{"id":64559,"date":"2018-02-21T11:04:37","date_gmt":"2018-02-21T09:04:37","guid":{"rendered":"https:\/\/www.cini.it\/en\/?post_type=cini_publications&#038;p=64559"},"modified":"2024-07-10T14:46:46","modified_gmt":"2024-07-10T12:46:46","slug":"teatro-fotografia-limmagine-della-attrice-italiana-fra-otto-novecento-2","status":"publish","type":"cini_publications","link":"https:\/\/www.cini.it\/en\/cini_publications\/teatro-fotografia-limmagine-della-attrice-italiana-fra-otto-novecento-2\/","title":{"rendered":"Il teatro in fotografia. L\u2019immagine della prima attrice italiana fra Otto e Novecento"},"content":{"rendered":"<p><em><strong>Il teatro in fotografia. L\u2019immagine della prima attrice italiana\u00a0fra Otto e Novecento<br \/>\n<\/strong><\/em>Edited by Marianna Zannoni<br \/>\nTitivillus, Corazzano (PI), 2018<\/p>\n<p>In the years at the turn of the 19th and 20th centuries, the so-called <em>Belle \u00c9poque,<\/em> there were great changes in every sphere of society and culture. On the artistic front, crossovers between the world of theatre and photography eventually led to a revolution in how the contemporary scene was observed and then retold. While in the 19th century many traces of the theatrical world found their way into contemporary photographic practice, a few years later the advent of the photographic industry was to lead to many signi\u001dcant changes in the world of theatre. The gradual rise of the female \u001dgure as protagonist on stage but also in the management of her career emerges in an icastic way in photographs taken both in and out of theatres. By examining the artistic biographies of three celebrated leading ladies of Italian theatre (Adelaide Ristori, Eleonora Duse and Tina Di Lorenzo), this book seeks to understand the evolution in how actresses were portrayed in a system popularising images and creating myths that were capable of in\u001cuencing social customs.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il teatro in fotografia. L\u2019immagine della prima attrice italiana\u00a0fra Otto e Novecento Edited by Marianna Zannoni Titivillus, Corazzano (PI), 2018 In the years at the turn of the 19th and 20th centuries, the so-called Belle \u00c9poque, there were great changes in every sphere of society and culture. On the artistic front, crossovers between the world [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":64560,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_authors":[],"cini_tax_pub_cat":[1598],"cini_tax_collections":[],"cini_tax_institutes":[20],"cini_tax_publishers":[],"class_list":["post-64559","cini_publications","type-cini_publications","status-publish","format-standard","has-post-thumbnail","hentry","cini_tax_pub_cat-essay-en","cini_tax_institutes-theatre-and-opera"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Il teatro in fotografia. 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