingenuity - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/paolo-poli-sixty-and-more-years-of-theatrical-ingenuity\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paolo Poli. Sixty and More Years of Theatrical Ingenuity - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"The Institute for Theatre and Opera of the Fondazione Giorgio Cini, in collaboration with Ca\u2019 Foscari University of Venice and the University of Florence, is dedicating a scholarly conference to Paolo Poli (Florence, 1929 \u2013 Rome, 2016) on the tenth anniversary of his passing. 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