{"id":36218,"date":"2014-10-07T15:49:25","date_gmt":"2014-10-07T13:49:25","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=36218"},"modified":"2025-01-31T11:51:33","modified_gmt":"2025-01-31T10:51:33","slug":"musical-improvisation-in-the-age-of-beethoven-and-open-forms","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/musical-improvisation-in-the-age-of-beethoven-and-open-forms\/","title":{"rendered":"Musical Improvisation in the Age of Beethoven and \u2018Open\u2019 Forms"},"content":{"rendered":"<p>A follow-up to the conferences <em>Improvised Music in Europe: 1966-1976<\/em> (November 2012) and <em>Con la mente e con le mani: Improvisation from \u2018cantare super librum\u2019 to partimenti<\/em> (November 2013), this event is the third in a series of dates on the role of musical improvisation in various historical periods.<\/p>\n<p>The focus of this conference, coordinated by Gianmario Borio and Angela Carone, is on four areas: the views of critics, composers and theoreticians, forming indispensable material for an understanding of the intertwining of improvisation, performance and composition; compositional forms expressly derived from improvisation (bagatelles, divertimenti, preludes, capricci, fantasias and improvvisi); traces of improvisation practices and forms that require a precise structure (sonata, rondo, theme and variations); and improvisation in the world of singing and opera.<\/p>\n<p>The participants at the conference are Torsten Mario Augenstein, Pieter Berg\u00e9, Scott Burnham, William Caplin, Angela Carone, Catherine Coppola, Giorgio Pagannone, Giorgio Sanguinetti, Elaine Sisman, Jan Philipp Sprick, Rohan Stewart-MacDonald and Marco Targa, moderated by Gianmario Borio, Hans-Joachim Hinrichsen, Susanna Pasticci and Rudolf Rasch. A concert by\u00a0<a href=\"https:\/\/www.cini.it\/wp-content\/uploads\/2014\/11\/CV-Amodio.pdf\">Davide Amodio<\/a>\u00a0(violin) and <a href=\"https:\/\/www.cini.it\/wp-content\/uploads\/2014\/11\/CV-Irving.pdf\">John Irving<\/a> (fortepiano) of music from the repertoire considered in the conference will offer a further opportunity to reflect on the role of improvisation in the age of Beethoven.<\/p>\n<p><a href=\"https:\/\/www.cini.it\/wp-content\/uploads\/2014\/10\/141107_Beethoven-1.pdf\"><strong>DOWNLOAD THE COMPLETE PROGRAMME<\/strong><\/a><\/p>\n","protected":false},"author":1,"featured_media":36166,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1470],"cini_tax_institutes":[21],"cini_tax_event_locations":[1464],"class_list":["post-36218","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-events","cini_tax_institutes-music-en","cini_tax_event_locations-island-of-san-giorgio-maggiore"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musical Improvisation in the Age of Beethoven and \u2018Open\u2019 Forms - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/musical-improvisation-in-the-age-of-beethoven-and-open-forms\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musical Improvisation in the Age of Beethoven and \u2018Open\u2019 Forms - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"A follow-up to the conferences Improvised Music in Europe: 1966-1976 (November 2012) and Con la mente e con le mani: Improvisation from \u2018cantare super librum\u2019 to partimenti (November 2013), this event is the third in a series of dates on the role of musical improvisation in various historical periods. 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