Few Ars Nova manuscripts have received more attention and have created greater controversy (historic-stylistic but especially various kinds of organological disputes) than the Codex Faenza Bonadies 117.
\nThere is still no complete codicological study of the source\u2013 the basis for all future analysis of styles and performances.
\nThree of the four scribes of the original sheets of the codex transcribed diminutions on liturgical tenors: three pairs of Kyrie-Gloria (two corresponding to the mass Vat. IV, and one to the mass Vat. XI); a versicle of Kyrie (Vat. IV); and various sections of a Marian Vespers. This repertory \u2013 linked to the ancient practice of the alternatim, i.e. the alternating of voices and instruments in the liturgy \u2013 is the main subject of the seminar.
\nAn examination of the various styles of diminution \u2013 and manipulation of the tenor \u2013 is the (obvious) premise for building a figurative grammar\/semantics of the Faenza repertory.
\nIn short, the seminar not only proposes a return to the age-old discussion on the uses of the various repertories or sub-repertories in Faenza 117, but also an analysis and performance of the whole alternatim repertory in the codex. The seminar includes individual (and public) instrumental lessons, and advanced lessons of a monographic type (organological, historical-stylistic, and analytical), plus lectures on the preparatory afternoon of 14 May and throughout the international musicology study day on 19 May. A final concert by the participants is planned for Sunday, 20 May.<\/p>\n
Venice
\n14 – 20 May 2007<\/p>\n