Dimensions\u00a0of Current Compositional Practice: Composers in Dialog with Musicologists<\/i><\/b><\/p>\n
16-18 July 2024 \u00a0<\/span><\/p>\n Application deadline: 30 April 2024 <\/b>\u00a0<\/b><\/p>\n \u00a0<\/b><\/p>\n One of the distinctive features of twentieth-century musical culture is the intense publishing activity of its composers. A significant part of this is the theoretical reflection that can be manifested in didactics, conferences, radio and television broadcasts, articles for newspapers and magazines as well as treatises. Such reflection reveals the horizon of starting questions from which composers conceived and created their works; it also refers to the general context of music theory and to the even more general context of the history of thought. <\/span><\/p>\n This event takes its cue from the Le\u00e7ons de musique that Pierre Boulez held at the Coll\u00e8ge de France over the years 1976-1995; in the various cycles of lectures, the composer addressed the fundamental nodes of twentieth-century compositional technique from a historical and retrospective perspective, presenting not only his own view of the historical process but also providing a series of valuable stimuli for musicological exegesis. From this model, the historical approach may be derived first and foremost, as well as the investigation of compositional questions right from their origins and the various answers they received over the decades. In contrast to the ex cathedra approach of Boulez\u2019s lectures, the conference intends to adopt a dialogical approach at various levels. The concepts of form, instrument, sound and timbre will be discussed alternately by two composers who have been at the centre of international interest for decades thanks to their works, their teaching and publishing activities: <\/span>Agostino Di Scipio<\/b> and <\/span>Marco Stroppa<\/b>. In turn, they will establish a dialogue with <\/span>Mark Delaere<\/b> and <\/span>Ulrich Mosch<\/b>, internationally renowned musicologists with a wealth of music theory, as well as with a group of young composers and musicologists. <\/span>The coordination of the different phases falls to the director of the Institute for Music: <\/span>Gianmario Borio<\/b>.<\/span><\/p>\n A concert by the mdi ensemble performing works by the two composers will conclude the seminar.<\/span><\/p>\n The language of the seminar is English.<\/span><\/p>\n The call is aimed at\u00a012 composers and\/or musicologists with scholarships<\/b>\u00a0and\u00a012 composers and\/or musicologists without scholarships<\/b>\u00a0with marked theoretical interests and musicologists engaged in research on the music of the 20th and 21st centuries. Particular attention will be paid to candidates in the initial phase of their career (composition diploma, doctorate in musicology, etc.). The commission will also take into account the international composition of the seminar and the greatest possible balance between genders.<\/p>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_news_categories":[1785],"cini_tax_institutes":[21],"class_list":["post-97103","cini_news","type-cini_news","status-publish","hentry","cini_tax_news_categories-callforapplication-en","cini_tax_institutes-music-en"],"acf":[],"yoast_head":"\n
\n<\/span>Fondazione Giorgio Cini, Venice\u00a0<\/span><\/p>\n