{"id":31788,"date":"2013-11-19T11:20:14","date_gmt":"2013-11-19T10:20:14","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=31788"},"modified":"2024-09-11T17:18:00","modified_gmt":"2024-09-11T15:18:00","slug":"voice-and-sound-of-prayer-4-coptic-liturgical-chant","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/voice-and-sound-of-prayer-4-coptic-liturgical-chant\/","title":{"rendered":"Voice and Sound of Prayer 4. Coptic Liturgical Chant"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><strong>3 December, 2013\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><strong>\u00a09.15 One-day seminar<\/strong><\/span><\/p>\n<div><span style=\"font-size: medium;\"><strong>6.30 Concert<\/strong><\/span><\/div>\n<div><span style=\"font-size: medium;\">Basilica di San Giorgio Maggiore<\/span><\/div>\n<div><span style=\"font-size: medium;\">Coro \u201cCantor Mikhael Girgis El-Batanouny\u201d<\/span><\/div>\n<div><span style=\"font-size: medium;\">(Institute of the Coptic Studies, Cairo)<\/span><\/div>\n<div><\/div>\n<div><span style=\"font-size: medium;\"><em>Free entrance<\/em><\/span><\/div>\n<hr \/>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">As in the previous three editions (Armenian Liturgical Chant; 2010;<\/span><br \/>\n<span style=\"font-size: medium;\"> Oral and Written Traditions in the Byzantine Chant in Italy, 2011; and<\/span><br \/>\n<span style=\"font-size: medium;\"> Melkite Liturgical Chant, 2012), this year the one-day seminar in the<\/span><br \/>\n<span style=\"font-size: medium;\"> series \u201cVoice and Sound of Prayer\u201d, organised by the Intercultural Institute<\/span><br \/>\n<span style=\"font-size: medium;\"> for Comparative Music Studies, will again be devoted to an ecclesiastical<\/span><br \/>\n<span style=\"font-size: medium;\"> musical tradition from the Christian East: liturgical chant<\/span><br \/>\n<span style=\"font-size: medium;\"> in the Coptic church, in collaboration with\u00a0<strong>Fondazione Ugo e Olga Levi Onlus<\/strong>, <strong>Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus<\/strong>\u00a0and\u00a0<strong>Regione del Veneto<\/strong>.<\/span><br \/>\n<span style=\"font-size: medium;\"> Th e term Coptic (from the Greek [Ai]gyptos) denotes the Christians<\/span><br \/>\n<span style=\"font-size: medium;\"> of Egypt, united under the Patriarchate of Alexandria. Coptic liturgies<\/span><br \/>\n<span style=\"font-size: medium;\"> are sung in three languages: Coptic (an ancient Egyptian language<\/span><br \/>\n<span style=\"font-size: medium;\"> written in characters very similar to Greek script, with some<\/span><br \/>\n<span style=\"font-size: medium;\"> extra graphemes), Arabic and Byzantine Greek. Th e origins of this<\/span><br \/>\n<span style=\"font-size: medium;\"> liturgical, musical and spiritual tradition lie in the early centuries of<\/span><br \/>\n<span style=\"font-size: medium;\"> Christianity (from the 2nd to the 4th century). Coptic music developed<\/span><br \/>\n<span style=\"font-size: medium;\"> under the infl uence of various traditions: Pharaonic-Egyptian<\/span><br \/>\n<span style=\"font-size: medium;\"> and Demotic-Egyptian, Hebrew, Hellenistic Greek, Syriac-Christian<\/span><br \/>\n<span style=\"font-size: medium;\"> and Byzantine.<\/span><br \/>\n<span style=\"font-size: medium;\"> Today Coptic music is still transmitted orally. It is monodic, modal and involves a few instruments,<\/span><br \/>\n<span style=\"font-size: medium;\"> such as the triangle and cymbals. As Egon Wellesz points out, \u201cCoptic liturgical music<\/span><br \/>\n<span style=\"font-size: medium;\"> today is notable for the beauty and richness of its melodies and we can claim that it reached<\/span><br \/>\n<span style=\"font-size: medium;\"> a high degree of perfection, especially considering that despite the persecutions meted out on<\/span><br \/>\n<span style=\"font-size: medium;\"> the Copts for over a thousand years, their music shows few Arabic infl uences. We can conclude<\/span><br \/>\n<span style=\"font-size: medium;\"> that today it still preserves the signs of a great civilisation of the past.\u201d<\/span><br \/>\n<span style=\"font-size: medium;\"> Th e study day on Coptic Liturgical Chant will be attended by Egyptian and European scholars<\/span><br \/>\n<span style=\"font-size: medium;\"> and experts. As in the previous editions, the seminar will end with a concert.