{"id":28001,"date":"2013-02-11T12:06:02","date_gmt":"2013-02-11T11:06:02","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=28001"},"modified":"2024-07-26T11:08:43","modified_gmt":"2024-07-26T09:08:43","slug":"fragile-2","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/fragile-2\/","title":{"rendered":"Fragile?"},"content":{"rendered":"<p><em><span style=\"font-size: small;\">Mona Hatoum.\u00a0Drowning Sorrows (wine bottles),\u00a02004,\u00a0glass,\u00a015 cm x 200 cm Pier Luigi and Natalina Remotti Collection\u00a0ph Ela Bialkowska courtesy GALLERIA CONTINUA, San Gimignano \/ Beijing \/ Le Moulin<\/span><\/em><\/p>\n<hr \/>\n<p>On <strong>8 April 2013<\/strong>, <strong><em>Fragile?<\/em><\/strong>, an exhibition curated by <strong>Mario Codognato<\/strong>, will open to the public on the San Giorgio Maggiore island inVenice.<\/p>\n<p>The exhibition will feature more than 30 artworks by some of the most interesting international artists of our time who have experimented with industrial and found glass \u2013 from <strong>Marcel<\/strong> <strong>Duchamp <\/strong>and <strong>Joseph Beuys<\/strong>, to <strong>Ai Weiwei<\/strong>, <strong>Damien Hirst<\/strong>, <strong>Giovanni Anselmo<\/strong> and <strong>Jannis<\/strong>\u00a0<strong>Kounellis<\/strong>, to name a few. This exhibition is part of <strong>Le Stanze del Vetro <\/strong>project, a joint collaboration between <strong>Fondazione Giorgio Cini <\/strong>and<strong> Pentagram Stiftung<\/strong>, developed with the aim of promoting the appreciation of and research in glass made in the 19<sup>th<\/sup> and 20<sup>th<\/sup> centuries. The exhibition will be <strong>open until 28 July 2013.<\/strong><\/p>\n<p><span style=\"line-height: 1.4;\">After the success of the exhibition <\/span><em style=\"line-height: 1.4;\">Carlo Scarpa. Venini 1932\u20131947<\/em><span style=\"line-height: 1.4;\">, curated by Marino Barovier, which welcomed more than 46,000 visitors, <\/span><strong style=\"line-height: 1.4;\">Le Stanze del Vetro<\/strong><span style=\"line-height: 1.4;\"> project continues in 2013 with two important exhibitions: <\/span><strong style=\"line-height: 1.4;\"><em>Fragile?<\/em><\/strong><span style=\"line-height: 1.4;\">, curated by <\/span><strong style=\"line-height: 1.4;\">Mario Codognato<\/strong><span style=\"line-height: 1.4;\">, and a new monographic exhibition, curated by <\/span><strong style=\"line-height: 1.4;\">Marino Barovier<\/strong><span style=\"line-height: 1.4;\">, scheduled for the end of the summer and devoted to the production of renowned artist <\/span><strong style=\"line-height: 1.4;\">Napoleone Martinuzzi<\/strong><span style=\"line-height: 1.4;\"> for Venini between 1925 and 1932.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>In the context of Venetian glassmaking and its peculiar artisan connotations, <strong><em>Fragile?<\/em><\/strong> aims at taking a different, yet equally important, aspect into account, namely the use of glass as a found object, with specific metaphorical and linguistic features.<\/p>\n<p>Instead of the precise traits of manufactured artworks, other aspects will be highlighted, such as symbolic transparency, fragility and resistance, imprecision and smoothness, along with the construction of elements that draw inspiration from reality and contemporary artistic language.<\/p>\n<p><span style=\"line-height: 1.4;\">\u00abIn the 21<\/span><sup>st<\/sup><span style=\"line-height: 1.4;\"> century, because of historical avant-gardes, visual arts cease to be a sole mimesis of reality through painting and sculpture \u2013 states curator <\/span><strong style=\"line-height: 1.4;\">Mario Codognato<\/strong><span style=\"line-height: 1.4;\"> \u2013 By using objects and materials taken from the real world and industrial production, a new metaphoric, yet tautologically concrete, dimension is born. Glass, thanks to its widespread use in architecture and its double nature of transparent medium and at the same time barrier, becomes a new linguistic tool through which to create images\u00bb.<\/span><\/p>\n<p><strong style=\"line-height: 1.4;\"><em>Fragile?<\/em><\/strong><span style=\"line-height: 1.4;\"> displays the creations of some of the most interesting artists of our time, who used glass with diverse and contrasting intentions: from the provoking gesture of <\/span><strong style=\"line-height: 1.4;\">Marcel<\/strong><strong style=\"line-height: 1.4;\">Duchamp<\/strong><span style=\"line-height: 1.4;\"> of shutting the air of Paris in a transparent ampoule, to the tragic lyricism of <\/span><strong style=\"line-height: 1.4;\">Joseph Beuys<\/strong><span style=\"line-height: 1.4;\">\u2019s<\/span><strong style=\"line-height: 1.4;\"> <\/strong><span style=\"line-height: 1.4;\">\u00a0glass fragments as a witness to the ferociousness of earthquakes, from the transformation of industrial objects into poetical individualities by <\/span><strong style=\"line-height: 1.4;\">Luciano Fabro<\/strong><span style=\"line-height: 1.4;\"> to the ironic explosion of car windscreens in a <\/span><strong style=\"line-height: 1.4;\">Pipilotti Rist<\/strong><span style=\"line-height: 1.4;\"> video.<\/span><\/p>\n<p>Seen as a whole, the works and artists exhibited in <strong><em>Fragile?<\/em> <\/strong>translate the infinite potentialities of glass into unprecedented dialectics which inevitably have to do with our daily existence, as a constitutive element of contemporary artistic language.<\/p>\n<p><strong style=\"line-height: 1.4;\">Fragile?<\/strong><span style=\"line-height: 1.4;\"> will gather works by, among others: <\/span><strong style=\"line-height: 1.4;\">Michael Craig<\/strong><span style=\"line-height: 1.4;\">&#8211;<\/span><strong style=\"line-height: 1.4;\">Martin, Ceal Floyer, Carsten Nicolai, Lawrence Weiner, Monica Bonvicini, Keith Sonnier, Giuseppe Penone, Rachel Whiteread, Luciano Fabro, Mona Hatoum, David Hammons, Claire Fontaine, Cyril de Commarque, Barry le Va, Joseph Kosuth.<\/strong><\/p>\n<p><span style=\"line-height: 1.4;\">The exhibition catalogue will be published by <\/span><strong style=\"line-height: 1.4;\">Skira<\/strong><span style=\"line-height: 1.4;\">.<\/span><\/p>\n<p>Logistics, visitor services and educational programmes will be provided and managed by <strong>ArtSystem<\/strong>, the technical sponsor of the exhibition.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":27942,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1593],"cini_tax_institutes":[1421],"cini_tax_event_locations":[1610],"class_list":["post-28001","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-mostre-2","cini_tax_institutes-le-stanze-del-vetro-en","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fragile? - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/fragile-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fragile? - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"Mona Hatoum.\u00a0Drowning Sorrows (wine bottles),\u00a02004,\u00a0glass,\u00a015 cm x 200 cm Pier Luigi and Natalina Remotti Collection\u00a0ph Ela Bialkowska courtesy GALLERIA CONTINUA, San Gimignano \/ Beijing \/ Le Moulin On 8 April 2013, Fragile?, an exhibition curated by Mario Codognato, will open to the public on the San Giorgio Maggiore island inVenice. 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