The study conference starts from Rodolfo Pallucchini\u2019s pioneering research on the young Tintoretto and sets out to combine a historiographical approach with critical analysis. Robusti\u2019s period of training (c. 1538. \u2013 c. 1550) is still not clearly known and there is a lack of specific studies to help or support the creation of a catalogue of his early works which, in view of F. Ilchman and R. Echols, should contribute to renewing our perception of the artist.<\/p>\n
The first part of the conference will set out to describe “a youthful style” and identify the more or less evident influences in the first works attributed to Tintoretto. In this session there will be a special focus on questions of attribution, without, however, only addressing stylistic considerations, but also enquiring more widely into the history of the Venetian art scene in the years 1530-1540.<\/p>\n
The second part of the conference, on the other hand, will be dedicated to more strictly iconographic and historiographical issues, beginning from an analysis of specific works. The paintings of the young Tintoretto show an original figurative language in which we perceive unusual cultural, philosophical and poetic references (see, for example, the paintings on mythological subjects), providing a starting point for exploring in greater depth the intellectual formation of the young artist.<\/p>\n
Lastly, enquiring into the young Tintoretto also involves other painters and sculptors who around the mid-fifteenth century played a key role in Venetian art \u2013 the theme for the last part of the conference. For a long time the Tuscan-Roman training of these artists was seen as being in opposition to Venetian taste. Consequently, the arrival of these artists on the local scene from 1535\u20131550 has been rather neglected in terms of their influence. Studying Tintoretto\u2019s youthful period thus also implies reopening the \u201ccase\u201d of Mannerism in Venice (or Venetian Mannerism) and that of the fertile relations between the Venetians and the Florentine, Roman or Mantuan artists.<\/p>\n
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