{"id":28553,"date":"2013-03-20T12:22:10","date_gmt":"2013-03-20T11:22:10","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=28553"},"modified":"2024-07-26T11:08:48","modified_gmt":"2024-07-26T09:08:48","slug":"performing-music-a-comparative-approach","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/performing-music-a-comparative-approach\/","title":{"rendered":"Performing music: a comparative approach"},"content":{"rendered":"<h5>\u00a0<b style=\"font-size: 14px; line-height: 1.4;\">Performing music: a comparative approach<\/b><\/h5>\n<p>Venice, Island of San Giorgio Maggiore<\/p>\n<p>Historians of music and ethnomusicologists will meet with the main objective of comparing their experiences in studying the concept of performance in the fields of Western art music and oral-tradition music.<\/p>\n<p>The seminar has been jointly organised by the <b>Institute of Music<\/b> and the <b>Intercultural Institute for Comparative Music Studies,<\/b> in collaboration with the research project <b>Musik als Ereignis<\/b><i> <\/i>(<i>Von \u201eExekution\u201c zu \u201ePerformanz\u201c. Eine Begriffsgeschichte musikalischer Auff\u00fchrung seit dem 18.\u00a0Jahrhundert<\/i>), directed by Hermann Danuser at the Humboldt University, Berlin, and with Labex GREAM (Groupe de Recherches Exp\u00e9rimentales sur l\u2019Acte Musical), directed by Pierre Michel at the University of Strasbourg.<\/p>\n<p>Ethnomusicological aspects will be addressed by Francesco Giannattasio from La Sapienza University, Rome and Martin Clayton from Durham University, England.<\/p>\n<p>In the field of music the concept of performing can take on various meanings according to repertoires and historical ages. It may mean the acoustic production of a musical thought, only vaguely outlined and strongly dependent on the personality of the performer, or the realisation of a musical text written out on a stave in the most precise way possible, or the free and extemporaneous creation of musical situations closely bound to a context. The specific aspects of this issue have been studied individually by historians of music and ethnomusicologists. The two disciplines have stressed the central importance of the acoustic realisation, the fact that without producing sounds there can be no musical tradition. And both have developed theoretical approaches which hitherto, however, have been pursued on independent paths.<\/p>\n<p>The aim of this seminar is to compare the work and views of scholars who have studied performance in the fields of Western art music and oral-tradition music.<\/p>\n<p>The principal focus is the performative act and various related aspects: gesture, corporeality, visual nature, sociality and interaction.<\/p>\n<p><span style=\"line-height: 1.4;\">The seminar will also provide the opportunity to compare various research experiences, and especially those developed in two projects: Labex Gream (Groupe de recherches exp\u00e9rimentales sur l\u2019acte\u00a0musical, Strasbourg University) and Von \u201eExekution\u201c\u00a0zu \u201ePerformanz\u201c. Eine Begriffsgeschichte musikalischer Auff\u00fchrung\u00a0seit dem 18.Jahrhundert (Humboldt University, Berlin).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.cini.it\/wp-content\/uploads\/2013\/03\/Logo-humbolt.png\"><img loading=\"lazy\" decoding=\"async\" alt=\"Logo humbolt\" src=\"https:\/\/www.cini.it\/wp-content\/uploads\/2013\/03\/Logo-humbolt-75x65.png\" width=\"75\" height=\"65\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>Programma<\/p>\n<p>18 giugno<br \/>\nOre 14.00 Presentazione<br \/>\nGianmario Borio, Universit\u00e0 di Cremona e Fondazione Giorgio Cini<br \/>\nGiovanni Giuriati, Universit\u00e0 di Roma \u201cLa Sapienza\u201d e Fondazione\u00a0Giorgio Cini<\/p>\n<p>Ore 14.30\u00a0Hermann Danuser<br \/>\nHumboldt Universit\u00e4t zu Berlin<br \/>\nInstitut f\u00fcr Musikwissenschaft und Medienwissenschaft<\/p>\n<p><em>The Logic of Musical Readings, or Execution \u2013 Interpretation \u2013 Performance:<\/em><br \/>\n<em>Beethoven Sonata op. 109, Third Movement; Brahms Rhapsody op. 79 Nr. 1<\/em><\/p>\n<p>Ore 16.30\u00a0Francesco Giannattasio<br \/>\nUniversit\u00e0 di Roma \u201cLa Sapienza\u201d<br \/>\nThe musical rhythm as dynamic product of performance interaction<\/p>\n<hr \/>\n<p>19 giugno<\/p>\n<p>Ore 9.00\u00a0Pierre Michel<br \/>\nUniversit\u00e9 de Strasbourg<br \/>\nFacult\u00e9 des Arts (Musique)<br \/>\nLabex Gream<\/p>\n<p><em>Understanding Sequenza VIIb of Luciano Berio: Two Perspectives<\/em><\/p>\n<p>Ore 11.00\u00a0Martin Clayton<br \/>\nDurham University<\/p>\n<p><em>Interaction, entrainment and joint action in music performance<\/em><\/p>\n<p>Ore 15.00\u00a0Discussione generale<\/p>\n<p>Ore 19<a href=\"https:\/\/www.cini.it\/events\/concerto-di-musica-classica-indiana-a-cura-del-maestro-shahid-parvez-sitar\">\u00a0Concerto di musica indiana<\/a><br \/>\nShahid Parvez Khan (sitar), Nihar Metha (tabla)<\/p>\n<div><\/div>\n<p>&nbsp;<\/p>\n<p><em>In the picture:\u00a0<span style=\"line-height: 1.4;\">View of a pwe (a traditional Burmese performance\u00a0<\/span><span style=\"line-height: 1.4;\">combining, music, dance and drama), Burma, 1880.\u00a0<\/span><span style=\"line-height: 1.4;\">Copyright \u00a9 British Library Board<\/span><\/em><\/p>\n","protected":false},"author":1,"featured_media":28564,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1594,1465],"cini_tax_institutes":[],"cini_tax_event_locations":[1610],"class_list":["post-28553","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari-2","cini_tax_event_categories-meetings","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Performing music: a comparative approach - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/performing-music-a-comparative-approach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Performing music: a comparative approach - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"\u00a0Performing music: a comparative approach Venice, Island of San Giorgio Maggiore Historians of music and ethnomusicologists will meet with the main objective of comparing their experiences in studying the concept of performance in the fields of Western art music and oral-tradition music. 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