{"id":911,"date":"2009-02-11T13:01:22","date_gmt":"2009-02-11T13:01:22","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&p=911"},"modified":"2024-07-26T11:06:32","modified_gmt":"2024-07-26T09:06:32","slug":"mercedes-viale-ferrero-study-days","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/mercedes-viale-ferrero-study-days\/","title":{"rendered":"Mercedes Viale Ferrero Study Days"},"content":{"rendered":"

\nThe Study Centre for Documentary Research on European Theatre and Opera is organising an event to celebrate Mercedes Viale Ferrero. Having started out as an art historian, Viale Ferrero devoted her career to studying the relations between opera and stage-set images, especially as regards productions from the Baroque to the 20th century.\n<\/p>\n

\tStudy Centre for Documentary Research into European Theatre and Opera<\/p>\n

tel.+39 041 2710234
\nfax +39 041 2710215
\nmariaida.biggi@cini.it<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1465],"cini_tax_institutes":[],"cini_tax_event_locations":[],"class_list":["post-911","cini_events","type-cini_events","status-publish","hentry","cini_tax_event_categories-meetings"],"acf":[],"yoast_head":"\nMercedes Viale Ferrero Study Days - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/mercedes-viale-ferrero-study-days\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mercedes Viale Ferrero Study Days - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"The Study Centre for Documentary Research on European Theatre and Opera is organising an event to celebrate Mercedes Viale Ferrero. Having started out as an art historian, Viale Ferrero devoted her career to studying the relations between opera and stage-set images, especially as regards productions from the Baroque to the 20th century. 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