Fonti e Documenti per la Storia dell’Arte Veneta<\/p>\n
Cierre Edizioni, Sommacampagna, 2013<\/p>\n
\n
Artists\u2019 private art collections, like their libraries, are now a favourite subject of study in art the engravings of D\u00fcrer, Jacques Callot, Stefano della Bella, Pietro Testa and Giulio Carpioni. He also looked very carefully at Rembrandt\u2019s history research. They may shed light on individual culture and learning as well as possible visual sources that may be a key to the secret workshop behind artistic creation. In the case of Giambattista Tiepolo, great progress has been made on investigating what he actually kept in his house and studio, such as his works \u2013 paintings, drawings and engravings \u2013 which even Antonio Canova had his eye on. The dis-
\ncovery of unexpected visual sources have revealed some fascinating interests. Tiepolo thus appears to have made use of or borrowed from prints and those made after Rubens, and so on. One important document providing information about items owned by Giambattista and his son Giandomenico is this catalogue for an auction held at the Hotel des Ventes, Paris \u2013 with M. Bonnefons de la Vialle as commissaire-
\npriseur \u2013 on 10-12 November 1845. The title alone is eloquent evidence of the variety of the items: \u201cCollection d\u2019estampes anciennes d\u2019apr\u00e8s et par des peintres et graveurs des \u00e9coles d\u2019Italie, d\u2019Allemagne, de Flandre, de Hollande, de France et d\u2019Espagne. De dessins, d\u2019anciens livres curieux sur les sciences et les arts, de nielles florentins, d\u2019ornements pour l\u2019orf\u00e9vrerie par des artistes du XVe au XVIIe si\u00e8cle\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
Fonti e Documenti per la Storia dell’Arte Veneta Cierre Edizioni, Sommacampagna, 2013 Artists\u2019 private art collections, like their libraries, are now a favourite subject of study in art the engravings of D\u00fcrer, Jacques Callot, Stefano della Bella, Pietro Testa and Giulio Carpioni. He also looked very carefully at Rembrandt\u2019s history research. They may shed light […]<\/p>\n","protected":false},"author":1,"featured_media":52687,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_authors":[1587],"cini_tax_pub_cat":[1598],"cini_tax_collections":[],"cini_tax_institutes":[34],"cini_tax_publishers":[],"class_list":["post-52690","cini_publications","type-cini_publications","status-publish","format-standard","has-post-thumbnail","hentry","cini_tax_authors-giuseppe-pavanello-edited-by-en","cini_tax_pub_cat-essay-en","cini_tax_institutes-institute-of-art-history"],"acf":[],"yoast_head":"\n