{"id":66690,"date":"2018-11-05T11:42:00","date_gmt":"2018-11-05T09:42:00","guid":{"rendered":"https:\/\/www.cini.it\/?post_type=cini_publications&p=66690"},"modified":"2024-07-10T14:46:48","modified_gmt":"2024-07-10T12:46:48","slug":"shakespeare-allopera-riscritture-e-allestimenti-di-romeo-e-giulietta-2","status":"publish","type":"cini_publications","link":"https:\/\/www.cini.it\/en\/cini_publications\/shakespeare-allopera-riscritture-e-allestimenti-di-romeo-e-giulietta-2\/","title":{"rendered":"Shakespeare all\u2019Opera. Riscritture e allestimenti di \u201cRomeo e Giulietta\u201d"},"content":{"rendered":"

This book brings together the proceedings\u00a0from the international conference entitled\u00a0\u201cShakespeare in Opera. Rewritings and Productions of Romeo and Juliet and The Merchant
\nof Venice\u201d held at the Fondazione Giorgio Cini\u00a0on 23-24 April 2018. The conference thus\u00a0focused on operatic versions of the two Shakespearean plays. Musicologists, drama historians and playwrights analysed the contexts of\u00a0musical productions based on the two texts,\u00a0which have inspired librettists and composers from the early 17th century to the present\u00a0day. During the conference, an abridged version of Shakespeare\u2019s Merchant of Venice was\u00a0put on by the cultural production company\u00a0Tourn\u00e9e da Bar. The conference is another\u00a0stage in the three-year project Shakespeare in\u00a0and beyond the Ghetto: Staging Europe across\u00a0Cultures (2016-2018), selected by the European Commission in a 2016 call for proposals for Creative Europe Culture Cooperation
\nProjects. This book brings together the papers\u00a0on the operatic versions of Romeo and Juliet,\u00a0whereas those concerning The Merchant of Venice will be published in a second volume to be
\nproduced also as part of the European project.<\/p>\n

\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

This book brings together the proceedings\u00a0from the international conference entitled\u00a0\u201cShakespeare in Opera. Rewritings and Productions of Romeo and Juliet and The Merchant of Venice\u201d held at the Fondazione Giorgio Cini\u00a0on 23-24 April 2018. The conference thus\u00a0focused on operatic versions of the two Shakespearean plays. Musicologists, drama historians and playwrights analysed the contexts of\u00a0musical productions based […]<\/p>\n","protected":false},"author":1,"featured_media":66693,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cini_tax_authors":[],"cini_tax_pub_cat":[1598],"cini_tax_collections":[],"cini_tax_institutes":[20],"cini_tax_publishers":[],"class_list":["post-66690","cini_publications","type-cini_publications","status-publish","format-standard","has-post-thumbnail","hentry","cini_tax_pub_cat-essay-en","cini_tax_institutes-theatre-and-opera"],"acf":[],"yoast_head":"\nShakespeare all\u2019Opera. 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