{"id":93496,"date":"2023-10-26T10:46:10","date_gmt":"2023-10-26T08:46:10","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=93496"},"modified":"2025-02-06T12:53:58","modified_gmt":"2025-02-06T11:53:58","slug":"study-day-intersections-of-music-and-the-visual-arts-in-italy-in-the-second-half-of-the-twentieth-century","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/study-day-intersections-of-music-and-the-visual-arts-in-italy-in-the-second-half-of-the-twentieth-century\/","title":{"rendered":"Study Day | Intersections of Music and the Visual Arts in Italy in the Second Half of the Twentieth Century"},"content":{"rendered":"<p>The aim of this day, organised by the Institute of Music, is an initial exploration of the relationship between painters and composers in a period rich in innovation in terms of construction techniques and the communicative channels of the arts, for which the terms seriality, informal, kinetic art<br \/>\nand Fluxus have been used. The interdisciplinary imprint of the topic is reflected in the composition of the panel of speakers. Marcello Aitiani will outline how visual artists and musicians come together. Daniela Tortora (Santa Cecilia Conservatory, Rome) will offer an overview of the cultural<br \/>\nperiodicals of the 1960s and \u201970s, in particular Marcatr\u00e9. Patrizio Peterlini\u2019s (Fondazione Bonotto) paper will move from graphic scores to exploring the impact of Fluxus aesthetics on musicians and figurative artists in Italy.<br \/>\nPietro Misuraca (University of Palermo) will discuss the highlights of the Settimane Internazionali di Nuova Musica in Palermo, in particular the two painting exhibitions at the Galleria d\u2019Arte Moderna (REVORT 1 and REVORT 2) and the magazine Collage. Paolo Somigli (University of Bolzano)<br \/>\nwill reconstruct the stages that led to the birth of Gruppo 70, focusing on the role of Giuseppe Chiari, Sylvano Bussotti and Pietro Grossi in the intersection of artistic forms in Florence in the 1960s. Paolo Bolpagni (Fondazione Ragghianti) will investigate the iconic component in the scores of Aldo Clementi and Francesco Pennisi and will present the pictorial activity of Giovanni Pizzo and Lucia Di Luciano, former founders and exponents first of Group 63 and then of Operativo R, who collaborated with Pietro Grossi. The day will end with a concert by the mdi ensemble at the Auditorium \u201cLo Squero\u201d.<\/p>\n","protected":false},"author":1,"featured_media":93441,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1467],"cini_tax_institutes":[21],"cini_tax_event_locations":[1464],"class_list":["post-93496","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-convegni-e-seminari","cini_tax_institutes-music-en","cini_tax_event_locations-island-of-san-giorgio-maggiore"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Study Day | Intersections of Music and the Visual Arts in Italy in the Second Half of the Twentieth Century - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/eventi\/study-day-intersections-of-music-and-the-visual-arts-in-italy-in-the-second-half-of-the-twentieth-century\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Study Day | Intersections of Music and the Visual Arts in Italy in the Second Half of the Twentieth Century - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"The aim of this day, organised by the Institute of Music, is an initial exploration of the relationship between painters and composers in a period rich in innovation in terms of construction techniques and the communicative channels of the arts, for which the terms seriality, informal, kinetic art and Fluxus have been used. 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