Periodici – Fondazione Giorgio Cini

Studi vivaldiani

Founded in 1980 by the Antonio Vivaldi Italian Institute, Studi Vivaldiani focuses on the life and works of Antonio Vivaldi, exploring the musical, cultural, social, and historical context in which the composer lived and worked.
The journal includes two sections that concentrate current information: Miscellanea, curated by Michael Talbot, and Discographie Vivaldienne, curated by Roger-Claude Travers.

Directed by Chiara Casarin, the journal is available online on the Foundation’s website.

Complete List

Studi Vivaldiani 1 (2001)

Studi Vivaldiani 2 (2002)

Studi Vivaldiani 3 (2003)

Studi Vivaldiani 4 (2004)

Studi Vivaldiani 5 (2005)

Studi Vivaldiani 6 (2006)

Studi Vivaldiani 7 (2007)

Studi Vivaldiani 8 (2008)

Studi Vivaldiani 9 (2009)

Studi Vivaldiani 10 (2010)

Studi Vivaldiani 11 (2011)

Studi Vivaldiani 12 (2012)

Studi Vivaldiani 13 (2013)

Studi Vivaldiani 14 (2014)

Studi Vivaldiani 15 (2015)

Studi Vivaldiani 16 (2016)

Studi Vivaldiani 17 (2017)

Studi Vivaldiani 18 (2018)

Studi Vivaldiani 19 (2019)

Studi Vivaldiani 20 (2020)

Studi Vivaldiani 21 (2021)

Studi Vivaldiani 22 (2022)

Studi Vivaldiani 23 (2023)

Editorial Board

Director

Francesco Fanna, Fondazione Giorgio Cini

Deputy Editor

Michael Talbot

Editor-in-chief

Chiara Casarin, Fondazione Giorgio Cini

Editorial Board

Marco Bizzarini (Napoli)

Cesare Fertonani (Milano)

Giulia Giovani (Siena)

Roberta Milanaccio (Manchester)

Giada Viviani (Genova)

Editorial Consultants

Fabrizio Ammetto

Alessandro Borin

Paul Everett

Karl Heller

Antonio Moccia

Federico Maria Sardelli

Eleanor Selfridge‐Field

Reinhard Strohm

Colin R. Timms

Roger‐Claude Travers

Editorial Secretariat

Roberta Milanaccio

Editorial Guidelines and code of Ethics

“Studi vivaldiani” publishes articles in French, English, Italian, Spanish, and German.

Submissions to Studi vivaldiani, whether unsolicited or by invitation, are first reviewed by the editorial management and subsequently evaluated by two referees following the double-blind peer review method. The reviewers’ comments are then communicated to the authors. If the outcome is favourable, the author is invited to consider the observations made by the referees and the editorial board.

Authors, the Director, Deputy Editor, Editor-in-Chief, Editorial Board, Consultants, and the Editorial Secretariat are all fully aware of, and explicitly committed to, the ethical standards required by the journal. Article files, together with any supplementary materials, should be submitted either to the editorial office at segreteria.vivaldi@cini.it or to a member of the editorial team, and must be accompanied by an abstract of approximately 30 lines.

Once an article has been accepted, the editorial office will provide the author with the journal’s style guide and instructions for the preparation of the final version. Authors are responsible for obtaining any necessary permissions to reproduce images or musical examples. Author affiliations and contact details are published at the top of the Notes section in each article.

The journal’s editorial policies and code of ethics are regularly updated in accordance with the guidelines of the COPE Consortium.

Lettera da San Giorgio 52

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

The articles featured in this issue:

Casanova, Venice and Europe
Epidemics in Venice (14th–18th centuries)
The Fondation Cartier pour l’art contemporain by Jean Nouvel
The restoration of the painting The Dream of Jacob by Valentin Lefèvre
Digital memories, artists in residence and new Island narratives

Lettera da San Giorgio 51

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

The articles featured in this issue:

The “Ottorino Respighi” Studio at the Fondazione Giorgio Cini Projects and research
Navigating the Future: The Role of AI in Global Health
The Glass Archives of the Institute of Art History
Chameleon, a Universal Everything project for the Fondazione Giorgio Cini
The birth of Chameleon
Mario Brunello at the Auditorium ‘Lo Squero’

Lettera da San Giorgio 50

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

The articles featured in this issue:

Eleonora Duse, what a wonderful actress!
The historical archive of the Fondazione Giorgio Cini Notes from the reordering process underway. With an apostille on Vittore Branca
ARCHiPub. On Cultural and Digital Matters
Remembering Vittore Branca

Special Issue “Comics and the Invisible” of Mediascapes Journal, vol. 22, no. 2

Comics and the Invisible is a special issue published by Mediascapes and edited by Matteo Stefanelli (Università Cattolica of Milan) and Francesco Piraino (Giorgio Cini Foundation / Harvard University).

It represents the last step of the Creative Europe project Invisible Lines (https://invisiblelines.eu) realised by Fondazione Giorgio Cini (Italy – coordinator), Central Vapeur (France), Hamelin APS (Italy), and Baobab Books. (Czech Republic).

