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«Studi vivaldiani» 20 – 2020

“Studi vivaldiani”, 20

Annual Journal of the Istituto Italiano Antonio Vivaldi

Fondazione Giorgio Cini, Venice, 2020

Fabrizio Ammetto, Ancora a proposito dell’origine di BWV 1052 di J. S. Bach: un concerto per violino debitore a Vivaldi

Michael Talbot, Vivaldi, Bigaglia, Tartini and the Curious Case of “Introdutione” RV Ahn. 70

Miscellany (M. Talbot)

Aggiornamento delle Nuove norme editoriali

Discographie Vivaldi 2019-2020 (R.-C. Travers)

Pubblicazioni dell’Istituto Italiano Antonio Vivaldi

«Informazioni e Studi Vivaldiani», Indici dei numeri da 1 (1980) a 21 (2000)

«Informazioni e Studi Vivaldiani», Indice per autore

«Studi Vivaldiani», Indici dei numeri da 1 (2001) a 19 (2019)

«Studi Vivaldiani», Indice per autore

 

Download  pdf Studi vivaldiani 20 – 2020

Religiographies

Open-access and peer-reviewed journal, curated by the Centre for Comparative Studies of Civilisations and Spiritualities at the Fondazione Giorgio Cini.

Religiographies is dedicated to the study of religious phenomena, fostering an interdisciplinary dialogue among historians, sociologists, anthropologists, philosophers, and psychologists. Mysticism, esotericism, and spirituality are the three main themes of the journal, which are explored within their historical and cultural contexts, challenging traditional categories of religion. The heterographie section, dedicated to artistic and visual works, expands the understanding of the phenomena discussed.
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Religiographies is an open-access, peer-reviewed, scholarly journal dedicated to the field of religious studies and published under the auspices of the Centre for Comparative Studies of Civilisations and Spiritualities of the Giorgio Cini Foundation. Since 2025, it has been recognised by ANVUR (the agency of the Ministry of Education) as a scientific journal for Area 11 (Historical, Philosophical, Pedagogical and Psychological Studies); Religiographies wishes to foster an interdisciplinary approach to religious phenomena, promoting dialogue between historians, sociologists, anthropologists, literary scholars, philosophers, and psychologists.
We aim at promoting an anthropological history and at the same time a socio-anthropology with a strong historical emphasis, intending to avoid both socio-anthropological presentism and history only focused on ideas and institutions, while ignoring materiality, emotions, everyday lives.
We encourage at deconstructing and challenging categories (including the very word “religion”) not as a theoretical exercise, a proof of concept, but as a practice, showing with fieldwork data, the porosity and frailty of our categories.
We aim at discussing those topics that are often neglected by social and human sciences – such as mysticism, esotericism, spirituality – which, in the words of Michel de Certeau, “haunt scientific epistemology”. Our aim is not to create another journal on alternative spiritualities, but to bring these themes back into mainstream discussions of religious and cultural phenomena.
Finally, with the concept of heterographies– we intend to give space to other forms of representations, such as photography, comics, video, and artwork. These other languages will allow contributors – scholars and artists – to explore dimensions beyond the social sciences frame of objectiveness and coherence. This section, called heterographies, is not strictly scientific: it will not be peer-reviewed, but will receive feedback from the editors and invited commentators.

 

We invite submission on all religious phenomena, with a special focus on:

  • comparative approaches;
  • cultural transfers: acculturation, appropriation, imagination;
  • continuities and discontinuities between religious discourses and everyday life practices;
  • transhistorical perspective, stressing the connections between old and new trends;
  • liminal phenomena between the secular and the religious;
  • the relationship with alterity, understood not only as religious, but also in terms of gender, sexual orientation, and ethnicity;
  • phenomenology of the religious body: perceptions, emotions, sensations and construction of the body;
  • epistemological and methodological debates about the transferability and translatability of religious studies categories.

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Editor-in-chief
Francesco Piraino, Fondazione Giorgio Cini / Harvard Divinity School

 

Editors
Mark Sedgwick , University of Aarhus
Dionigi Albera, CNRS-IDEMEC

 

Assistant editors
Elena Bernardinello, Fondazione Giorgio Cini
Eva Salviato, Fondazione Giorgio Cini

 

Copy editor and proofreader
Anna Fitzgerald

 

Book Reviews
Valentina Gaddi, Université de Montréal

 

Editorial board
Stefano Allievi, University of Padua
Egil Asprem, University of Stockholm
Katell Berthelot, CNRS–Aix-Marseille University
Francesco Cerchiaro, Radboud University
Andrea De Antoni, University of Kyoto
John Eade, University of Roehampton
Diana Espírito Santo, Universidad Catholica de Chile
Fabrizio Ferrari, University of Padua
Mattia Fumanti , University of St. Andrews
Giuseppe Giordan, University of Padua
Alberta Giorgi, University of Bergamo
Boaz Huss, Ben Gurion University
Salvatore La Mendola, University of Padua
Marco Pasi, University of Amsterdam
Enzo Pace, University of Padua
Stefania Palmisano, University of Turin
Vadim Putzu, Missouri State University
Khalid Razzhali, University of Padua
Antonio Rigopoulos, University of Ca’ Foscari
Armando Salvatore, University of McGill
Chiara Tommasi, University of Pisa
Fabio Vicini, University of Verona
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Religiographies vol.4 n.1 (2025)
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Religiographies vol.3 n.2 (2024)
Religiographies vol.3 n.1 (2024)
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Religiographies vol.2 n.2 (2023)
Religiographies vol.2 n.1 (2023)
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Religiographies vol.1 n.1 (2022)
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Lettera da San Giorgio 44

