{"id":97091,"date":"2023-06-09T13:30:01","date_gmt":"2023-06-09T11:30:01","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_news&p=91843"},"modified":"2023-06-09T13:30:01","modified_gmt":"2023-06-09T11:30:01","slug":"call-for-papers-international-conference-landscape-drawing-in-the-making-materiality-practice-experience-1500-1800","status":"publish","type":"cini_news","link":"https:\/\/www.cini.it\/en\/cini_news\/call-for-papers-international-conference-landscape-drawing-in-the-making-materiality-practice-experience-1500-1800\/","title":{"rendered":"CALL FOR PAPERS International Conference Landscape drawing in the making: materiality \u2013 practice \u2013 experience, 1500\u20131800"},"content":{"rendered":"

CALL FOR PAPERS
\nInternational Conference
\nLandscape drawing in the making: materiality \u2013 practice \u2013 experience, 1500\u20131800<\/em>
\nFondazione Giorgio Cini, Venezia, 14\u201315 March, 2024
\nOrganizers: Dr Camilla Pietrabissa (Venezia), Dr Elisa Spataro (Roma)<\/p>\n

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Traditionally, landscape drawing has been relegated to amateur pastime or preparatory exercise, particularly in relation to painting. Recent studies have begun to address questions of artistic practice or materiality and explore landscape drawings as independent works of art or as the illustration of the experience of nature. Artists from Leonardo to D\u00fcrer and Rembrandt, Cozens and Fragonard created important landscape drawings and prints which have fascinated viewers for centuries. For these artists, who drew themselves immersed in natural settings, landscape was a significant self-reflexive practice.<\/p>\n

The possibility of carrying out a comprehensive examination about specific practices of landscape drawing and etching, as well as about their function in the context of artistic processes, has opened up new venues for understanding these works beyond their visual and textual references. Contemporary research about techniques and materials during the Renaissance and Early Modern period can offer new perspectives on landscape as a physical environment or as an object of invention and experimentation. ‘Landscape drawing in the making’ will explore these objects\u2019 material and aesthetic complexity beyond their interpretation within the boundaries of iconography and genre, and across broad geographies and chronologies (1500 to 1800). From the techniques used to observe and record nature and urban spaces, to the assembling of albums, and the innovation in reproductive techniques, this conference aims to demonstrate how recent research is continuing to shape the history of landscape images and to challenge received historiographic narratives.<\/p>\n

Some issues to consider include, but are not limited to the following:
\n–\u00a0 \u00a0 The notion of drawing on the spot or \u2018after nature\u2019 in relation to artistic practice and experience;
\n–\u00a0 \u00a0 Landscape drawing materials: support, mark-making tools, other utensils;
\n–\u00a0 \u00a0 Practices of binding and collecting single sheets into groups and practices of disassembling sketchbooks;
\n–\u00a0 \u00a0 Composition and perspective schemes for landscape images;
\n–\u00a0 \u00a0 The use of optical instruments and other technical devices.<\/p>\n<\/div>\n

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Please send an abstract of max 300 words for a 20-minute paper and a CV (in English or Italian) by 30 July 2023 to\u00a0landscapedrawingconference@gmail.com<\/a><\/div>\n
Accepted speakers will be notified by 8 September 2023. Accommodation, including lunch on both days, will be fully covered for all speakers. In case you need travel funding please indicate where you intend to travel from.
\nWe are planning the publication of the conference proceedings.<\/div>\n
Scientific committee:
\nGiovanni Careri, Universit\u00e0 IUAV di Venezia
\nPatrizia Cavazzini, British School at Rome
\nValter Curzi, Sapienza Universit\u00e0 di Roma
\nGiovanni Maria Fara, Universit\u00e0 Ca\u2019 Foscari
\nMartina Frank, Universit\u00e0 Ca\u2019 Foscari
\nKetty Gottardo, The Courtauld Gallery
\nFrancesco Grisolia, Universit\u00e0 degli Studi di Roma Tor Vergata<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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