{"id":25431,"date":"2012-10-30T10:18:09","date_gmt":"2012-10-30T09:18:09","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&p=25431"},"modified":"2024-07-26T11:08:35","modified_gmt":"2024-07-26T09:08:35","slug":"25431","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/25431\/","title":{"rendered":"International Study Sessions for the quadricentennial of Giovanni Gabrieli (1554\/56-1612)"},"content":{"rendered":"

\u00abAlla schola del signor Giovanni Gabrieli\u00bb<\/strong><\/p>\n

Giovanni Gabrieli Between Past and Future: Contexts, Models and Italian Disciples<\/strong><\/p>\n

International Study Sessions for the quadricentennial of Giovanni Gabrieli (1554\/56-1612)<\/p>\n

Heir to the illustrious tradition of Venetian polyphonic and polychoral music, Giovanni Gabrieli progressively modified his musical language in the direction of the \u2018new\u2019 stile concertato<\/em> with basso continuo and certain features of the new expressive style which developed in the context of Florentine monody and the Mantuan madrigal.<\/p>\n

In Venice, this process was not without consequences for the formation of the younger generation of musicians (Venetian and non-Venetian). In the footsteps of his uncle, Andrea Gabrieli, Giovanni had established what was nothing short of a school (with price lists and programmes), populated by a considerable number of young musicians from all over Europe. Gabrieli\u2019s influence on his Northern pupils (Aichinger, Sch\u00fctz, Peders\u00f8n, Grabbe, Nielsen and others) has been partially investigated; less clear and certainly more problematic is his contribution to the formation of a local compositional tradition. Leaving aside Gabrieli\u2019s unquestionable importance as composer and innovator in the field of instrumental music, the situation is rendered particularly complex by the arrival in Venice of Claudio Monteverdi in 1613. Frequently music historiography has assigned to Monteverdi prime responsability for the processes of innovation characteristic of subsequent Venetian music.<\/p>\n

These study sessions aim to shed light on the extent and nature of Gabrieli\u2019s legacy in the hands of his various pupils and followers (G.B. Riccio, G.B. Grillo, G. Priuli, G. Valentini etc.) both in Venice and elsewhere, with reference both to instrumental music and to the sacred and secular vocal repertoires during the first three decades of the seventeenth century. Discussion of Alessandro Grandi\u2019s role in the artistic production of the new generation of composers can be of particular importance in this context. Other themes regard: Gabrieli and contemporary music publishing (though perhaps the most reluctant composer of the period in publishing his own compositions, Giovanni \u2013 in the true spirit of tradition \u2013 posthumously edited several volumes of music by his uncle Andrea); Gabrieli, the madrigal and private patronage in Venice.<\/p>\n

Scientific Board: David Bryant, Rodolfo Baroncini, Luigi Collarile<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"Comitato\u00a0 \u00a0\"RegioneVeneto_barra_colore\"\u00a0\u00a0\u00a0\"\"<\/p>\n

Scuola Grande di San Rocco, Centro Tedesco di Studi Veneziani, Diocesi Patriarcato di Venezia, Fondazione Giorgio Cini, Fondazione Ugo e Olga Levi, Procuratoria di San Marco, Regione del Veneto, Universit\u00e0 Ca\u2019 Foscari di Venezia, Universit\u00e0 degli studi di Padova.<\/p>\n

Download<\/p>\n

The\u00a0poster<\/a><\/p>\n

The\u00a0flyer<\/a><\/p>\n

The\u00a0<\/strong>ABSTRACTS<\/a><\/p>\n

\n

Programme<\/strong><\/p>\n

 <\/p>\n

Monday 10 December 2012<\/strong><\/p>\n

9.00<\/p>\n

Welcome address and Introduction.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

9.30-12.30<\/p>\n

Chair: Gianmario Borio \/ Rodolfo Baroncini.<\/p>\n

Rodolfo Baroncini<\/strong> (Conservatorio di Musica \u201cAntonio Buzzolla\u201d, Adria)<\/p>\n

