{"id":93473,"date":"2023-10-26T11:26:44","date_gmt":"2023-10-26T09:26:44","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=93473"},"modified":"2025-01-31T09:49:06","modified_gmt":"2025-01-31T08:49:06","slug":"books-at-san-giorgio-29","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/books-at-san-giorgio-29\/","title":{"rendered":"Books at san Giorgio"},"content":{"rendered":"<p>November sees the resumption of the encounters of Libri a San Giorgio, the cycle of presentations dedicated to the Fondazione Giorgio Cini\u2019s new publications, now at its eighteenth edition.<\/p>\n<p>&nbsp;<\/p>\n<p>The first presentation, on 15 November, is devoted to Studi Vivaldiani, the annual journal of the Fondazione Giorgio Cini\u2019s Italian Antonio Vivaldi Institute. The journal, published since 1980 and distributed worldwide, contains articles on the life and musical production of Antonio Vivaldi, as<br \/>\nwell as on the musical, cultural, social and historical context in which the<br \/>\n\u2018Red Priest\u2019 lived and worked.<\/p>\n<hr \/>\n<p>The second event, on 25 January 2024, will feature the presentation of The Mediations of Music. Critical Approaches after Adorno. This book grew out of an event by the Accademia Musica le Chigiana on the occasion of the fiftieth anniversary of Adorno\u2019s death (2019). The authors discuss problematic<br \/>\njunctures in the philosopher\u2019s thought and show its potential. In any chapters, the opposite mediation \u2013 immediacy \u2013 which often plays a key role in mediation processes, is brought into play.<\/p>\n<hr \/>\n<p>In the last event, on 9 February 2024, Egisto Macchi: <em>The Assassination of Trotsky: Sources of the Creative Process<\/em>, Marco Cosci (ed.), published by Brepols, will be presented, tracing Egisto Macchi\u2019s creative process for the soundtrack of <em>The Assassination of Trotsky<\/em> directed by Joseph Losey (1972). Through a careful reading of the sources preserved in the Egisto Macchi archive at the Fondazione Giorgio Cini Institute of Music, and at the Joseph Losey Collection and the British Film Institute (London), the book sheds light on the initial partnership between Losey and Macchi, which continued over the following years<br \/>\nfor the film Mr. Klein (1976).<\/p>\n<p>&nbsp;<\/p>\n<div class=\"parsed-accordion-container\">\n<div class=\"parsed-accordion title-wrapper\">\n<div>\n<div class=\"parsed-accordion-title-container\"><span class=\"parsed-accordion-header-text-span\">Programme Concert<\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-icon-container\"><span class=\"accordion-icon-span\"><img decoding=\"async\" src=\"\/wp-content\/themes\/cini\/icons\/Plus.svg\" alt=\"plus\" style=\"transform: rotate(0deg);\"><\/span><\/div>\n<\/div>\n<div class=\"parsed-accordion-content\">\n<div class=\"parsed-accordion-content-inner\">\n<div dir=\"auto\">Egisto Macchi (1928-1992)<\/div>\n<div dir=\"auto\">Voci (1963) versione per 8 cantanti<\/div>\n<div dir=\"auto\">\n<hr \/>\n<\/div>\n<div dir=\"auto\">Egisto Macchi<\/div>\n<div dir=\"auto\">da Repliche di Bruna (1988) per soprano e pianoforte<\/div>\n<div dir=\"auto\">n. 2 Colore d\u2019ombra<\/div>\n<div dir=\"auto\">Soprano Teresa Varelli<\/div>\n<div dir=\"auto\">Pianoforte Cinzia D\u2019Anella<\/div>\n<div dir=\"auto\">\n<hr \/>\n<\/div>\n<div dir=\"auto\">Egisto Macchi<\/div>\n<div dir=\"auto\">da A(lter)Ac(tion) (1966)<\/div>\n<div dir=\"auto\">Cadenza per voce sola<\/div>\n<div dir=\"auto\">Mezzosoprano Virginia Guidi<\/div>\n<div dir=\"auto\">\n<hr \/>\n<\/div>\n<div dir=\"auto\">Egisto Macchi<\/div>\n<div dir=\"auto\">da Il mestiere della Pace (1958) per baritono e pianoforte<\/div>\n<div dir=\"auto\">n. 1 Il cimitero<\/div>\n<div dir=\"auto\">Baritono Niccol\u00f2 Panigutti<\/div>\n<div dir=\"auto\">Pianoforte Cinzia D\u2019Anella<\/div>\n<div dir=\"auto\">\n<hr \/>\n<\/div>\n<div dir=\"auto\">Domenico Guaccero (1927-1984)<\/div>\n<div dir=\"auto\">Esercizio per 8 voci (1980)<\/div>\n<div dir=\"auto\">\n<hr \/>\n<\/div>\n<div dir=\"auto\">Giacinto Scelsi (1905-1988)<\/div>\n<div dir=\"auto\">Tre Canti Sacri per otto voci miste (1958)<\/div>\n<div dir=\"auto\">I. Angelus Domini<\/div>\n<div dir=\"auto\">II. Requiem aeternam<\/div>\n<div dir=\"auto\">III. Gloria in excelsis Deo<\/div>\n<div dir=\"auto\">\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"gmail_default\">\n<div dir=\"auto\">\n<p>&nbsp;<\/p>\n<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">EVO Ensemble:<\/div>\n<div dir=\"auto\">Teresa Varelli &#8211; soprano<\/div>\n<div dir=\"auto\">Veronica Bartolomei &#8211; soprano<\/div>\n<div dir=\"auto\">Cinzia D\u2019Anella &#8211; mezzosoprano e pianoforte<\/div>\n<div dir=\"auto\">Vittoria De Vincentiis &#8211; contralto<\/div>\n<div dir=\"auto\">Jos\u00e9 Gabriel Falla Obando &#8211; tenore<\/div>\n<div dir=\"auto\">Edoardo De Vincentiis &#8211; tenore<\/div>\n<div dir=\"auto\">Alessandro Cavazzani &#8211; baritono<\/div>\n<div dir=\"auto\">Niccol\u00f2 Panigutti &#8211; baritono<\/div>\n<div dir=\"auto\">Virginia Guidi &#8211; mezzosoprano, coordinamento e direzione<\/div>\n<\/div>\n<div class=\"gmail_default\"><\/div>\n","protected":false},"author":1,"featured_media":94727,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1470],"cini_tax_institutes":[25,21],"cini_tax_event_locations":[1464],"class_list":["post-93473","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-events","cini_tax_institutes-antonio-vivaldi-institute-en","cini_tax_institutes-music-en","cini_tax_event_locations-island-of-san-giorgio-maggiore"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Books at san Giorgio - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/books-at-san-giorgio-29\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Books at san Giorgio - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"November sees the resumption of the encounters of Libri a San Giorgio, the cycle of presentations dedicated to the Fondazione Giorgio Cini\u2019s new publications, now at its eighteenth edition. &nbsp; The first presentation, on 15 November, is devoted to Studi Vivaldiani, the annual journal of the Fondazione Giorgio Cini\u2019s Italian Antonio Vivaldi Institute. The journal, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cini.it\/en\/eventi\/books-at-san-giorgio-29\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondazione Giorgio Cini\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/FondazioneGiorgioCini\/?locale=it_IT\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-31T08:49:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cini.it\/wp-content\/uploads\/2024\/02\/LSG_img_sito01.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/books-at-san-giorgio-29\\\/\",\"url\":\"https:\\\/\\\/www.cini.it\\\/en\\\/eventi\\\/books-at-san-giorgio-29\\\/\",\"name\":\"Books at san Giorgio - 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