The International conference is organised by the Italian Antonio Vivaldi Institute, the Fondazione Ugo e Olga Levi\u2019s research group \u2018La drammaturgia musicale a Venezia (1678-1792)\u2019 and the research group \u2018WoVen\u2019, University of Science and Technology of Norway \u2013 NTNU.
\nThe subject of the study will be the way in which, between 1700 and 1740, the programming of the Sant\u2019Angelo Theatre explored various declinations of musical dramaturgy, in decades of transition and coexistence between seventeenth-century models, Zeno\u2019s reformed drama and the new acquisitions of Neapolitan opera. An entire session will be devoted to Vivaldi\u2019s activity at the Sant\u2019Angelo as impresario (1712\u201316; 1725\u201327), specifically investigating his programming choices, his strategies for
\nplanning theatre seasons, his interventions in the scores to be performed \u2013 both his own and others\u2019 \u2013 as well as his contribution to the production of pasticci operas.
\nThe study days of 16 and 18 November will be held at the FondazioneLevi, while the day of 17 November, dedicated to Vivaldi, will be held at the Fondazione Cini, and will conclude with a concert by the students of the Accademia Vivaldi who will perform a selection of arias written for the Teatro Sant\u2019Angelo under the management of Vivaldi.<\/p>\n","protected":false},"author":1,"featured_media":93636,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[25],"cini_tax_event_locations":[],"class_list":["post-93477","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-antonio-vivaldi-institute-en"],"acf":[],"yoast_head":"\n