\u201cEt per tale confirmato dall’auttorit\u00e0 del signor Giovanni Gabrieli\u201d: l\u2019auctoritas gabrieliana e la ricezione dei suoi modelli nei compositori veneziani (e non) della nuova generazione (1600-1620)<\/em>.<\/p>\n

Metoda Kokole<\/strong> (Slovenian Academy of Sciences and Arts)<\/p>\n

Giovanni Gabrieli\u2019s style echoed in music produced in the first quarter of the seventeenth century on the territory between Koper\/Capodistria and Graz.<\/em><\/em><\/strong><\/p>\n

Marco Di Pasquale<\/strong> (Conservatorio di Musica \u201cArrigo Pedrollo\u201d, Vicenza)<\/p>\n

Innovazione e calchi gabrieliani nelle canzoni da sonar di Giovanni Battista Riccio.<\/em><\/em><\/p>\n

14.00-17.00<\/p>\n

Chair: David Bryant \/ Sabine Meine.<\/p>\n

Iain Fenlon<\/strong> (King’s College, Cambridge)<\/p>\n

Constructing Images: Giovanni Gabrieli and the Claims of History.<\/em><\/em><\/p>\n

Jonathan Glixon<\/strong> (University of Kentucky)<\/p>\n

Students, Rivals and Contemporaries: Organists in Venetian Churches at the Time of Giovanni Gabrieli.<\/em><\/p>\n

Jeffrey Kurtzman <\/strong>(Washington University, St. Louis)<\/p>\n

Toward an Understanding of Cleffing, Pitch and Sonority in the Vocal Music of Giovanni Gabrieli.<\/em><\/p>\n

David Bryant<\/strong> (Universit\u00e0 Ca\u2019 Foscari, Venezia), Elena Quaranta<\/strong> (Universit\u00e0 Ca’ Foscari, Venezia)<\/p>\n

Giovanni Gabrieli e la consuetudine dello stile concertato.<\/em><\/p>\n

Philippe Canguilhem<\/strong> (Universit\u00e9 de Toulouse Le Mirail)<\/p>\n

Interpretare la musica strumentale d’insieme di Giovanni Gabrieli<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

Tuesday 11 December 2012<\/strong><\/p>\n

9.00-12.30<\/p>\n

Chair: Jeffrey Kurtzman \/ Luigi Collarile.<\/p>\n

Luigi Collarile<\/strong> (Universit\u00e9 de Fribourg)<\/p>\n

Giovanni Gabrieli e le edizioni postume di Andrea: nuove considerazioni.<\/em><\/p>\n

Giuseppe Clericetti<\/strong> (Radio Svizzera Italiana)<\/p>\n

I ricercari di Giovanni Gabrieli nel contesto organistico e didattico veneziano.<\/em><\/p>\n

Massimo Bisson <\/strong>(Universit\u00e0 Iuav di Venezia)<\/p>\n

Organi, cantorie e spazi per la musica nelle chiese veneziane all\u2019epoca di Giovanni Gabrieli.<\/em><\/p>\n

Stefano Lorenzetti<\/strong> (Conservatorio di Musica \u201cArrigo Pedrollo\u201d, Vicenza)<\/strong><\/p>\n

Scritte nella mente? La musica per strumento da tasto di Giovanni Gabrieli e l\u2019arte di comporre all\u2019improvviso.<\/em><\/p>\n

Info: musica@cini.it<\/a><\/p>\n","protected":false},"author":1,"featured_media":25442,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1594],"cini_tax_institutes":[],"cini_tax_event_locations":[1610],"class_list":["post-25431","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari-2","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia-2"],"acf":[],"yoast_head":"\nInternational Study Sessions for the quadricentennial of Giovanni Gabrieli (1554\/56-1612) - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/25431\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Study Sessions for the quadricentennial of Giovanni Gabrieli (1554\/56-1612) - 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