{"id":47527,"date":"2015-10-29T12:56:09","date_gmt":"2015-10-29T11:56:09","guid":{"rendered":"https:\/\/www.cini.it\/en\/?post_type=cini_publications&#038;p=47527"},"modified":"2024-07-10T14:46:28","modified_gmt":"2024-07-10T12:46:28","slug":"47527","status":"publish","type":"cini_publications","link":"https:\/\/www.cini.it\/en\/cini_publications\/47527\/","title":{"rendered":"Arte Veneta 70 (2013)"},"content":{"rendered":"<p><strong>Arte Veneta 70 (2013)\u00a0<\/strong><\/p>\n<p>Luca Fabbri, <em>Il palazzo del vescovo di Verona tra XII e XIV secolo: vicende costruttive e resti pittorici<\/em><\/p>\n<p>Roberta Battaglia, <em>La scultura lignea del <\/em>Cristo passo<em> dal complesso veneziano di Santa Caterina<\/em><\/p>\n<p>Andrea Bacchi, <em>Giovanni Battista (Aprile?) da Carona: itinerari veneti di uno scultore lombardo del Cinquecento<\/em><\/p>\n<p>Fernando Loffredo, I<em>l monumento Euffreducci in San Francesco a Fermo. Bartolomeo Bergamasco e Pietro Paolo Stella<\/em><\/p>\n<p>Stefania Mason, <em>Dal disegno all\u2019incisioane. Palma il Giovane e Giacomo Franco compari e collaboratori<\/em><\/p>\n<p>Massimo Favilla, Ruggero Rugolo, \u2018Nomen et cineres una cum vanitate sepulta\u2019: <em>Alvise II Mocenigo e i monumenti dogali nell\u2019ultima et\u00e0 barocca a Venezia<\/em><\/p>\n<p>Elena Catra e Antonella Mampieri, <em>La \u2018<\/em>Piet\u00e0<em>\u2019 di Antonio Canova<\/em><\/p>\n<p><u>Segnalazioni<\/u><\/p>\n<p>Annalisa Pandolfo, <em>I libri corali della chiesa dei Santi Geremia e Lucia a Venezia<\/em><\/p>\n<p>Philippe Malgouyres,<em> L\u2019antiquit\u00e9 \u00e0 la lumi\u00e8re (douteuse) des lampes de bronze<\/em><\/p>\n<p>Terence de Monredon, <em>A hitherto unpublished illumination from a Venetian<\/em> mariegola <em>from the beginning of the sixteenth century<\/em><\/p>\n<p>Amalia Pacia, <em>Un dipinto inedito di Pase Pace e una rara iconografia tridentina<\/em><\/p>\n<p>Massimo De Grassi, <em>Tra \u201cbizzaria\u201d e \u201cnobilt\u00e0\u201d: novit\u00e0 su Giacomo Piazzetta e Francesco Bernardoni<\/em><\/p>\n<p>Simone Guerriero, <em>Una <\/em>Venere e Amore <em>di Giovanni Bonazza ad Amburgo<\/em><\/p>\n<p>Olivier Meslay,<em> Une<\/em> Nymphe allong\u00e9e <em>par Giovanni Bonazza dans les collections du Dallas Museum of Art<\/em><\/p>\n<p>Luca Sperandio,<em> La Via Crucis di Santa Maria del Giglio<\/em><\/p>\n<p>Mary Newcome Schleier, <em>Giovanni David in Venice in 1780<\/em><\/p>\n<p><u>Carte d\u2019archivio<\/u><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Anna Pizzati,<em> Nuovi documenti per il codice diplomatico di Tullio Lombardo<\/em><\/p>\n<p>Marie-Louise Lillywhite, <em>New Insights into the Tabernacle of the Jesuit Church of Santa Maria dell\u2019Umilt\u00e0 in Venice<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Nicol\u00f2 Marini, <em>Un documento inedito su Benedetto Caliari<\/em><\/p>\n<p>Davide Dossi, <em>Un\u2019aggiunta alla collezione Curtoni di Verona: l\u2019<\/em>Allegoria della Pittura<em> di \u00a0Alessandro Turchi<\/em><\/p>\n<p>Paola Rossi, <em>Johann Matthias von Schulenburg e due scultori del suo tempo<\/em><\/p>\n<p>Massimo Favilla, Ruggero Rugolo, <em>Sul ritratto di Antonio Riccobono dipinto da Giambattista Tiepolo per l\u2019Accademia dei Concordi di Rovigo: due nuove lettere e una data<\/em><\/p>\n<p>Louis Cellauro, <em>New documents on Carlo Lodoli\u2019s lost treatise on architecture<\/em><\/p>\n<p><u>Cronache<\/u><\/p>\n<p>Luciana Larcher Crosato,<em> Intorno a tre mostre di Paolo Veronese<\/em><\/p>\n<p><u>Letture<\/u><\/p>\n<p>Franco Barbieri, <em>Vincenzo e Gian Gerolamo Grandi scultori di pietra e di bronzo nel Cinquecento veneto<\/em><\/p>\n<p><u>Restauri<\/u><\/p>\n<p>Pietro Moioli, Claudio Seccaroni,<em> Una \u2018<\/em>Sacra conversazione\u2019<em> patchwork<\/em><\/p>\n<p><em>\u00a0<\/em>ebook Bibliografia dell\u2019arte veneta<\/p>\n<p>(2012)<\/p>\n<p><em>a cura di Paolo Delorenzi (monografie) e Meri Sclosa (periodici)<\/em><\/p>\n<p><b>Download<\/b>\u00a0<a href=\"https:\/\/www.cini.it\/wp-content\/uploads\/2015\/10\/ArteVeneta_bibliografia-1.pdf\">ArteVeneta_bibliografia.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arte Veneta 70 (2013)\u00a0 Luca Fabbri, Il palazzo del vescovo di Verona tra XII e XIV secolo: vicende costruttive e resti pittorici Roberta Battaglia, La scultura lignea del Cristo passo dal complesso veneziano di Santa Caterina Andrea Bacchi, Giovanni Battista (Aprile?) da Carona: itinerari veneti di uno scultore lombardo del Cinquecento Fernando Loffredo, Il monumento [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":50867,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_authors":[1745],"cini_tax_pub_cat":[1841],"cini_tax_collections":[1608],"cini_tax_institutes":[34,1882],"cini_tax_publishers":[],"class_list":["post-47527","cini_publications","type-cini_publications","status-publish","format-standard","has-post-thumbnail","hentry","cini_tax_authors-edited-by-the-institute-of-art-history-en","cini_tax_pub_cat-periodici-en","cini_tax_collections-arte-veneta","cini_tax_institutes-institute-of-art-history","cini_tax_institutes-istituto-di-storia-dellarte-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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