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Call for Articles – Special Issue – Religiographies, Vol. 3, n. 1, May 2024 – Reviving Muḥyiddīn

Reviving Muḥyiddīn: The contemporary uses of Ibn ʿArabī’s thought and the reinventions of Islam 

 

The intellectual and spiritual legacy of Muḥyiddīn Ibn ʿArabī (d. 1240) has been the object of multiple socio-political and religious interpretations. The fact that his thought is at the same time intensely innovative and deeply rooted in the tradition may explain in part why it had such a lasting influence, both among followers and detractors (Knysh 1999).

In the West, Ibn ʿArabī appears today as a central reference in contemporary debates concerning Islamic spirituality, and his thought is one of the main sources of inspiration of the proponents of various creative adaptations of traditional Sufism in contemporary societies, ranging from the most conservative forms to openly New Age and syncretic movements (Morris 1986; Sedgwick 2017).

This special issue aims to explore and analyze contemporary cases of the use of Ibn ʿArabī’s thought, and to shed light on the motivations, dynamics and methods underlying its interpretations.

We invite scholars from all backgrounds in the humanities and social sciences, as well as social and political actors and artists, to propose contributions focusing on Ibn ʿArabī in connection with one or more of the following topics:

– Sufism, Sufi institutions, and the spiritual path

– Theology, metaphysics, and epistemology

– Anthropology, cosmology, and world vision

– Normativity, Islamic law, and rituals

– Ethics, ecology, and politics

– Social issues, gender, and diversity

– Art, media, and creativity

 

Download the call – Reviving Muḥyiddīn

 

Deadline: 5th of January 2023

Early Music – New scholarships available

Egida Sartori and Laura Alvini Early Music Seminars
Director: Pedro Memelsdorff

 

 

Viola bastarda
and the art of Italian diminuition
1580-1630

 

Master classes by Paolo Pandolfo
Venice, Fondazione Giorgio Cini, 2–6 November 2022

 

The seminar will address the technique of the viola bastarda―an instrument some of whose most important luthiers’ workshops were located in Venice ― as described or alluded to in treatises and repertories printed in Venice such as Il vero modo di diminuir by Girolamo Dalla Casa (Venice, 1584); Mottetti, madrigali et canzoni francesi by Giovanni Bassano (Venice, 1591), Passaggi per potersi essercitare nel diminuire terminatamente con ogni sorte di istromenti by Riccardo Rognoni (Venice, 1592), or Alcune opere di diversi auttori a diverse voci, passaggiate principalmente per la viola bastarda (Venice, 1626).

 

The call is addressed to young viola players.

Deadline for applications: 15 July 2022
Download the call for scholarship

 

 

 

Call for applications to participate in The Exploratory: Venice New Music Courses

Call for applications for 10 singers, 10 brass players, 10 woodwinds, 10 string players and 10 composers

 

The title of this masterclass comes from a comment by Karlheinz Stockhausen: “The problem with music education is that we have conservatories, but we need exploratories.” The concept of exploration will inform every part of this event: the production of instrumental and vocal sound, group interaction, notation, scenic aspects of music making, and the study of the latent theoretical layers in musical practices. The masterclass teachers will be: Nicholas Isherwood for artistic direction, singing, improvisation, musical theatre and composing-performing; Abbie Conant will deal with the brass section, improvisation and composing-performing; Roberto Fabbriciani – woodwinds, improvisation, composing-performing; Séverine Ballon – strings, improvisation; Olga Neuwirth – composition, musical theatre; and Michela Garda and Ingrid Pustijanac – musicology.

 

Domanda di partecipazione ExploratoryENG

Exploratory_Bando_Ing

Biographies Teachers

 

Application deadline
2 May 2022

Info: concorsimusica@cini.it

 

Grant for research on Lucio Fontana, the Argentine period; monuments, projects and works

The Fondazione Giorgio Cini and the Fondazione Lucio Fontana have announced a call for applications for a grant to study “Lucio Fontana, the Argentine period: monuments, projects and works”. The grant is named after Enrico Crispolti (Rome, 18 April 1933 – Rome, 8 December 2018), who devoted much of his research to the work of the Italo-Argentine artist. The grant is thus meant to renew and continue the relationship between the celebrated art historian and the next generations of scholars. 

 

 

Application deadline:

28 February 2022 

 

Download the scholarship

Download the application form

 

Il progetto ha il patrocinio istituzionale dell’Ambasciata argentina in Italia.

 

For more information

Fondazione Giorgio Cini Onlus

Istituto di Storia dell’Arte 

tel.: +39 041 2710230

fax: +39 041 5205842

email:  arte@cini.it

 

Fondazione Lucio Fontana

tel.: +39 0276005885

email: info@fondazioneluciofontana.it

Early Music Seminars – New announcement

The autumn 2021 Early Music Seminar of the Fondazione Giorgio Cini will focus on the work of a German composer who chose Venice as his last hometown: Johann Adolf Hasse (Bergedorf, 25 March 1699 – Venice, 23 December 1783).

Main teacher will be Vivica Genaux, the most renowned specialist in the field, awarded by the Johann Adolf Hasse Foundation in Hamburg in 2019.

 

The call is addressed to young professional or semi-professional soloist singers, specialized in 18th century repertoires.

Deadline to participate 1 September 2021.

 

DOWLOAD THE COMPLETE CALL

Scholarships Announcement – Accademia Vivaldi 2021

Accademia Vivaldi 2021
Masterclass on the performance practice of the music of Antonio Vivaldi

 

The Istituto Italiano Antonio Vivaldi organizes four meetings on the performance practice of the compositions by Antonio Vivaldi, dedicated to young singers (max 39 years) and players.
Each meeting will take place at Fondazione Giorgio Cini, on the island of San Giorgio Maggiore, in Venice.

 

Teachers are Gemma Bertagnolli (Singing) and Antonio Frigé (Basso Continuo).

Calendar
8-10 June: Basso Continuo. Harmonization of the bass in the compositions and at the time of Vivaldi.
10-13 June: Singing.
14-17 July: Singing.
24-27 November: Singing.

 

Deadlines for presentation of requests: 10th May (for both June meetings), 14th June, 25th October.

 

Download the complete announcement