{"id":113070,"date":"2016-09-15T10:26:55","date_gmt":"2016-09-15T08:26:55","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_publications&p=113070"},"modified":"2026-06-19T12:34:07","modified_gmt":"2026-06-19T10:34:07","slug":"saggi-e-memorie-di-storia-dellarte","status":"publish","type":"cini_publications","link":"https:\/\/www.cini.it\/en\/cini_publications\/saggi-e-memorie-di-storia-dellarte\/","title":{"rendered":"Saggi e Memorie di Storia dell’Arte"},"content":{"rendered":"

Founded in 1957 under the direction of Giuseppe Fiocco, Saggi e Memorie di Storia dell\u2019Arte<\/em> stands as one of the most important scholarly publications in the field of Art History with a historical-critical approach. The journal is distinguished by an interdisciplinary framework that extends beyond the confines of Venetian art, allowing for an in-depth exploration of topics related to Italian and European art.<\/p>\n

The journal is directed by Luca Massimo Barbero and coordinated by the Institute of Art History<\/a>. It is recognised by ANVUR as a Class A scientific journal for Ancient Sciences, Philological-Literary Studies, and Historical-Artistic Research.<\/p>\n

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Editorial Board<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
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EDITOR-IN-CHIEF<\/strong><\/p>\n

Luca Massimo Barbero<\/p>\n

 <\/p>\n

EDITORIAL COMMITTEE<\/strong><\/p>\n

Simone Guerriero<\/p>\n

Sileno Salvagnini<\/p>\n

Marzia Scalon<\/p>\n

Sabina Tutone<\/p>\n

Loredana Pavanello, segreteria<\/p>\n

Camilla Fattore, segreteria<\/p>\n

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EDITORIAL COORDINATION<\/strong><\/p>\n

Caterina Vettore<\/p>\n

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SCIENTIFIC COMMITTEE<\/strong><\/p>\n

Rosa Barovier<\/p>\n

Ester Coen<\/p>\n

Francesca Flores d\u2019Arcais<\/p>\n

Caterina Furlan<\/p>\n

Lauro Magnani<\/p>\n

Jean-Luc Olivi\u00e9<\/p>\n

Nico Stringa<\/p>\n

Francesco Tedeschi<\/p>\n

Giovanna Valenzano<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Code of Ethics<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
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CODE OF ETHICS OF THE JOURNAL \u201cSAGGI E MEMORIE DI STORIA DELL\u2019ARTE<\/em>\u201d\u00a0<\/strong><\/p>\n

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“Saggi e Memorie di storia dell\u2019arte” is a peer-reviewed scholarly journal that is informed by the guidelines of the Committee on Publication Ethics (COPE), Best Practice Guidelines for Journal Editors. The Editor-in-Chief and the Editorial Board are committed to adopting all possible measures to ensure ethical standards throughout the publication process. All parties involved\u2014Editor-in-Chief, Editorial Board, External Reviewers, and Authors\u2014are aware of and share the following principles.<\/p>\n

EDITOR-IN-CHIEF AND EDITORIAL BOARD<\/b><\/h4>\n<\/p>\n

The Editor-in-Chief and the Editorial Board are responsible for deciding whether submitted manuscripts should be published. Their decision is based on an initial internal assessment followed by an anonymous double-blind peer review conducted by expert referees affiliated with universities, research institutions, cultural organizations, or recognized independent scholars with proven international expertise and experience.<\/span><\/p>\n

 <\/p>\n

The Editor-in-Chief and the Editorial Board evaluate submissions solely on the basis of their scholarly merit, relevance, and originality, without discrimination regarding gender, sexual orientation, religion, ethnicity, nationality, or political beliefs of the Authors. They also take into account the recommendations provided by the Reviewers when making their decisions.<\/span><\/p>\n

 <\/p>\n

In the event of conflicting reviews, the Editor-in-Chief and the Editorial Board may submit the manuscript for anonymous evaluation by a third expert reviewer. The final decision, however, always rests with the Editor-in-Chief and the Editorial Board.<\/span><\/p>\n

 <\/p>\n

The Editor-in-Chief and the Editorial Board may request that Authors make corrections or additions deemed necessary, including those arising from the anonymous peer-review process. Authors may submit comments and\/or objections regarding such requests, which will then be considered by the Editor-in-Chief and the Editorial Board. The Editor-in-Chief also reserves the right to make editorial modifications to ensure consistency throughout the journal.<\/span><\/p>\n

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The Editor-in-Chief and the Editorial Board undertake not to disclose any information regarding submitted manuscripts to individuals other than those directly involved in the publication process, such as Authors, Reviewers, and the Publisher. They are also prohibited from using or disseminating unpublished materials contained in submitted manuscripts without the Authors\u2019 prior and explicit consent.<\/span><\/p>\n

