Living music: case studies and new research prospects<\/b><\/p>\n
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The Intercultural Institute of Comparative Music Studies is organizing an International Seminar on the following topic: Living music: case studies and new research prospects<\/b><\/p>\n
Last year we debated a topic that we think is crucial nowadays in our field, reconsidering a comparative perspective in the light of recent dramatic change in our discipline and trying to make an assessment on ethnomusicology, its status and tasks as well as its position in the broader context of scientific research on forms, behaviors and products of sonic creation and expression. Title of the seminar was: Perspectives on a XXI century comparative musicology: ethnomusicology or transcultural musicology?<\/b> In that occasion the discussion was focused on a number of issues: first of all, we asked ourselves about the need to leave permanently the “ethnological” vision of the world spread in the last century by human sciences, at that time necessary in order to give an equal status to different cultures and music. This vision gave also birth, unfortunately, to a meta-culture of \u201cdiversity\u201d which is now only supported by the tourism industry, consumers, ethnic extremists, neo-folk revival musicians and some parts of the so-called world music. The current reality is far more complex, though no less interesting: Most varied styles, repertoires and ways of realization of music resound now, pan-chronically, in an intercultural and inter-subjective new dynamic relationship.<\/p>\n
Confronted with such a profound transformation of the object of study \u2013 concerning forms, behaviors, and social contexts \u2013 we must ask ourselves what constitutes the specificity of ethnomusicology today. Although it has been often pointed out how disciplines should be constituted more due to method than to the object of research \u2013 and so that, theoretically, any music can be observed under an ethnomusicological perspective \u2013 it is a matter of fact that we have defined ourselves as for being dealing with \u201ccertain\u201d music. Therefore, to what extent transformation of such musics, gradual loss of socio-cultural separation and otherness, can affect the identity of our discipline?<\/p>\n
For instance, is the role of ethnomusicologists as promoters, sponsors, and protectors of \u201cother\u201d musics still legitimate? Why? This issue involves the current status of objects and areas which, by convention more than conviction, we still define as \u201cart music\u201d, \u201cpopular music\u201d, \u201corally transmitted music\u201d, \u201celectronic music\u201d and so on, or even \u201cethnomusicology\u201d, \u201cart musicology\u201d, \u201ccontemporary musicology\u201d, \u201cpopular musicology\u201d, etc. It is clear that their extent as well as their boundaries should be revised: the historical routes and geo-anthropic, sociological, and stylistic maps which they were referred to are now changing more quickly than our capability to grasp them.<\/p>\n
Therefore, the most urgent necessity seems to set free ethnomusicology from the weight of its founding myths and from an unacceptable stagnancy in keeping ideological canons of the anthropological revolution accomplished during the last century, now given for granted. Certainly, the possibility of a historical survey of different musical cultures still represents a valid goal, and it results even increased due to materials collected over a century of ethnomusicological enquiries. It is also certainly useful a reconsideration of semantic shifts affecting some terms which have characterized its history, starting from the name of the discipline and all terms characterized by the prefix \u201cethno-\u201c (either the adjective \u201cethnic\u201d), which today sound ominous and racist. Moreover, now abused and dangerous notions of \u201ctraditional music\u201d (what music is not traditional?) or \u201cidentity\u201d (cultural, musical, ethnic, etc.) have to be reviewed. Within the actual context of transformation, the oral\/written dichotomy has lost much of its heuristic potential, or, at least, it should be reconsidered starting from new forms of orality and writing, especially determined from the universal distribution of new mass media. Nowadays, the fact that fruition and consumption of cultural events prevail on their contents and on their specific forms of expression (lined up with the well-known Marshall McLuhan premonition \u201cthe medium is the message\u201d) deserves an accurate and pondered reflection.<\/p>\n
This is why we have to ask ourselves what is the specificity of ethnomusicology in this new Media-Age context, as the current reality seems to claim, more and more urgently, a trans-cultural musicology.<\/p>\n
In the Seminar 2014 we intend to continue the discussion on such significant topics for our field basing on specific and meaningful case-studies: context and examples that will confront us with issues deeply rooted into contemporary musical (cultural, social) processes.<\/p>\n
Francesco Giannattasio<\/strong><\/p>\n PROGRAMME\u00a0<\/b><\/p>\n <\/b>\u00a030 January\u00a0<\/b><\/p>\n \u00a09.30 \u2013 12.30<\/b><\/p>\n Francesco Giannattasio<\/b>\u00a0(Universit\u00e0 di Roma \u201cSapienza\u201d):<\/p>\n Introduzione al Seminario<\/i><\/b><\/p>\n Steven Feld<\/b>\u00a0(University of New Mexico):<\/p>\n Acoustemology: Toward a Posthumanist, Transpecies, and Cyborg Sound Studies<\/i><\/b><\/p>\n \u00a02pm \u2013 4pm<\/b><\/p>\n Jocelyne Guilbault<\/b>\u00a0(University of California, Berkeley):<\/p>\n The Politics of Musical Bonding: New Prospects for Cosmopolitan Music Studies<\/i><\/b><\/p>\n \u00a031 January\u00a0<\/b>\u00a09.30 \u2013 12.30<\/b><\/p>\n Giovanni Giuriati<\/b>\u00a0(Universit\u00e0 di Roma \u201cSapienza\u201d)<\/p>\n Claudio Rizzoni<\/b>\u00a0(Universit\u00e0 di Roma \u201cSapienza\u201d)<\/p>\n Giovanni Vacca<\/b>\u00a0(Universit\u00e0 di Roma \u201cSapienza\u201d)<\/p>\n Raffaele Di Mauro<\/b>\u00a0(Universit\u00e0 di Roma \u201cTor V<\/p>\n Attuali ricerche in area napoletana<\/i><\/strong><\/b><\/p>\n 2pm-4pm<\/b><\/b><\/p>\n Maurizio Agamennone<\/b>\u00a0(Universit\u00e0 di Firenze)<\/p>\n Flavia Gervasi<\/b>\u00a0(Universit\u00e9 de Montr\u00e9al):<\/p>\n Attuali ricerche in area salentina<\/i><\/b><\/i><\/b><\/p>\n 1\u00b0 February\u00a0<\/b><\/p>\n 9.30 \u2013 13.30<\/b><\/p>\n Jean-Loup Amselle<\/b>\u00a0(EHESS, Paris):<\/p>\n M\u00e9tissage, branchements et triangulation des cultures<\/i><\/b><\/p>\n Discussione finale<\/i><\/b><\/p>\n \u00a0<\/i><\/b><\/p>\n","protected":false},"author":1,"featured_media":97998,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1465],"cini_tax_institutes":[],"cini_tax_event_locations":[],"class_list":["post-31931","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-meetings"],"acf":[],"yoast_head":"\n
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