<\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b>Program<\/b><\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\">9.15-9,30<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Giovanni Giuriati<\/b>\u00a0(Director of the Intercultural Institute of Compared Musical Studies of the \u201cCini Foundation\u201d of Venice)<i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Greetings<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">9.30- 9.45<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Girolamo Garofalo<\/b>\u00a0(Scientific and artistic responsible of the Study-Day)<i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Presentation of the Study-Day<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">9.45-10.15<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Morcos Ghattas\u00a0<\/b>(Department of Coptic Music and Hymns \u2013 Institute of Coptic Studies, Cairo, Egypt)<i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>An introductory overview: the Coptic Orthodox Church<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">10.15-11am<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Michael Ghattas<\/b>\u00a0(Department of Coptic Music and Hymns \u2013 Institute of Coptic Studies, Cairo, Egypt)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">Keynote:\u00a0<i>Coptic Music and Hymnography<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">11.30-12am<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Ulrike-Rebekka Nieten<\/b>\u00a0(Vertreterin des Lehrstuhls Semitistik \u2013 Seminar\u00a0<em>f\u00fcr Semitistik und Arabistik, Berlin, Germany<\/em>)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Coptic Church Music in Context: Interrelationships between the Syro-palestinian Realm and the Orbis Aethiopicus<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">12-12.30<b>\u00a0Discussion<\/b><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">14-14.30<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>S\u00e9verine Gabry Thienpont<\/b>\u00a0(Centre de Recherche en Ethnomusicologie, Universit\u00e9 Nanterre-Paris 10, France)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Music and identity: issues of the Coptic music transmission<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">14.30-15.00<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Raimund Vogels<\/b>\u00a0(Studienzentrum Weltmusik \u2013 Hochschule\u00a0<em>f\u00fcr Musik un Theater,\u00a0<\/em>Hannover, Germany)<i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Sound archives between canon and preservation: the case of the Coptic Orthodox Patriarchate<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">15.30-16.00<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Magdalena Kuhn<\/b>\u00a0(University of Leiden, The Netherlands)<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>Constructions and notation of Coptic melodies<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">16-16.30<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><b>Maria Rizzuto<\/b>\u00a0(University of Rome \u201cLa Sapienza\u201d, Italy)<i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\"><i>An audiovisual reportage of the Coptic Orthodox Holy Week in St. George Church in Rome<\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">16.30-17<\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b>Discussion<\/b><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">\u00a017-17.45<\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b><i>Questions and answers session with Dr. Michael Ghattas and the singers of his choir, and musical demonstrations<\/i><\/b><i><\/i><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: medium;\">\u00a018.30-19.45<\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b>EVENING CONCERT<\/b><\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b>Choir of \u201cCantor Mikhael Girgis El-Batanouny\u201d for Coptic Music and Hymns<\/b><\/span><\/p>\n<p style=\"text-align: left;\" align=\"center\"><span style=\"font-size: medium;\"><b>of the Institute of Coptic Studies of Cairo (Egypt),\u00a0<i>Director<\/i>: Michael Ghattas<\/b><\/span><\/p>\n","protected":false},"author":1,"featured_media":97996,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1471,1470],"cini_tax_institutes":[28],"cini_tax_event_locations":[1610],"class_list":["post-31788","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-eventi","cini_tax_event_categories-events","cini_tax_institutes-etnomusicologia","cini_tax_event_locations-isola-di-san-giorgio-maggiore-venezia-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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