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  Save Venice and the Fondazione Giorgio Cini. The Restoration of Three Sienese Paintings in the Palazzo Cini Gallery
  • “More fitting in a king’s palace than in a monastery”. Baldassarre Longhena and the Monumental Staircase of San Giorgio Maggiore
  • Remembering Giovanni Morelli

Archival Notes No. 5

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

 

Articles

  • Norberto Cordisco Respighi, Financial Aspects in the Correspondence between Respighi and his Publishers
  • Anna Giust, The Ways to Russia of Alfredo Casella
  • Pietro Milli, Dialectics and Matter in the Aesthetics of Giacomo Manzoni
  • Nicholas Moroz, Hacking the Hallucinatory: Investigating Fausto Romitelli’s Compositional Process through Sketch Studies of «Professor Bad Trip: Lesson I»

Focus

  • Giorgio Biancorosso, The Appraisal of Film Music Sources: the Case of «Rear Window» (Paramount, 1954)
  • David George Cooper, The Trevor Jones Archive: Issues in the Establishment and Management of a Film and Television Music Archive

A Performer’s Eye

  • Jonathan Brandani, A Last Version of «Napoli milionaria»: Nino Rota’s Revision Process after the Spoleto World Première
  • Elena Casoli, ‘Vibrante, luminoso!’ Signs, Language, Sound Research and Musical Invention in Fausto Romitelli’s «Solare» for Classical Guitar

Documents and Reports

  • Angela Carone, Publications and Activities

The fifth issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.

Lettera da San Giorgio 43

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • Ugo Zovetti and Book Decoration. A New Acquisition for the Fondazione Giorgio Cini Drawings and Prints Cabinet
  • The Census of Italian Renaissance Woodcuts 2020
  • “Tutti li campi di marmore”. The Buora, a story written in stone

Lettera da San Giorgio 42

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  •  The Master of the Fondazione Giorgio Cini Crucifix: a Conference, Restoration and Exhibition
  • Training on Site at the Fondazione Cini: the Messina Room
  • A Question of “Style”: Gabriele Basilico

Archival Notes No. 4

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

 

Articles

  • Joanna E Helms, Telecoms, spaceship doors and singing animals: La Fantarca and Roman Vlad’s electronic music
  • Laura Mazzagufo, Tre poesie di Montale by Roman Vlad: compositional techniques and text correspondences
  • Jesse Rosenberg, Jan Meyerowitz and Musical Italy
  • Antonio Marongiu, Electro-acoustic sound quality in instrumental music: Amply 1 by Franco Oppo

Documents and Reports

  • Paola Cossu, Gian Francesco Malipiero, Esalazioni epurative
  • Angela Carone, Publications and Activities

The fourth issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.

 Lettera da San Giorgio 41 

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The Mario and Fortunata Manzelli Donations: Photographs, Books and Paintings
  • Friends of the Fondazione Giorgio Cini
  • Tammaro De Marinis (1878-1969), “Prince of Bibliophiles”

Lettera da San Giorgio 40

Founded in 1998, Lettera da San Giorgio is the Foundation’s journal, which gathers information on the upcoming activities of the Institutes and Research Centres.

 

The articles featured in this issue:

  • The Ettore Sottsass Jr. Archive at the Fondazione Giorgio Cini
  • The Complete “Drammaturgia Musicale Veneta”
  • From Berlin to Venice at the Fondazione Giorgio Cini: the Intercultural Institute of Comparative Music Studies, a Bridge between East and West

Archival Notes No. 3

An open-access, peer-reviewed journal, curated by the Institute for Music of the Giorgio Cini Foundation. With an interdisciplinary approach, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music is dedicated to the research of musical sources from the twentieth and twenty-first centuries.

 

Preface

Articles

  • Nicolò Palazzetti, From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century
  • Federica Di Gasbarro, Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero
  • Christoph Neidhöfer, Character and Form by Way of Integral Serialism: An Analysis of «Fantasia concertante» (1957) by Camillo Togni
  • Marida Rizzuti, ‘The Sound of Industry’. Some Reflections on the Genesis and the Content of «Diagramma Circolare» by Alberto Bruni Tedeschi
  • Elena Salza, Egisto Macchi and Antonin Artaud: from «A(lter)A(ction)» to «München-Requiem» and Beyond
  • Ingrid Pustijanac, Spectral Morphology and Space in Fausto Romitelli’s «Natura morta con fiamme»

Focus

  • Gianmario Borio, Music Archives in the Twenty-First Century: The Challenges of Politics and Technology
  • Dörte Schmidt, ‘The Darmstadt Events’. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive

Documents and Reports

  • Angela Carone, Publications and Activities

The third issue of Archival Notes is available for download and consultation on the OJS platform of the Fondazione Giorgio Cini.