REVIEWERS<\/b><\/h4>\n<\/p>\n

The anonymous double-blind peer-review process must be conducted fairly and objectively. Reviewers receive manuscripts in anonymous form and are required to decline the assignment if the subject matter overlaps with their own research interests or if any conflict of interest may arise.<\/span><\/p>\n

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Reviewers undertake to support their evaluations with appropriate and well-documented comments and observations, avoiding judgments based on personal or ideological considerations.<\/span><\/p>\n

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Reviewers are encouraged to identify any errors, omissions, or overlaps found in the manuscripts and to specify the relevant sources.<\/span><\/p>\n

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Reviewers undertake not to disclose any information regarding submitted manuscripts to individuals other than those directly involved in the publication process, such as the Editor-in-Chief, Editorial Board, Authors, and Publisher. They are also prohibited from using or disseminating unpublished materials contained in the manuscripts without the Authors\u2019 prior and explicit consent.<\/span><\/p>\n

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AUTHORS<\/b><\/h4>\n<\/p>\n

Authors guarantee the originality of the submitted manuscript and its exclusive submission to the journal, unless otherwise expressly agreed upon by the Editor-in-Chief and the Editorial Board.<\/span><\/p>\n

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Authors are required to acknowledge and cite correctly all sources used, in accordance with the journal\u2019s editorial guidelines, clearly identifying both direct and indirect quotations from other authors.<\/span><\/p>\n

 <\/p>\n

Authorship of the manuscript must be clearly stated, and all individuals who have made a significant contribution to the research or writing of the article must be listed as co-authors. In the case of jointly authored submissions, the corresponding author must specify the names of all Authors and\/or the sections contributed by each, while also guaranteeing the unanimous consent of all co-authors to publication in the journal.<\/span><\/p>\n

 <\/p>\n

Authors must disclose any funding sources that supported the research or project from which the article derives.<\/span><\/p>\n

 <\/p>\n

Authors undertake to provide images that are free of copyright restrictions or, alternatively, accompanied by all necessary permissions for publication. They guarantee that such materials do not infringe the rights of third parties, including copyright and related rights. The journal declines any responsibility for possible infringements.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Guidelines for authors<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
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Critical contributions\u2014whether submitted spontaneously by authors or commissioned by invitation\u2014are subject to evaluation by the Scientific Committee, the Editorial Board, and the journal\u2019s anonymous peer reviewers.<\/span><\/p>\n

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Essential requirements for acceptance are the originality of the manuscript and its exclusive submission to <\/span>Saggi e Memorie di storia dell\u2019arte<\/span><\/i>.<\/span><\/p>\n

 <\/p>\n

Manuscripts, prepared in accordance with the journal\u2019s Editorial Guidelines, must be submitted in Word format (1 folder = 2,000 characters). Accompanying images should be provided in a separate file, together with their captions, in digital format (minimum resolution: 300 dpi for 15 \u00d7 15 cm). Texts in English, French, German, and Spanish should be submitted in the author\u2019s native language.<\/span><\/p>\n

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Authors are responsible for obtaining and paying any copyright fees required for the images illustrating their text.<\/span><\/p>\n

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The author\u2019s name and contact details (postal address, telephone number, and e-mail address) must be provided in a separate file.<\/span><\/p>\n

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Submission materials must be received by 31 March of each year in order to be considered for inclusion in the volume scheduled for publication at the end of the same year. All materials must be addressed and sent exclusively to the Editorial Office of the journal (redazione.arte@cini.it).<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Complete List<\/span><\/div>\n<\/div>\n
\"plus\"<\/span><\/div>\n<\/div>\n
\n
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Saggi e Memorie di Storia dell’Arte 1<\/a> (1957)<\/p>\n

