{"id":94508,"date":"2024-01-24T11:27:23","date_gmt":"2024-01-24T10:27:23","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_events&#038;p=94508"},"modified":"2025-02-03T12:11:46","modified_gmt":"2025-02-03T11:11:46","slug":"the-leuven-chansonnier","status":"publish","type":"cini_events","link":"https:\/\/www.cini.it\/en\/eventi\/the-leuven-chansonnier\/","title":{"rendered":"The Leuven Chansonnier"},"content":{"rendered":"<p>Early Music Seminars Egida Sartori e Laura Alvini<br \/>\nDirection: <strong>Pedro Memelsdorff<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Master-class e lectures: <strong>17-21 June\u00a0<\/strong><\/p>\n<p>Sala Arazzi, Fondazione Giorgio Cini | The seminar is open to auditors by contacting the secretary: musica.antica@cini.it<\/p>\n<p>Final Concert:<strong> 20 June h. 18<\/strong><\/p>\n<p>Auditorium &#8220;Lo Squero&#8221; | Free entrance until last seats<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Discovered in 2015, the Leuven <em>Chansonnier<\/em> is an important source for our knowledge of late-fifteenth-century French-Flemish chansons. In addition to a Latin motet, it contains forty-nine unascribed chansons \u2013 mostly<em> rondeaux<\/em> and all but one in three voices. They include twelve <\/span><i><span style=\"font-weight: 400;\">unica<\/span><\/i><span style=\"font-weight: 400;\">, that is pieces only transmitted by\u00a0 this new source.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nothing is known precisely about the <em>chanonnier<\/em>\u2019s place of production and early use; but musical concordances have suggested, though not unanimously, that it may belong to a group of manuscripts originating in the Loire valley, produced in or near Tours in the 1460s-70s. Finally, some repertorial clues have suggested a dating to the years 1470-75..\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The seminar will focus on the <\/span><i><span style=\"font-weight: 400;\">unica<\/span><\/i><span style=\"font-weight: 400;\"> pieces, those still requiring special attention as to their possible attributions and stylistic features. Some of these &#8211; such as the <\/span><i><span style=\"font-weight: 400;\">virelai Si vous voullez que je vous aime<\/span><\/i><span style=\"font-weight: 400;\"> &#8211; make sophisticated use of\u00a0 musical and poetic quotation, supporting the hypothesis that they belonged to a repertoire in use by the cultural elites of the time.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The seminar&#8217;s main lecturer will be <strong>Anna Danilevskaia<\/strong>, an expert medievalist who, with her famous Ensemble <\/span><i><span style=\"font-weight: 400;\">Sollazzo<\/span><\/i><span style=\"font-weight: 400;\">, recently recorded the entire contents of the <em>chansonnier<\/em>. Two musicologists active in the exegesis of the new source will assist the seminar with presentations and round tables: <strong>Ryan O&#8217; Sullivan<\/strong> and <strong>Adam Gilbert<\/strong>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The seminar is organised thank to the contribution of:<strong> Regione del Veneto; Fondation Concordance; Alamire Foundation; Irma Merk and L.+Th. La Roche<\/strong>. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The seminar is addressed to singers and musicians selected through an international call for scholarships.<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Final concert<\/strong><br \/>\nThursday 20 June, h. 18<\/p>\n<p>Auditorium &#8220;Lo Squero&#8221;<br \/>\nFree entrance until last seats<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Musicians:<\/strong><\/p>\n<p>Roberta Diamond, <em>soprano<\/em><\/p>\n<p>Karin Weston, <em>soprano<\/em><\/p>\n<p><span style=\"font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400;\">Marcel Jorquera Vinyals,\u00a0<\/span><em style=\"font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400;\">controtenore<\/em><\/p>\n<p>Ailen Monti Valdes, <em>liuto<\/em><\/p>\n<p>Holly Scarabough, <em>flauto e pipa<\/em><\/p>\n<p>Niccolo Seligmann, <em>viola da gamba\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":96447,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_event_categories":[1470],"cini_tax_institutes":[29],"cini_tax_event_locations":[1464],"class_list":["post-94508","cini_events","type-cini_events","status-publish","has-post-thumbnail","hentry","cini_tax_event_categories-events","cini_tax_institutes-early-music","cini_tax_event_locations-island-of-san-giorgio-maggiore"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - 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