- 2014 November 24, 4.30 pm – 6 pm
- IULM University, Classroom 146 – Via Carlo Bo, 1 – Milan More
Paralleling the Architecture Biennale, nine columns—more than seven metres high and covered with a golden mosaic—stand in front of the Church of San Giorgio Maggiore, bearing the sky above them. Curated by art historian Robert Fleck, the installation The Sky Over Nine Columns offers a broad scope for association. As a manifestation of the human being standing upright, the column is the earliest element in the history of architecture and forms a direct relation between earth and sky. The golden mosaic consisting of over 800,000 tesserae is an example of the long tradition of local craftsmanship, representing Venice’s early cultural relations between Orient [ ]
The Glass Tea House Mondrian
©Hiroshi Sugimoto+New Material Research Laboratory.
Courtesy of Le Stanze del Vetro.
Sponsored by Sumitomo Forestry and Fondazione Bisazza.
On June 6th, the “Glass Tea House Mondrian” will open to the public on the Island of San Giorgio Maggiore in Venice. The “Glass Tea House” is a temporary pavilion designed by the Japanese artist and photographer Hiroshi Sugimoto as part of the activities of Le Stanze del Vetro. Hiroshi Sugimoto is known worldwide for his black-and-white photographs, and for the first time ever he is to design an architectural building in Venice.
The “Glass Tea House Mondrian” is a project by [ ]
The Lombard architect Tomaso Buzzi was a leading exponent of the so-called Novecento Milanese. A friend and collaborator of Gio Ponti, he was also a member of the group called Il Labirinto, together with architects and entrepreneurs like Ponti, Michele Marelli and Paolo Venini. And it was with Ponti that Tomaso
Buzzi became one of the most important creators of Italian taste in the 1930s, setting the benchmark for the next few years. An erudite architect, experimental industrial designer and refined interior designer, as well as being a collaborator with the magazine Domus, his services were sought by some of the most important upper-class Italian families: the Volpi, Cini, [ ]
A follow-up to the conferences Improvised Music in Europe: 1966-1976 (November 2012) and Con la mente e con le mani: Improvisation from ‘cantare super librum’ to partimenti (November 2013), this event is the third in a series of dates on the role of musical improvisation in various historical periods.
The focus of this conference, coordinated by Gianmario Borio and Angela Carone, is on four areas: the views of critics, composers and theoreticians, forming indispensable material for an understanding of the intertwining of improvisation, performance and composition; compositional forms expressly derived from improvisation (bagatelles, divertimenti, preludes, capricci, fantasias and improvvisi); traces of [ ]
From 29 to 31 January 2015, the Intercultural Institute for Comparative Music Studies organizes the XX edition of the International Seminar on Ethnomusicology curated by Francesco Giannattasio: “Musical traditions: patrimonies, archives, and new creativities.”
In the past two Seminars we have extensively debated the issues of status, perspectives, tasks and methods of investigation for a comparative musicology of the XXI Century, in the light of recent dramatic changes in the cultural and social scenario that characterizes the world in this new century. In order to update our discipline to the new reality that we are facing, we have thoroughly [ ]
Early Music Seminars Egida Sartori and Laura Alvini
17-21 May, 2015
Fondazione Giorgio Cini, Island of San Giorgio Maggiore, Venice
Matteo da Perugia and Milanese Gothics (1390-1425)
Director: Pedro Memelsdorff
The seminar will focus on the secular music of Matteo da Perugia (fl. 1400-1425), maestro di cappella at Milan Cathedral from 1402 to 1407, and again from 1414 to 1416. Nothing is known about his possibly Umbrian training, and no documents of his non-Milanese years survive. Scholars have speculated on his possible stay at Pavia, Pisa or Bologna, where he might have served Cardinal Pietro Filargo (Pisan pope Alexander V after 1409), most likely his main [ ]
The Fondazione Giorgio Cini offers three and six months scholarships to Italian and international scholars wishing to further their studies of Italian culture – especially that of the Veneto – with an interdisciplinary approach in one of the following fields: art history, literature, music, drama, early printed books, Venetian history and comparative cultures and spiritualities.
Part of the Stanze del Vetro project, the scholarship will be awarded to an Italian or foreign PhD student, to be used in completing a thesis, or to an Italian or foreign post-doctorate. scholarship wishing to spend six months doing Period April–December 2015.
The maftirîm and the works of Sephardi Jews in Ottoman classical music
From 13 to 18 April 2015 the Intercultural Institute for Comparative Music Studies, part of the Fondazione Giorgio Cini, Venice, will organize the fourth edition of Bîrûn, seminars on classical Ottoman music, directed by Kudsi Erguner, addressed to professional and semi-professional musicians.
Scholarships will be given to one or two professional or semi-professional vocal or mixed vocal-instrumental trios specialised in late mediaeval repertoires. The seminar will focus on the secular music of Matteo da Perugia (fl. 1400-1425), maestro di cappella at Milan Cathedral from 1402 to 1407, and again from 1414 to 1416.
In memory of Olivo and Vilma Andreazza, the Fondazione Giorgio Cini has created a six-month residential scholarship worth 12,500 euros to enable “second and third generation” Italians (i.e. children and grandchildren of Italians who emigrated to work abroad) to come to Italy for a study period at the Vittore Branca International Center for the Study of Italian Culture.
The installation The Sky Over Nine Columns is realised by Beck & Eggeling International Fine Art, Düsseldorf and Sigifredo di Canossa, in cooperation with the Fondazione Giorgio Cini. The realisation is supported by Trend, Vicenza.
Le Stanze del Vetro, a joint cultural initiative by Fondazione Giorgio Cini and Pentagram Stiftung,
The “Glass Tea House” is a temporary pavilion designed by the Japanese artist and photographer Hiroshi Sugimoto as part of the activities of Le Stanze del Vetro. Hiroshi Sugimoto is known worldwide for his black-and-white photographs, and for the first time ever he is to design an architectural building in Venice.
The series entitled Meetings in the Photo Library. The Photographic Archives in the Institute of Art History, aims to attract specialists and art historians, but also anyone interested in furthering their knowledge about the photographic collections and the people who put them together.
The Giorgio Cini Foundation library possessions include sections on the history of Venice, literature, theatre and opera, relations between Venice and the East, and relations between Venice and Europe. The most significant section, however, is undoubtedly that dedicated to the history of art, which has over 150,000 books and collections of periodicals (around 800 titles, of which over 200 are current titles).
The Giorgio Cini is dedicated to culture, research and study. For over 50 years it has hosted important international events including G7 summits, UNESCO conferences, major scholarly gatherings and smaller specialist meetings. The many possible combinations of interior and exterior spaces make the Foundation’s resources and facilities adaptable for any kind of event.