Saggi e Memorie di Storia dell’Arte 2<\/a> (1959)<\/p>\n<\/p>\n

Saggi e Memorie di Storia dell’Arte 3<\/a> (1960)<\/p>\n

Saggi e Memorie di Storia dell’Arte 4<\/a> (1965)<\/p>\n

Saggi e Memorie di Storia dell’Arte 5<\/a> (1966)<\/p>\n

Saggi e Memorie di Storia dell’Arte 6<\/a> (1968)<\/p>\n

Saggi e Memorie di Storia dell’Arte 7<\/a>\u00a0(1970)<\/p>\n

Saggi e Memorie di Storia dell’Arte 8<\/a> (1972)<\/p>\n

Saggi e Memorie di Storia dell’Arte 9<\/a> (1974)<\/p>\n

Saggi e Memorie di Storia dell’Arte 10<\/a> (1976)<\/p>\n

Saggi e Memorie di Storia dell’Arte 11<\/a> (1978)<\/p>\n

Saggi e Memorie di Storia dell’Arte 12<\/a> (1980)<\/p>\n

Saggi e Memorie di Storia dell’Arte 13<\/a> (1982)<\/p>\n

Saggi e Memorie di Storia dell’Arte 14<\/a> (1984)<\/p>\n

Saggi e Memorie di Storia dell’Arte 15<\/a> (1986)<\/p>\n

Saggi e Memorie di Storia dell’Arte 16<\/a> (1988)<\/p>\n

Saggi e Memorie di Storia dell’Arte 17<\/a> (1989)<\/p>\n

Saggi e Memorie di Storia dell’Arte 18<\/a> (1993)<\/p>\n

Saggi e Memorie di Storia dell’Arte 19<\/a> (1995)<\/p>\n

Saggi e Memorie di Storia dell’Arte 20<\/a> (1996)<\/p>\n

Saggi e Memorie di Storia dell’Arte 21<\/a> (1997)<\/p>\n

Saggi e Memorie di Storia dell’Arte 22<\/a> (1998)<\/p>\n

Saggi e Memorie di Storia dell’Arte 23<\/a> (1999)<\/p>\n

Saggi e Memorie di Storia dell’Arte 24<\/a> (2000)<\/p>\n

Saggi e Memorie di Storia dell’Arte 25<\/a> (2001)<\/p>\n

Saggi e Memorie di Storia dell’Arte 26<\/a> (2003)<\/p>\n

Saggi e Memorie di Storia dell’Arte 27<\/a> (2005)<\/p>\n

Saggi e Memorie di Storia dell’Arte 28<\/a> (2004)<\/p>\n

Saggi e Memorie di Storia dell’Arte 29<\/a> (2005)<\/p>\n

Saggi e Memorie di Storia dell’Arte 30<\/a> (2008)<\/p>\n

Saggi e Memorie di Storia dell’Arte 31<\/a> (2009)<\/p>\n

Saggi e Memorie di Storia dell’Arte 32<\/a> (2008)<\/p>\n

Saggi e Memorie di Storia dell’Arte 33<\/a> (2011)<\/p>\n

Saggi e Memorie di Storia dell’Arte 34<\/a> (2012)<\/p>\n

Saggi e Memorie di Storia dell’Arte 35<\/a> (2011)<\/p>\n

Saggi e Memorie di Storia dell’Arte 36<\/a> (2012)<\/p>\n

Saggi e Memorie di Storia dell’Arte 37<\/a> (2013)<\/p>\n

Saggi e Memorie di Storia dell’Arte 38<\/a> (2014)<\/p>\n

Saggi e Memorie di Storia dell’Arte 39<\/a> (2015)<\/p>\n

Saggi e Memorie di Storia dell’Arte 40<\/a> (2016)<\/p>\n

Saggi e Memorie di Storia dell’Arte 41<\/a> (2017)<\/p>\n

Saggi e Memorie di Storia dell’Arte 42<\/a> (2018)<\/p>\n

Saggi e Memorie di Storia dell’Arte 43<\/a> (2019)<\/p>\n

Saggi e Memorie di Storia dell’Arte 44<\/a> (2020)<\/p>\n

Saggi e Memorie di Storia dell’Arte 45<\/a> (2021)<\/p>\n

Saggi e Memorie di Storia dell’Arte 46<\/a> (2022)<\/p>\n

Saggi e Memorie di Storia dell’Arte 47<\/a> (2023)<\/p>\n

Saggi e Memorie di Storia dell’Arte 48<\/a> (2026)<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Founded in 1957 under the direction of Giuseppe Fiocco, Saggi e Memorie di Storia dell\u2019Arte stands as one of the most important scholarly publications in the field of Art History with a historical-critical approach. The journal is distinguished by an interdisciplinary framework that extends beyond the confines of Venetian art, allowing for an in-depth exploration […]<\/p>\n","protected":false},"author":13,"featured_media":113067,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_authors":[1745],"cini_tax_pub_cat":[1598,1841],"cini_tax_collections":[],"cini_tax_institutes":[34,1882],"cini_tax_publishers":[1719,1615],"class_list":["post-113070","cini_publications","type-cini_publications","status-publish","format-standard","has-post-thumbnail","hentry","cini_tax_authors-edited-by-the-institute-of-art-history-en","cini_tax_pub_cat-essay-en","cini_tax_pub_cat-periodici-en","cini_tax_institutes-institute-of-art-history","cini_tax_institutes-istituto-di-storia-dellarte-en","cini_tax_publishers-fondazione-giorgio-cini-en-2","cini_tax_publishers-leo-s-olschki-editore-firenze-en-en"],"acf":[],"yoast_head":"\nSaggi e Memorie di Storia dell'Arte - Fondazione Giorgio Cini<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cini.it\/en\/cini_publications\/saggi-e-memorie-di-storia-dellarte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saggi e Memorie di Storia dell'Arte - Fondazione Giorgio Cini\" \/>\n<meta property=\"og:description\" content=\"Founded in 1957 under the direction of Giuseppe Fiocco, Saggi e Memorie di Storia dell\u2019Arte stands as one of the most important scholarly publications in the field of Art History with a historical-critical approach. 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