Comics and the Invisible explores the concept of invisibility in comics and illustrations, trying to reply to the following questions: in what terms can comics be understood as an invisible art or, from a very different perspective, as an art of the invisible?
How can it be a tool for telling stories and visualizing ideas that rarely find a place in the ordinary ecology of visual media? Is this art of the invisible a tool to connect with other dimensions (mental, psychological, spiritual, ontological)?

Table of contents:

– Comics and the Invisible, Introduction to the Special Issue, Francesco Piraino, Matteo Stefanelli
– Immersive marginality Comics and the cultural power of (its) invisibility, Matteo Stefanelli

– The Color of Paper, Seeing Race in the Comics Medium, Chris Gavaler
– Playing with the Invisible Novel, Movies, Comics, Daniele Barbieri
– Tracing the Invisible, Lynda Barry’s Comics, Maaheen Ahmed
– Spirituality and Comics in Hugo Pratt, Alan Moore, and David B.Esotericism as “Unsettled Knowledge”, Francesco Piraino
– Making visible the invisible Representing religious content in manga, Carolina Ivanescu
– Giving Up the Artistic Aspect The invisibility of comics made in extreme conditions of confinement: Charlotte Salomon, Karel Frans Drenthe and Eleuterio Fernández Huidobro, Erwin Dejasse
– How to Make the Invisible Visible? Some Innovative Approaches in 21st-Century Comic Art, Francesca Pietropaolo
– Lived and abandoned spaces Invisibilities in comparison, Rodolfo Dal Canto
– Dancing with the (un)seen Problematizing the viewer’s gaze through Mediterraneo’s visual aesthetics, Silvia Vari

Link to the Special Issue.

Lettera da San Giorgio 49

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

The articles featured in this issue:

The Italian Photo Library of Nicolò Cipriani (1892–1968)
Accessible green areas: new projects for the Fondazione Giorgio Cini
Recording the paintings collection at Galleria di Palazzo Cini in San Vio
Francesco Rutelli at the Fondazione Giorgio Cini

Archival Notes No. 7

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

Articles

Luk Vaes, «Aus dem Nachlaß»: Sedimentation in Mauricio Kagel’s «Tactil» and «Unter Strom»
Marco Cosci, Altering «A(lter)A(ction)»? Egisto Macchi Then and Now
Filipa Magalhães, Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices
Luisa Santacesaria e Valentina Bertolani, «Suite “colori”» by Mario Bertoncini: From Performance to Archival Research
Marco Fusi, Fingers to Sounds, Sounds to Fingers: Creative Interaction with Giacinto Scelsi’s Archival Materials as Means to Devise Performance Practices of His Music
Landon Morrison, On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa»

Perspectives

Marco Angius, ‘E la mente annullata naufraga nel vento’: A New Appraisal of Giacomo Manzoni’s «Parole da Beckett» from the Perspective of a Conductor

Documents and Reports

Gianmario Borio, «Research-led Performance»: Report on an Ongoing Project
Luisa Santacesaria e Giulia Sarno, Ctrl+s | Conversations on the survival of electronic music

The seventh issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.

Lettera da San Giorgio 48

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

The articles featured in this issue:

The Gian Francesco Malipiero Collection of the Fondazione Giorgio Cini. The fiftieth anniversary of the death of the Venetian composer
The membership project: Cini Ambassador
Online and On-Site Heritage: New Intergenerational Dialogues
Francesco Dal Co at the Fondazione Giorgio Cini

ARCHiPub 01/004

Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.

Alessandro Codello’s contribution introduces “Long Data” as a novel approach to unlocking the cultural heritage within historical archives. This concept contrasts with Big Data by focusing on the deep historical context found in meticulously preserved archives, revealing insights into cultural heritage. Utilizing new Artificial Intelligence technologies in harmony with traditional archival methods, Long Data aims to analyze, transcribe, and model historical data on an unprecedented scale. This approach promises a more comprehensive understanding of history, enhancing studies on societal and cultural evolution. A key example of Long Data’s application is the Venice State Archive (ASVe), which holds over a millennium’s worth of documents. The initiative seeks multidisciplinary collaboration to make accessible this vast archive, thereby safeguarding its cultural heritage and preparing the ground for a revolution in historical research.

ARCHiPub 01/003

Interdisciplinary series edited by the Digital Centre – ARCHiVe of the Fondazione Giorgio Cini, dedicated to contemporary research in the Digital Humanities.

E se Venezia affonda: uno studio di caso sulla pedagogia dei materiali usando l’apprendimento basato su luogo e problema su “Una Serenissima sostenibile ” di Bryan BAnd If Venice is Sinking: A Case Study of Material Pedagogy Using Place- and Problem-Based Learning on ‘A Sustainable Serenissima‘ by Bryan Brazeau, Head of Liberal Arts at the University of Warwick. A Sustainable Serenissima was first taught as an experimental transdisciplinary pilot module in AY 2018-2019. The module’s learning objectives include critical analysis of local sustainable solutions, analysis of future implementation plans, and consideration of the scalability and adaptability of the problem of Venetian sustainability to other global challenges.